
Purcell: The Complete Odes and Welcome Songs |
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Disc: 1
1.
Arise, my muse (Ode for Queen Mary's Birthday), for soloists, chorus & instruments, Z. 320: Symphony
2.
Now does the glorious day appear (Ode for Queen Mary's Birthday), for soloists, chorus, violins & co
3.
Now does the glorious day appear (Ode for Queen Mary's Birthday), for soloists, chorus, violins & co
4.
Now does the glorious day appear (Ode for Queen Mary's Birthday), for soloists, chorus, violins & co
5.
Now does the glorious day appear (Ode for Queen Mary's Birthday), for soloists, chorus, violins & co
6.
Now does the glorious day appear (Ode for Queen Mary's Birthday), for soloists, chorus, violins & co
7.
Now does the glorious day appear (Ode for Queen Mary's Birthday), for soloists, chorus, violins & co
8.
Now does the glorious day appear (Ode for Queen Mary's Birthday), for soloists, chorus, violins & co
9.
Welcome to all the pleasures (An Ode for St. Cecilia's Day), for soloists, chorus & instruments, Z.
10.
Now does the glorious day appear (Ode for Queen Mary's Birthday), for soloists, chorus, violins & co
11.
Now does the glorious day appear (Ode for Queen Mary's Birthday), for soloists, chorus, violins & co
12.
Now does the glorious day appear (Ode for Queen Mary's Birthday), for soloists, chorus, violins & co
13.
Arise, my muse (Ode for Queen Mary's Birthday), for soloists, chorus & instruments, Z. 320: Arise, m
14.
Welcome to all the pleasures (An Ode for St. Cecilia's Day), for soloists, chorus & instruments, Z.
15.
Now does the glorious day appear (Ode for Queen Mary's Birthday), for soloists, chorus, violins & co
16.
Welcome to all the pleasures (An Ode for St. Cecilia's Day), for soloists, chorus & instruments, Z.
17.
Arise, my muse (Ode for Queen Mary's Birthday), for soloists, chorus & instruments, Z. 320: To quell
18.
Arise, my muse (Ode for Queen Mary's Birthday), for soloists, chorus & instruments, Z. 320: Ye sons
19.
Arise, my muse (Ode for Queen Mary's Birthday), for soloists, chorus & instruments, Z. 320: Then sou
20.
Arise, my muse (Ode for Queen Mary's Birthday), for soloists, chorus & instruments, Z. 320: See how
21.
Welcome to all the pleasures (An Ode for St. Cecilia's Day), for soloists, chorus & instruments, Z.
22.
Arise, my muse (Ode for Queen Mary's Birthday), for soloists, chorus & instruments, Z. 320: And sinc
23.
Arise, my muse (Ode for Queen Mary's Birthday), for soloists, chorus & instruments, Z. 320: Hail, gr
24.
Arise, my muse (Ode for Queen Mary's Birthday), for soloists, chorus & instruments, Z. 320: But ah,
25.
Welcome to all the pleasures (An Ode for St. Cecilia's Day), for soloists, chorus & instruments, Z.
26.
Arise, my muse (Ode for Queen Mary's Birthday), for soloists, chorus & instruments, Z. 320: But Glor
27.
Welcome to all the pleasures (An Ode for St. Cecilia's Day), for soloists, chorus & instruments, Z.
28.
Welcome to all the pleasures (An Ode for St. Cecilia's Day), for soloists, chorus & instruments, Z.
Disc: 2
1.
Who can from joy refrain? (Birthday Ode for the Duke of Gloucester), for soloists, chorus & instrume
2.
Who can from joy refrain? (Birthday Ode for the Duke of Gloucester), for soloists, chorus & instrume
3.
Who can from joy refrain? (Birthday Ode for the Duke of Gloucester), for soloists, chorus & instrume
4.
Who can from joy refrain? (Birthday Ode for the Duke of Gloucester), for soloists, chorus & instrume
5.
Who can from joy refrain? (Birthday Ode for the Duke of Gloucester), for soloists, chorus & instrume
6.
Who can from joy refrain? (Birthday Ode for the Duke of Gloucester), for soloists, chorus & instrume
7.
Who can from joy refrain? (Birthday Ode for the Duke of Gloucester), for soloists, chorus & instrume
8.
Hail, bright Cecilia (Ode for St. Cecilia's Day), for soloists, chorus & instruments, Z. 328: Let th
9.
Hail, bright Cecilia (Ode for St. Cecilia's Day), for soloists, chorus & instruments, Z. 328: Hail!
