
Purcell: Music for Queen Mary |
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Disc: 1
1.
Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323:
2.
Music for the Funeral of Queen Mary, march and canzona for orchestra, Z. 860: Drum Processional
3.
Love's goddess sure was blind (Birthday Ode for Queen Mary), for soloists, chorus, 2 recorders & con
4.
Love's goddess sure was blind (Birthday Ode for Queen Mary), for soloists, chorus, 2 recorders & con
5.
Love's goddess sure was blind (Birthday Ode for Queen Mary), for soloists, chorus, 2 recorders & con
6.
Love's goddess sure was blind (Birthday Ode for Queen Mary), for soloists, chorus, 2 recorders & con
7.
Love's goddess sure was blind (Birthday Ode for Queen Mary), for soloists, chorus, 2 recorders & con
8.
Music for the Funeral of Queen Mary, march and canzona for orchestra, Z. 860: March, Z 860a
9.
Love's goddess sure was blind (Birthday Ode for Queen Mary), for soloists, chorus, 2 recorders & con
10.
Music for the Funeral of Queen Mary, march and canzona for orchestra, Z. 860: Canzona, Z 860b
11.
Music for the Funeral of Queen Mary, march and canzona for orchestra, Z. 860: Drum Recessional
12.
Funeral Sentences (for the funeral of Queen Mary), Z. 27: Man that is born of a woman, Z 27
13.
Funeral Sentences (for the funeral of Queen Mary), Z. 27: In the midst of life, Z 17b
14.
Funeral Sentences (for the funeral of Queen Mary), Z. 27: Thou know'st, Lord, the secrets of our hea
15.
Love's goddess sure was blind (Birthday Ode for Queen Mary), for soloists, chorus, 2 recorders & con
16.
Love's goddess sure was blind (Birthday Ode for Queen Mary), for soloists, chorus, 2 recorders & con
17.
Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323:
18.
Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323:
19.
Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323:
20.
Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323:
21.
Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323:
22.
Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323:
23.
Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323:
24.
Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323:
25.
Love's goddess sure was blind (Birthday Ode for Queen Mary), for soloists, chorus, 2 recorders & con
26.
Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323:
27.
Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323:
28.
Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323:
29.
Praise the Lord, O Jerusalem, anthem for 2 sopranos, alto, tenor, bass, chorus, 2 violins, viola & o
30.
Love's goddess sure was blind (Birthday Ode for Queen Mary), for soloists, chorus, 2 recorders & con
31.
Thou know'st, Lord (2nd setting), anthem for chorus, slidetrumpets & organ, Z. 58c
To listen to sound clips, you'll need the most current version of the
1. Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323
Composer: Henry Purcell (1659 - 1695)
Period: Baroque
Form / Genre: Occasional Music / Ode
2. Praise the Lord, O Jerusalem, anthem for 2 sopranos, alto, tenor, bass, chorus, 2 violins, viola & o
Written: 1694 Country: England Length - 18 min 33 sec Venue: King's College Chapel, Cambridge, Englan Conductor - Ensemble: Cleobury, Stephen - Academy of Ancient Music (UK) Performers: Alastair Ross - Harpsichord ; Paula Chateauneuf - Theorbo ; Timothy Mead - null ; Royal, Kate - null ; Richard Campbell [Viola da Gamba] - null ; Rachel Brown [Flute] - Recorder ; Beckett, Rachel - Recorder ; Oliver Brett - Organ ; Joseph Crouch - Cello ; Jacques Imbrailo - null ; David Hansen - null ; Katharina Spreckelsen - Oboe
Composer: Henry Purcell (1659 - 1695)
Period: Baroque
Form / Genre: Sacred Music / Anthem
3. Love's goddess sure was blind (Birthday Ode for Queen Mary), for soloists, chorus, 2 recorders & con
