Philippe Herreweghe: By Himself [Includes DVD]

Description Track Details Credits Related Ship Cost/ETA

Release Date: 06/12/2007

Original Release: N/A

# of Discs: 1

Domestic

Label: Harmonia Mundi (Distributor)

Disc: 1

1. St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D

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2. Wende dich, Herr, und sei mir gnädig, motet for 5 voices & continuo (Israelis Brünlein No. 6)

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3. St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D

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4. Rejoice in the Lord alway ("Bell Anthem"), anthem for alto, tenor, bass, chorus, strings & organ, Z.

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5. Requiem (Messe des morts): Introït [Excerpt]

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6. Selig sind die Toten, motet for 2 sopranos, alto, 2 tenors, bass & continuo, SWV 391 (Op. 11/23)

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7. Adoramus te, Christe, motet for 6 voices & continuo, SV 289

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8. Cantata No. 91, "Gelobet seist su, Jesu Christ," BWV 91 (BC A9): Aria. Die Armut, so Gott auf sich n

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9. Hieremiae prophetae lamentationes, et aliae pieae cantiones, collection for 5 voices: Vendredi Saint

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10. Cantata No. 170, "Vergnügte Ruh, beliebte Seelenlust," BWV 170 (BC A106): 1. Aria. Vergnügte Ruh! be

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11. Cantata No. 75, "Die Elenden sollen essen," BWV 75 (BC A94): 5. Aria. Ich nehme mein Leiden mit Freu

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12. Cantata No. 8 "Liebster Gott, wann werd ich sterben" (first version), BWV 8 (BC A137a): 1. Coro. Lie

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13. St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D

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Credits

1. St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D

Composer: Johann Sebastian Bach (1685 - 1750)   Period: Baroque   Form / Genre: Passion
Written: 1736
Recorded: 09/1984   Length - 7 min 8 sec   Venue: Église St. Gilles, Bruges, Belgium
Conductor - Ensemble: Herreweghe, Philippe - La Chapelle Royale

2. Cantata No. 91, "Gelobet seist su, Jesu Christ," BWV 91 (BC A9): Aria. Die Armut, so Gott auf sich n

Composer: Johann Sebastian Bach (1685 - 1750) Period: Baroque Form / Genre: Cantata
Written: 12/25/1724 Length - 6 min 57 sec

3. Cantata No. 8 "Liebster Gott, wann werd ich sterben" (first version), BWV 8 (BC A137a): 1. Coro. Lie

Composer: Johann Sebastian Bach (1685 - 1750)   Period: Baroque   Form / Genre: Cantata
Written: 09/24/1724
Recorded: 02/1998   Length - 6 min 39 sec   Venue: Édlise Doopsgezinde Gemeente, Harlem

4. Cantata No. 75, "Die Elenden sollen essen," BWV 75 (BC A94): 5. Aria. Ich nehme mein Leiden mit Freu

Composer: Johann Sebastian Bach (1685 - 1750)   Period: Baroque   Form / Genre: Cantata
Written: 05/30/1723
Recorded: 12/2003   Length - 4 min 51 sec   Venue: Studio Flagey, Bruxelles
Performers: Sampson, Carolyn - null

5. Cantata No. 170, "Vergnügte Ruh, beliebte Seelenlust," BWV 170 (BC A106): 1. Aria. Vergnügte Ruh! be

Composer: Johann Sebastian Bach (1685 - 1750)   Period: Baroque   Form / Genre: Cantata
Written: 07/28/1726
Recorded: 07/1997   Length - 6 min 46 sec   Venue: Lycée Sainte-Geneviève, Versailles, Fran
Performers: Scholl, Andreas - null

6. Hieremiae prophetae lamentationes, et aliae pieae cantiones, collection for 5 voices: Vendredi Saint

Composer: Orlande de Lassus (1532 - 1594) Period: Renaissance
Recorded: 03/1989 Length - 9 min 19 sec Venue: Chapelle de l'Indtitut Irlandais, Louvai