10.
Hail, bright Cecilia (Ode for St. Cecilia's Day), for soloists, chorus & instruments, Z. 328: Hark,
11.
Hail, bright Cecilia (Ode for St. Cecilia's Day), for soloists, chorus & instruments, Z. 328: The Fi
12.
Hail, bright Cecilia (Ode for St. Cecilia's Day), for soloists, chorus & instruments, Z. 328: In vai
13.
Hail, bright Cecilia (Ode for St. Cecilia's Day), for soloists, chorus & instruments, Z. 328: 'Tis N
14.
Hail, bright Cecilia (Ode for St. Cecilia's Day), for soloists, chorus & instruments, Z. 328: Sympho
15.
Hail, bright Cecilia (Ode for St. Cecilia's Day), for soloists, chorus & instruments, Z. 328: Hail!
16.
Hail, bright Cecilia (Ode for St. Cecilia's Day), for soloists, chorus & instruments, Z. 328: Soul o
17.
Hail, bright Cecilia (Ode for St. Cecilia's Day), for soloists, chorus & instruments, Z. 328: The Ai
18.
Hail, bright Cecilia (Ode for St. Cecilia's Day), for soloists, chorus & instruments, Z. 328: Thou t
19.
Hail, bright Cecilia (Ode for St. Cecilia's Day), for soloists, chorus & instruments, Z. 328: With t
20.
Hail, bright Cecilia (Ode for St. Cecilia's Day), for soloists, chorus & instruments, Z. 328: Wond'r
Disc: 3
1.
Celebrate this festival (Birthday Ode for Queen Mary), ode for 5 soloists, double chorus, 2 oboes, 2
2.
Celebrate this festival (Birthday Ode for Queen Mary), ode for 5 soloists, double chorus, 2 oboes, 2
3.
Celebrate this festival (Birthday Ode for Queen Mary), ode for 5 soloists, double chorus, 2 oboes, 2
4.
Celebrate this festival (Birthday Ode for Queen Mary), ode for 5 soloists, double chorus, 2 oboes, 2
5.
Celebrate this festival (Birthday Ode for Queen Mary), ode for 5 soloists, double chorus, 2 oboes, 2
6.
Celebrate this festival (Birthday Ode for Queen Mary), ode for 5 soloists, double chorus, 2 oboes, 2
7.
Celebrate this festival (Birthday Ode for Queen Mary), ode for 5 soloists, double chorus, 2 oboes, 2
8.
Celebrate this festival (Birthday Ode for Queen Mary), ode for 5 soloists, double chorus, 2 oboes, 2
9.
Celebrate this festival (Birthday Ode for Queen Mary), ode for 5 soloists, double chorus, 2 oboes, 2
10.
Celebrate this festival (Birthday Ode for Queen Mary), ode for 5 soloists, double chorus, 2 oboes, 2
11.
Celebrate this festival (Birthday Ode for Queen Mary), ode for 5 soloists, double chorus, 2 oboes, 2
12.
Celebrate this festival (Birthday Ode for Queen Mary), ode for 5 soloists, double chorus, 2 oboes, 2
13.
Sound the trumpet, beat the drum (Welcome Ode for James II), for 2 altos, tenors, basses, chorus, st
14.
Celebrate this festival (Birthday Ode for Queen Mary), ode for 5 soloists, double chorus, 2 oboes, 2
15.
Sound the trumpet, beat the drum (Welcome Ode for James II), for 2 altos, tenors, basses, chorus, st
16.
Sound the trumpet, beat the drum (Welcome Ode for James II), for 2 altos, tenors, basses, chorus, st
17.
Fly bold rebellion (Welcome Ode for Charles II), for soloists, double chorus, strings & continuo, Z.
18.
Fly bold rebellion (Welcome Ode for Charles II), for soloists, double chorus, strings & continuo, Z.
19.
Sound the trumpet, beat the drum (Welcome Ode for James II), for 2 altos, tenors, basses, chorus, st
20.
Fly bold rebellion (Welcome Ode for Charles II), for soloists, double chorus, strings & continuo, Z.
21.
Fly bold rebellion (Welcome Ode for Charles II), for soloists, double chorus, strings & continuo, Z.
22.
Fly bold rebellion (Welcome Ode for Charles II), for soloists, double chorus, strings & continuo, Z.
23.
Fly bold rebellion (Welcome Ode for Charles II), for soloists, double chorus, strings & continuo, Z.
24.