Written: circa 1689 Country: England Length - 5 min 51 sec Venue: King's College Chapel, Cambridge, Englan Conductor - Ensemble: Cleobury, Stephen - Academy of Ancient Music (UK) Performers: Richard Campbell [Viola da Gamba] - null ; Saklatvala, Edward - null ; Paula Chateauneuf - Theorbo ; Nick Morris - null ; Joe Adams [Countertenor Vocal] - null ; Joseph Crouch - Cello ; Alastair Ross - Organ
Composer: Henry Purcell (1659 - 1695)
Period: Baroque
Form / Genre: Occasional Music / Ode
4. Music for the Funeral of Queen Mary, march and canzona for orchestra, Z. 860
Written: 1692 Country: England Length - 17 min 56 sec Venue: King's College Chapel, Cambridge, Englan Conductor - Ensemble: Cleobury, Stephen - Academy of Ancient Music (UK) Performers: Andrew Staples - null ; Royal, Kate - null ; Tom Winpenney - Organ ; Timothy Mead - null ; Richard Campbell [Viola da Gamba] - null ; Joseph Crouch - Cello ; Paula Chateauneuf - Theorbo ; Jacques Imbrailo - null ; Edward Phillips - Treble ; Alastair Ross - Harpsichord ; David Hansen - null
Composer: Henry Purcell (1659 - 1695)
Period: Baroque
5. Funeral Sentences (for the funeral of Queen Mary), Z. 27: Man that is born of a woman, Z 27
Written: 1695 Length - 6 min 28 sec Venue: King's College Chapel, Cambridge, Englan Conductor - Ensemble: Cleobury, Stephen - Academy of Ancient Music (UK) Performers: Saunders, Stephen [Trombone] - Slide Trumpet ; Richard Campbell [Viola da Gamba] - null ; Philip Bainbridge - Slide Trumpet ; Paula Chateauneuf - Theorbo ; David Blackadder - Slide Trumpet ; Joseph Crouch - Cello ; Benedict Hoffnung - Drums ; Alastair Ross - Harpsichord ; Addison, Susan - Slide Trumpet
Composer: Henry Purcell (1659 - 1695)
Period: Baroque
Form / Genre: Occasional Music
Country: England
Length - 2 min 45 sec
Venue: King's College Chapel, Cambridge, Englan
6. Funeral Sentences (for the funeral of Queen Mary), Z. 27: In the midst of life, Z 17b
Conductor - Ensemble: Cleobury, Stephen - Academy of Ancient Music (UK) Performers: Richard Campbell [Viola da Gamba] - null ; Paula Chateauneuf - Theorbo ; Joseph Crouch - Cello ; James Browning - null ; John McMunn - null ; Edward Phillips - Treble ; David Allsopp - null ; Alastair Ross - Harpsichord
Composer: Henry Purcell (1659 - 1695)
Period: Baroque
Form / Genre: Occasional Music
Country: England
Length - 4 min 44 sec
Venue: King's College Chapel, Cambridge, Englan
7. Funeral Sentences (for the funeral of Queen Mary), Z. 27: Thou know'st, Lord, the secrets of our hea
Conductor - Ensemble: Cleobury, Stephen - Academy of Ancient Music (UK) Performers: Richard Campbell [Viola da Gamba] - null ; Paula Chateauneuf - Theorbo ; Joseph Crouch - Cello ; James Browning - null ; John McMunn - null ; Edward Phillips - Treble ; David Allsopp - null ; Alastair Ross - Harpsichord
Composer: Henry Purcell (1659 - 1695)
Period: Baroque
Form / Genre: Occasional Music
Country: England
Length - 3 min 41 sec
Venue: King's College Chapel, Cambridge, Englan
8. Thou know'st, Lord (2nd setting), anthem for chorus, slidetrumpets & organ, Z. 58c
Conductor - Ensemble: Cleobury, Stephen - Academy of Ancient Music (UK) Performers: Richard Campbell [Viola da Gamba] - null ; Paula Chateauneuf - Theorbo ; Joseph Crouch - Cello ; John McMunn - null ; James Browning - null ; Edward Phillips - Treble ; Alastair Ross - Harpsichord ; David Allsopp - null
Composer: Henry Purcell (1659 - 1695)
Period: Baroque
Form / Genre: Anthem
Written: 1695 Length - 2 min 32 sec Venue: King's College Chapel, Cambridge, Englan Conductor - Ensemble: Cleobury, Stephen - Academy of Ancient Music (UK) Performers: Alastair Ross - Harpsichord ; Joseph Crouch - Cello ; Paula Chateauneuf - Theorbo ; Richard Campbell [Viola da Gamba] - null |
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