7. Adoramus te, Christe, motet for 6 voices & continuo, SV 289

Composer: Claudio Monteverdi (1567 - 1643)   Period: Baroque   Form / Genre: Sacred Music / Motet
Written: circa 1620   Country: Italy
Recorded: 11/1990   Length - 3 min 31 sec   Venue: Église Allemande, Paris, France

8. Wende dich, Herr, und sei mir gnädig, motet for 5 voices & continuo (Israelis Brünlein No. 6)

Composer: Johann Hermann Schein (1586 - 1630) Period: Baroque
Recorded: 06/1985 Length - 3 min 58 sec Venue: Chapelle des Sours Auxiliatrices, Versai

9. Selig sind die Toten, motet for 2 sopranos, alto, 2 tenors, bass & continuo, SWV 391 (Op. 11/23)

Composer: Heinrich Schütz (1585 - 1672) Period: Baroque Form / Genre: Motet Country: Germany
Recorded: 01/1987 Length - 4 min 24 sec Venue: Église Allemande, Paris, France
Conductor - Ensemble: Herreweghe, Philippe - La Chapelle Royale

10. Requiem (Messe des morts): Introït [Excerpt]

Composer: Jean Gilles (1668 - 1705)   Period: Baroque   Form / Genre: Requiem
Written: 1697-1704
Recorded: 05/1990   Length - 6 min 39 sec   Venue: Église Notre-Dame du Liban, Paris, Franc
Conductor - Ensemble: Herreweghe, Philippe - La Chapelle Royale
Performers: Crook, Howard [Tenor Vocals] - null

11. Rejoice in the Lord alway ("Bell Anthem"), anthem for alto, tenor, bass, chorus, strings & organ, Z.

Composer: Henry Purcell (1659 - 1695)   Period: Baroque   Form / Genre: Anthem
Written: circa 1683
Recorded: 01/1993   Length - 8 min 6 sec   Venue: Eglise Onze-Lieve-Vrous Presentatie, Gen

12. St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D

Composer: Johann Sebastian Bach (1685 - 1750)   Period: Baroque   Form / Genre: Passion
Written: 1736
Recorded: 09/1984   Length - 2 min 1 sec   Venue: Église St. Gilles, Bruges, Belgium
Conductor - Ensemble: Herreweghe, Philippe - La Chapelle Royale

13. St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D

Composer: Johann Sebastian Bach (1685 - 1750)   Period: Baroque   Form / Genre: Passion
Written: 1736
Recorded: 09/1984   Length - 6 min 24 sec   Venue: Église St. Gilles, Bruges, Belgium
Conductor - Ensemble: Herreweghe, Philippe - La Chapelle Royale

14. Serenade No. 10 for winds in B flat major ("Gran Partita"), K. 361 (K. 370a): Adagio

Composer: Wolfgang Amadeus Mozart (1756 - 1791)   Period: Classical   Form / Genre: Serenade
Written: 1781   Country: Austria
Recorded: 06/1995   Length - 5 min 15 sec   Venue: Église St. Gilles, Bruges, Belgium

15. Mass for soloists, chorus & orchestra in D major ("Missa Solemnis"), Op. 123: Sanctus

Composer: Ludwig van Beethoven (1770 - 1827)   Period: Classical   Form / Genre: Mass
Written: 1819-1823
Recorded: 02/1995   Length - 5 min 25 sec   Venue: Autidorium Stravinsky, Montreux, Switzer
Conductor - Ensemble: Herreweghe, Philippe - La Chapelle Royale

16. Elijah (Elias), oratorio, Op. 70: 34. Chor. Der Herr ging vorüber

Composer: Felix Mendelssohn (1809 - 1847)   Period: Romantic   Form / Genre: Oratorio
Written: 08/11/1846
Recorded: 02/1993   Length - 4 min 6 sec   Venue: Grande Salle de l'Arsenal de Metz
Conductor - Ensemble: Herreweghe, Philippe - La Chapelle Royale

17. A Midsummer Night's Dream, incidental music, Op. 61: Lied mit Chor. Bunte Schlangen, zweigezüngt! Al

Composer: Felix Mendelssohn (1809 - 1847)   Period: Romantic   Form / Genre: Incidental Music
Written: 1843   Country: Germany
Recorded: 02/1994   Length - 4 min 12 sec   Venue: Salle Wagram, Paris, France