Fly bold rebellion (Welcome Ode for Charles II), for soloists, double chorus, strings & continuo, Z.
25.
Sound the trumpet, beat the drum (Welcome Ode for James II), for 2 altos, tenors, basses, chorus, st
26.
Fly bold rebellion (Welcome Ode for Charles II), for soloists, double chorus, strings & continuo, Z.
27.
Sound the trumpet, beat the drum (Welcome Ode for James II), for 2 altos, tenors, basses, chorus, st
28.
Sound the trumpet, beat the drum (Welcome Ode for James II), for 2 altos, tenors, basses, chorus, st
29.
Sound the trumpet, beat the drum (Welcome Ode for James II), for 2 altos, tenors, basses, chorus, st
Disc: 4
1.
From hardy climes (Ode for the wedding of Prince George of Denmark to Princess Anne) for bass, choru
2.
Celestial music did the gods inspire (Ode for Mr. Maidwell's School), ode for soloists, 2 recorders
3.
Celestial music did the gods inspire (Ode for Mr. Maidwell's School), ode for soloists, 2 recorders
4.
Celestial music did the gods inspire (Ode for Mr. Maidwell's School), ode for soloists, 2 recorders
5.
From hardy climes (Ode for the wedding of Prince George of Denmark to Princess Anne) for bass, choru
6.
From hardy climes (Ode for the wedding of Prince George of Denmark to Princess Anne) for bass, choru
7.
From hardy climes (Ode for the wedding of Prince George of Denmark to Princess Anne) for bass, choru
8.
From hardy climes (Ode for the wedding of Prince George of Denmark to Princess Anne) for bass, choru
9.
From hardy climes (Ode for the wedding of Prince George of Denmark to Princess Anne) for bass, choru
10.
From hardy climes (Ode for the wedding of Prince George of Denmark to Princess Anne) for bass, choru
11.
Celestial music did the gods inspire (Ode for Mr. Maidwell's School), ode for soloists, 2 recorders
12.
Celestial music did the gods inspire (Ode for Mr. Maidwell's School), ode for soloists, 2 recorders
13.
Celestial music did the gods inspire (Ode for Mr. Maidwell's School), ode for soloists, 2 recorders
14.
Ye tuneful muses (Welcome Ode for Charles II), for soloists, chorus & instruments, Z. 344: Chorus. I
15.
Celestial music did the gods inspire (Ode for Mr. Maidwell's School), ode for soloists, 2 recorders
16.
Ye tuneful muses (Welcome Ode for Charles II), for soloists, chorus & instruments, Z. 344: Symphony
17.
Ye tuneful muses (Welcome Ode for Charles II), for soloists, chorus & instruments, Z. 344: Duet, Rit
18.
Ye tuneful muses (Welcome Ode for Charles II), for soloists, chorus & instruments, Z. 344: Chorus, R
19.
Ye tuneful muses (Welcome Ode for Charles II), for soloists, chorus & instruments, Z. 344: Ritornell
20.
Ye tuneful muses (Welcome Ode for Charles II), for soloists, chorus & instruments, Z. 344: Trio. To
21.
Ye tuneful muses (Welcome Ode for Charles II), for soloists, chorus & instruments, Z. 344: Ritornell
22.
Ye tuneful muses (Welcome Ode for Charles II), for soloists, chorus & instruments, Z. 344: Duet. Hap
23.
Ye tuneful muses (Welcome Ode for Charles II), for soloists, chorus & instruments, Z. 344: Chorus. W
Disc: 5
1.
Great parent, hail! (Ode for the Centenary of Trinity College, Dublin), for soloists, chorus, string
2.
Great parent, hail! (Ode for the Centenary of Trinity College, Dublin), for soloists, chorus, string
3.
Great parent, hail! (Ode for the Centenary of Trinity College, Dublin), for soloists, chorus, string
4.
Great parent, hail! (Ode for the Centenary of Trinity College, Dublin), for soloists, chorus, string
5.
The Summer's absence unconcerned we bear (Welcome Song for Charles II) for soloists, chorus & instru
6.
The Summer's absence unconcerned we bear (Welcome Song for Charles II) for soloists, chorus & instru
7.
The Summer's absence unconcerned we bear (Welcome Song for Charles II) for soloists, chorus & instru
8.
The Summer's absence unconcerned we bear (Welcome Song for Charles II) for soloists, chorus & instru
9.
The Summer's absence unconcerned we bear (Welcome Song for Charles II) for soloists, chorus & instru
10.
The Summer's absence unconcerned we bear (Welcome Song for Charles II) for soloists, chorus & instru
11.
The Summer's absence unconcerned we bear (Welcome Song for Charles II) for soloists, chorus & instru
12.
The Summer's absence unconcerned we bear (Welcome Song for Charles II) for soloists, chorus & instru
13.
Great parent, hail! (Ode for the Centenary of Trinity College, Dublin), for soloists, chorus, string
14.
Great parent, hail! (Ode for the Centenary of Trinity College, Dublin), for soloists, chorus, string
15.
Welcome, glorious morn (Birthday Ode for Queen Mary), for soloists, chorus & instruments, Z. 338: Sy
16.
Great parent, hail! (Ode for the Centenary of Trinity College, Dublin), for soloists, chorus, string
17.
Welcome, glorious morn (Birthday Ode for Queen Mary), for soloists, chorus & instruments, Z. 338: An
18.
Great parent, hail! (Ode for the Centenary of Trinity College, Dublin), for soloists, chorus, string
19.
Welcome, glorious morn (Birthday Ode for Queen Mary), for soloists, chorus & instruments, Z. 338: We
20.
Welcome, glorious morn (Birthday Ode for Queen Mary), for soloists, chorus & instruments, Z. 338: We
21.
Welcome, glorious morn (Birthday Ode for Queen Mary), for soloists, chorus & instruments, Z. 338: Th
22.
Welcome, glorious morn (Birthday Ode for Queen Mary), for soloists, chorus & instruments, Z. 338: Fu
23.
Welcome, glorious morn (Birthday Ode for Queen Mary), for soloists, chorus & instruments, Z. 338: At
24.
Welcome, glorious morn (Birthday Ode for Queen Mary), for soloists, chorus & instruments, Z. 338: My
25.
Great parent, hail! (Ode for the Centenary of Trinity College, Dublin), for soloists, chorus, string
26.
Welcome, glorious morn (Birthday Ode for Queen Mary), for soloists, chorus & instruments, Z. 338: Wh
27.
Welcome, glorious morn (Birthday Ode for Queen Mary), for soloists, chorus & instruments, Z. 338: So
28.
Welcome, glorious morn (Birthday Ode for Queen Mary), for soloists, chorus & instruments, Z. 338: He
29.
Great parent, hail! (Ode for the Centenary of Trinity College, Dublin), for soloists, chorus, string
Disc: 6
1.
Laudate Ceciliam (Ode for St. Cecilia's Day), ode for alto, tenor, bass, 2 violins & continuo, Z. 32
2.
From those serene and rapturous joys (Welcome Song for Charles II) for soloists, chorus, strings & c
3.
From those serene and rapturous joys (Welcome Song for Charles II) for soloists, chorus, strings & c
4.
From those serene and rapturous joys (Welcome Song for Charles II) for soloists, chorus, strings & c
5.
From those serene and rapturous joys (Welcome Song for Charles II) for soloists, chorus, strings & c
6.
From those serene and rapturous joys (Welcome Song for Charles II) for soloists, chorus, strings & c
7.
From those serene and rapturous joys (Welcome Song for Charles II) for soloists, chorus, strings & c
8.
From those serene and rapturous joys (Welcome Song for Charles II) for soloists, chorus, strings & c
9.
From those serene and rapturous joys (Welcome Song for Charles II) for soloists, chorus, strings & c
10.
Laudate Ceciliam (Ode for St. Cecilia's Day), ode for alto, tenor, bass, 2 violins & continuo, Z. 32
11.
Laudate Ceciliam (Ode for St. Cecilia's Day), ode for alto, tenor, bass, 2 violins & continuo, Z. 32
12.
Raise, raise the voice (An Ode for St. Cecilia's day), for soprano, bass, chorus, 2 violins & contin
13.
Laudate Ceciliam (Ode for St. Cecilia's Day), ode for alto, tenor, bass, 2 violins & continuo, Z. 32
14.
Raise, raise the voice (An Ode for St. Cecilia's day), for soprano, bass, chorus, 2 violins & contin
15.
Love's goddess sure was blind (Birthday Ode for Queen Mary), for soloists, chorus, 2 recorders & con
16.
Love's goddess sure was blind (Birthday Ode for Queen Mary), for soloists, chorus, 2 recorders & con
17.
Love's goddess sure was blind (Birthday Ode for Queen Mary), for soloists, chorus, 2 recorders & con
18.
Love's goddess sure was blind (Birthday Ode for Queen Mary), for soloists, chorus, 2 recorders & con
19.