18. Ein deutsches Requiem (A German Requiem), for soprano, baritone, chorus & orchestra, Op. 45: Herr, l

Composer: Johannes Brahms (1833 - 1897)   Period: Romantic   Form / Genre: Requiem
Written: 1857-1868   Country: Germany
Recorded: 06/1996   Length - 9 min 28 sec   Venue: Auditorium Stravinsky, Montreux, Switzer

19. Symphony No. 3 in E flat major ("Rhenish"), Op. 97: Finale. Lebhaft

Composer: Robert Schumann (1810 - 1856)   Period: Romantic   Form / Genre: Symphony
Written: 1850   Country: Germany
Recorded: 12/2006   Length - 5 min 43 sec   Venue: Herkulessaal, München

20. Les Nuits d'été, song cycle for voice & piano (or orchestra), H. 81 (Op. 7): Au cimetière. Clair de

Composer: Hector Berlioz (1803 - 1869) Period: Romantic Form / Genre: Song Cycle
Written: 09/1841 Length - 5 min 51 sec Venue: Salle Wagram, Paris, France

21. Symphony No. 4 in E flat ("Romantic"), WAB 104: 3. Scherzo. Bewegt - Trio. Nicht zu schnell, keinesf

Composer: Anton Bruckner (1824 - 1896)   Period: Romantic   Form / Genre: Symphony
Written: 1874-1888
Recorded: 10/2005   Length - 10 min 1 sec   Venue: Auditorium, Dijon, France

22. Des Knaben Wunderhorn, song cycle (12) for voice & piano (or orchestra): Urlicht

Composer: Gustav Mahler (Composer) (1860 - 1911)   Period: Romantic   Form / Genre: Song Collection
Written: ?/?1892-07/1898   Country: Germany
Recorded: 10/2005   Length - 4 min 54 sec   Venue: Auditorium, Dijon, France

23. Pierrot lunaire, melodrama for voice & chamber ensemble, Op. 21: 1. Teil. Mondestrunken

Composer: Arnold Schoenberg (1874 - 1951)   Period: Modern   Form / Genre: Melodrama
Written: 1912   Country: Austria
Recorded: 07/1991   Length - 1 min 39 sec   Venue: Auditorium, Châtelet, Paris, France

24. Pierrot lunaire, melodrama for voice & chamber ensemble, Op. 21: 1. Teil. Colombine

Composer: Arnold Schoenberg (1874 - 1951)   Period: Modern   Form / Genre: Melodrama
Written: 1912   Country: Austria
Recorded: 07/1991   Length - 1 min 43 sec   Venue: Auditorium, Châtelet, Paris, France

25. Das Berliner Requiem, cantata for tenor, baritone, male chorus & wind orchestra: Ballade vom ertrunk

Composer: Kurt Weill (Composer) (1900 - 1950)   Period: Modern   Form / Genre: Cantata
Written: 11/1928-12/1928   Country: Germany
Recorded: 05/1992   Length - 2 min 7 sec   Venue: IRCAM, Paris, France

26. Das Berliner Requiem, cantata for tenor, baritone, male chorus & wind orchestra: Zweiter Bericht übe

27. Requiem, for 2 solo voices, chorus, organ & orchestra, Op. 48: Pie Jesu (version 1893)

Composer: Gabriel Fauré (1845 - 1924)   Period: Romantic   Form / Genre: Requiem
Written: 1887-1900   Country: France
Recorded: 09/1988   Length - 4 min 19 sec   Venue: Chapelle de l'école secondaire Saint-Mic

28. Requiem, for 2 solo voices, chorus, organ & orchestra, Op. 48: Agnus Dei (version pour grand orchest

Composer: Gabriel Fauré (1845 - 1924)   Period: Romantic   Form / Genre: Requiem
Written: 1887-1900   Country: France
Recorded: 11/2001   Length - 6 min 29 sec   Venue: L'Arsenal, Metz, France

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Similar Genres:
Classical Anthem Cantata Incidental Music Mass Motet Oratorio Requiem Serenade Song Cycle Symphony Melodrama Passion Sacred Music Song Collection

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