Love's goddess sure was blind (Birthday Ode for Queen Mary), for soloists, chorus, 2 recorders & con
20.
Love's goddess sure was blind (Birthday Ode for Queen Mary), for soloists, chorus, 2 recorders & con
21.
Love's goddess sure was blind (Birthday Ode for Queen Mary), for soloists, chorus, 2 recorders & con
22.
Raise, raise the voice (An Ode for St. Cecilia's day), for soprano, bass, chorus, 2 violins & contin
23.
Love's goddess sure was blind (Birthday Ode for Queen Mary), for soloists, chorus, 2 recorders & con
24.
Raise, raise the voice (An Ode for St. Cecilia's day), for soprano, bass, chorus, 2 violins & contin
Disc: 7
1.
Swifter, Isis, swifter flow (Welcome Song for Charles II), for soloists, chorus & instruments, Z. 33
2.
Swifter, Isis, swifter flow (Welcome Song for Charles II), for soloists, chorus & instruments, Z. 33
3.
Swifter, Isis, swifter flow (Welcome Song for Charles II), for soloists, chorus & instruments, Z. 33
4.
Swifter, Isis, swifter flow (Welcome Song for Charles II), for soloists, chorus & instruments, Z. 33
5.
What, what shall be done in behalf of the man? (Welcome Song for the Duke of York), for soloists, ch
6.
What, what shall be done in behalf of the man? (Welcome Song for the Duke of York), for soloists, ch
7.
What, what shall be done in behalf of the man? (Welcome Song for the Duke of York), for soloists, ch
8.
What, what shall be done in behalf of the man? (Welcome Song for the Duke of York), for soloists, ch
9.
What, what shall be done in behalf of the man? (Welcome Song for the Duke of York), for soloists, ch
10.
Swifter, Isis, swifter flow (Welcome Song for Charles II), for soloists, chorus & instruments, Z. 33
11.
Swifter, Isis, swifter flow (Welcome Song for Charles II), for soloists, chorus & instruments, Z. 33
12.
Of old when heroes thought it base (Yorkshire Feast Song), ode for soloists, chorus & instruments, Z
13.
Swifter, Isis, swifter flow (Welcome Song for Charles II), for soloists, chorus & instruments, Z. 33
14.
Of old when heroes thought it base (Yorkshire Feast Song), ode for soloists, chorus & instruments, Z
15.
Of old when heroes thought it base (Yorkshire Feast Song), ode for soloists, chorus & instruments, Z
16.
Of old when heroes thought it base (Yorkshire Feast Song), ode for soloists, chorus & instruments, Z
17.
Of old when heroes thought it base (Yorkshire Feast Song), ode for soloists, chorus & instruments, Z
18.
Of old when heroes thought it base (Yorkshire Feast Song), ode for soloists, chorus & instruments, Z
19.
Of old when heroes thought it base (Yorkshire Feast Song), ode for soloists, chorus & instruments, Z
20.
Of old when heroes thought it base (Yorkshire Feast Song), ode for soloists, chorus & instruments, Z
21.
Of old when heroes thought it base (Yorkshire Feast Song), ode for soloists, chorus & instruments, Z
22.
Of old when heroes thought it base (Yorkshire Feast Song), ode for soloists, chorus & instruments, Z
23.
Of old when heroes thought it base (Yorkshire Feast Song), ode for soloists, chorus & instruments, Z
24.
Of old when heroes thought it base (Yorkshire Feast Song), ode for soloists, chorus & instruments, Z
Disc: 8
1.
Why, why are all the muses mute? (Welcome Song for James II), for soloists, chorus & instruments, Z.
2.
Why, why are all the muses mute? (Welcome Song for James II), for soloists, chorus & instruments, Z.
3.
Why, why are all the muses mute? (Welcome Song for James II), for soloists, chorus & instruments, Z.
4.
Welcome, Viceregent of the mighty King (Welcome song for Charles II), for soloists, chorus & instrum
5.
Why, why are all the muses mute? (Welcome Song for James II), for soloists, chorus & instruments, Z.
6.
Why, why are all the muses mute? (Welcome Song for James II), for soloists, chorus & instruments, Z.
7.
Why, why are all the muses mute? (Welcome Song for James II), for soloists, chorus & instruments, Z.
8.
Why, why are all the muses mute? (Welcome Song for James II), for soloists, chorus & instruments, Z.
9.
Why, why are all the muses mute? (Welcome Song for James II), for soloists, chorus & instruments, Z.
10.
Welcome, Viceregent of the mighty King (Welcome song for Charles II), for soloists, chorus & instrum
11.
Welcome, Viceregent of the mighty King (Welcome song for Charles II), for soloists, chorus & instrum
12.
Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323:
13.
Welcome, Viceregent of the mighty King (Welcome song for Charles II), for soloists, chorus & instrum
14.
Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323:
15.
Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323:
16.
Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323:
17.
Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323:
18.
Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323:
19.
Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323:
20.
Welcome, Viceregent of the mighty King (Welcome song for Charles II), for soloists, chorus & instrum
21.
Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323:
22.
Welcome, Viceregent of the mighty King (Welcome song for Charles II), for soloists, chorus & instrum
23.
Welcome, Viceregent of the mighty King (Welcome song for Charles II), for soloists, chorus & instrum
24.
Why, why are all the muses mute? (Welcome Song for James II), for soloists, chorus & instruments, Z.
To listen to sound clips, you'll need the most current version of the
1. Arise, my muse (Ode for Queen Mary's Birthday), for soloists, chorus & instruments, Z. 320
Composer: Henry Purcell (1659 - 1695)
Period: Baroque
Form / Genre: Occasional Music / Ode
2. Welcome to all the pleasures (An Ode for St. Cecilia's Day), for soloists, chorus & instruments, Z.
Written: 1690 Country: England Length - 19 min 2 sec Performers: Ainsley, John Mark - null ; Gillian Fisher - null ; Bonner, Tessa - null ; Pott, Charles - null ; George, Michael - null ; Daniels, Charles - null ; Chance, Michael - null ; Bowman, James [Countertenor Vocal] - null
Composer: Henry Purcell (1659 - 1695)
Period: Baroque
Form / Genre: Occasional Music / Ode
3. Now does the glorious day appear (Ode for Queen Mary's Birthday), for soloists, chorus, violins & co
Written: 1683 Country: England Length - 1 min 32 sec Performers: George, Michael - null ; Pott, Charles - null ; Gillian Fisher - null ; Bonner, Tessa - null ; Daniels, Charles - null ; Chance, Michael - null ; Bowman, James [Countertenor Vocal] - null ; Ainsley, John Mark - null
Composer: Henry Purcell (1659 - 1695)
Period: Baroque
Form / Genre: Occasional Music / Ode
4. Hail, bright Cecilia (Ode for St. Cecilia's Day), for soloists, chorus & instruments, Z. 328
Written: 1689 Country: England Length - 3 min 37 sec Performers: George, Michael - null ; Pott, Charles - null ; Gillian Fisher - null ; Bonner, Tessa - null ; Daniels, Charles - null ; Chance, Michael - null ; Ainsley, John Mark - null ; Bowman, James [Countertenor Vocal] - null
Composer: Henry Purcell (1659 - 1695)
Period: Baroque
Form / Genre: Ode
5. Who can from joy refrain? (Birthday Ode for the Duke of Gloucester), for soloists, chorus & instrume
Written: 1692 Country: England Length - 9 min 27 sec Performers: Gillian Fisher - null ; Keenlyside, Simon - null ; George, Michael - null ; Bowman, James [Countertenor Vocal] - null ; Ainsley, John Mark - null
Composer: Henry Purcell (1659 - 1695)
Period: Baroque
Form / Genre: Occasional Music / Ode
6. Fly bold rebellion (Welcome Ode for Charles II), for soloists, double chorus, strings & continuo, Z.
Written: 1695 Country: England Length - 4 min 27 sec Performers: Gillian Fisher - null ; George, Michael - null ; Bowman, James [Countertenor Vocal] - null ; Bonner, Tessa - null ; Ainsley, John Mark - null
Composer: Henry Purcell (1659 - 1695)
Period: Baroque
Form / Genre: Occasional Music / Ode
7. Sound the trumpet, beat the drum (Welcome Ode for James II), for 2 altos, tenors, basses, chorus, st
Written: 1683 Country: England Length - 18 min 5 sec Performers: Gillian Fisher - null ; Müller, Rufus [Tenor Vocals] - null ; Bonner, Tessa - null ; George, Michael - null ; Bowman, James [Countertenor Vocal] - null
Composer: Henry Purcell (1659 - 1695)
Period: Baroque
Form / Genre: Occasional Music / Ode
8. Celebrate this festival (Birthday Ode for Queen Mary), ode for 5 soloists, double chorus, 2 oboes, 2
Written: 1687 Country: England Length - 22 min 22 sec Performers: Bowman, James [Countertenor Vocal] - null ; Müller, Rufus [Tenor Vocals] - null ; George, Michael - null
Composer: Henry Purcell (1659 - 1695)
Period: Baroque
Form / Genre: Occasional Music / Ode
9. Ye tuneful muses (Welcome Ode for Charles II), for soloists, chorus & instruments, Z. 344
Written: 1693 Country: England Length - 30 min 2 sec Performers: Gillian Fisher - null ; Steele-Perkins, Crispian [Trumpet] - Trumpet ; Müller, Rufus [Tenor Vocals] - null ; Bowman, James [Countertenor Vocal] - null ; George, Michael - null ; Bowman, James [Countertenor Vocal] - Voice ; Bonner, Tessa - null
Composer: Henry Purcell (1659 - 1695)
Period: Baroque
Form / Genre: Occasional Music / Ode
10. Celestial music did the gods inspire (Ode for Mr. Maidwell's School), ode for soloists, 2 recorders
Written: 1686 Country: England Length - 3 min 26 sec Conductor - Ensemble: Robert King - King's Consort Performers: Pott, Charles - null ; Gillian Fisher - null ; George, Michael - null ; Daniels, Charles - null ; Covey-Crump, Rogers - null ; Bonner, Tessa - null ; Bowman, James [Countertenor Vocal] - null
Composer: Henry Purcell (1659 - 1695)
Period: Baroque
Form / Genre: Occasional Music / Ode
11. From hardy climes (Ode for the wedding of Prince George of Denmark to Princess Anne) for bass, choru
Written: 1689 Country: England Length - 3 min 9 sec Conductor - Ensemble: Robert King - King's Consort Performers: George, Michael - null ; Gillian Fisher - null ; Daniels, Charles - null ; Covey-Crump, Rogers - null ; Bowman, James [Countertenor Vocal] - null
Composer: Henry Purcell (1659 - 1695)
Period: Baroque
Form / Genre: Occasional Music / Ode
12. Welcome, glorious morn (Birthday Ode for Queen Mary), for soloists, chorus & instruments, Z. 338
Written: 1683 Country: Denmark Length - 2 min 36 sec Performers: Gillian Fisher - null ; George, Michael - null ; Covey-Crump, Rogers - null ; Daniels, Charles - null ; Bowman, James [Countertenor Vocal] - null ; Bonner, Tessa - null
Composer: Henry Purcell (1659 - 1695)
Period: Baroque
Form / Genre: Occasional Music / Ode
13. Great parent, hail! (Ode for the Centenary of Trinity College, Dublin), for soloists, chorus, string
Written: 1691 Country: England Length - 25 min 12 sec Performers: Pott, Charles - null ; Gillian Fisher - null ; George, Michael - null ; Bowman, James [Countertenor Vocal] - null ; Ainsley, John Mark - null
Composer: Henry Purcell (1659 - 1695)
Period: Baroque
Form / Genre: Occasional Music / Ode
14. The Summer's absence unconcerned we bear (Welcome Song for Charles II) for soloists, chorus & instru
Written: 1694 Country: Ireland Length - 22 min 30 sec Performers: Ainsley, John Mark - null ; Bowman, James [Countertenor Vocal] - null ; George, Michael - null ; Gillian Fisher - null
Composer: Henry Purcell (1659 - 1695)
Period: Baroque
Form / Genre: Occasional Music / Ode
15. Love's goddess sure was blind (Birthday Ode for Queen Mary), for soloists, chorus, 2 recorders & con
Written: 1682 Country: England Length - 17 min 26 sec Performers: Gillian Fisher - null ; George, Michael - null ; Ainsley, John Mark - null ; Bowman, James [Countertenor Vocal] - null
Composer: Henry Purcell (1659 - 1695)
Period: Baroque
Form / Genre: Occasional Music / Ode
16. Raise, raise the voice (An Ode for St. Cecilia's day), for soprano, bass, chorus, 2 violins & contin
Written: 1692 Country: England Length - 3 min 41 sec Performers: Bowman, James [Countertenor Vocal] - null ; George, Michael - null ; Gillian Fisher - null ; Seers, Mary [Soprano Vocals] - null
Composer: Henry Purcell (1659 - 1695)
Period: Baroque
Form / Genre: Occasional Music / Ode
17. Laudate Ceciliam (Ode for St. Cecilia's Day), ode for alto, tenor, bass, 2 violins & continuo, Z. 32
Written: circa 1685 Country: England Length - 2 min 55 sec Performers: Gillian Fisher - null ; Seers, Mary [Soprano Vocals] - null ; George, Michael - null ; Andrew Tusa - null
Composer: Henry Purcell (1659 - 1695)
Period: Baroque
Form / Genre: Ode
18. From those serene and rapturous joys (Welcome Song for Charles II) for soloists, chorus, strings & c
Written: 1683 Country: England Length - 9 min 53 sec Performers: Bowman, James [Countertenor Vocal] - null ; George, Michael - null
Composer: Henry Purcell (1659 - 1695)
Period: Baroque
Form / Genre: Occasional Music / Ode
19. Of old when heroes thought it base (Yorkshire Feast Song), ode for soloists, chorus & instruments, Z
Written: 1684 Country: England Length - 3 min 36 sec Performers: Gillian Fisher - null ; Seers, Mary [Soprano Vocals] - null ; Bowman, James [Countertenor Vocal] - null ; George, Michael - null ; Andrew Tusa - null
Composer: Henry Purcell (1659 - 1695)
Period: Baroque
Form / Genre: Occasional Music / Ode
20. Swifter, Isis, swifter flow (Welcome Song for Charles II), for soloists, chorus & instruments, Z. 33
Written: 1690 Country: England Length - 2 min 23 sec Performers: Hamilton, Susan [Soprano Vocal] - null ; Short, Nigel - null ; Robert Evans [Bass-Baritone Vocal] - null ; Bowman, James [Countertenor Vocal] - null ; Gillian Fisher - null ; George, Michael - null ; Daniels, Charles - null ; Covey-Crump, Rogers - null
Composer: Henry Purcell (1659 - 1695)
Period: Baroque
Form / Genre: Occasional Music / Ode
21. What, what shall be done in behalf of the man? (Welcome Song for the Duke of York), for soloists, ch
Written: 1681 Country: England Length - 4 min 57 sec Performers: Short, Nigel - null ; Hamilton, Susan [Soprano Vocal] - null ; Robert Evans [Bass-Baritone Vocal] - null ; Covey-Crump, Rogers - null ; Gillian Fisher - null ; George, Michael - null ; Daniels, Charles - null ; Bowman, James [Countertenor Vocal] - null
Composer: Henry Purcell (1659 - 1695)
Period: Baroque
Form / Genre: Occasional Music / Ode
22. Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323
Written: 1682 Country: England Length - 2 min 46 sec Performers: Bowman, James [Countertenor Vocal] - null ; Hamilton, Susan [Soprano Vocal] - null ; Short, Nigel - null ; Robert Evans [Bass-Baritone Vocal] - null ; Gillian Fisher - null ; Covey-Crump, Rogers - null ; George, Michael - null ; Daniels, Charles - null
Composer: Henry Purcell (1659 - 1695)
Period: Baroque
Form / Genre: Occasional Music / Ode
23. Welcome, Viceregent of the mighty King (Welcome song for Charles II), for soloists, chorus & instrum
Written: 1694 Country: England Length - 24 min 26 sec Performers: Gillian Fisher - null ; Goodwin, Paul [Oboe, Conductor] - Oboe ; George, Michael - null ; Chance, Michael - null ; Bowman, James [Countertenor Vocal] - null
Composer: Henry Purcell (1659 - 1695)
Period: Baroque
Form / Genre: Occasional Music / Ode
24. Why, why are all the muses mute? (Welcome Song for James II), for soloists, chorus & instruments, Z.
Written: 1680 Country: England Length - 3 min 11 sec Performers: George, Michael - null ; Robert Evans [Bass-Baritone Vocal] - null ; Gillian Fisher - null ; Padmore, Mark [Tenor Vocals] - null ; Chance, Michael - null ; Bonner, Tessa - null ; Ainsley, John Mark - null ; Bowman, James [Countertenor Vocal] - null
Composer: Henry Purcell (1659 - 1695)
Period: Baroque
Form / Genre: Occasional Music / Ode
Written: 1685 Country: England Length - 4 min 39 sec Performers: George, Michael - null ; Padmore, Mark [Tenor Vocals] - null ; Gillian Fisher - null ; Bonner, Tessa - null ; Chance, Michael - null ; Bowman, James [Countertenor Vocal] - null ; Ainsley, John Mark - null ; Robert Evans [Bass-Baritone Vocal] - null * Estimated Delivery Dates are based on anticipated order processing and transit times, and are not guaranteed dates. Shipping or Dimension weight in pounds: 2.2 Shipping Options and Policies |
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