
In Celebration: 30th Anniversary |
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Disc: 1
1.
Vespro della Beata Vergine: Intonatio. Deus in adiutorium / Domine ad adiuvandum
7.
La Descente d'Orphée aux Enfers, H488: Act 1. Scenes 1 & 2. Compagnes fidèles
8.
La Descente d'Orphée aux Enfers, H488: Act 1. Scenes 1 & 2. Inventons mille jeux divers
10.
La Descente d'Orphée aux Enfers, H488: Act 1. Scenes 1 & 2. Soutiens moi, chère Énone... Qu'ai-je en
11.
La Descente d'Orphée aux Enfers, H488: Act 1. Scenes 1 & 2. Ah! Bergers c'en est fait
12.
La Descente d'Orphée aux Enfers, H488: Act 1. Scenes 1 & 2. Entrée de nymphes et de bergers désespér
21.
Vespro della Beata Vergine: Antiphon. Iam hiems transiit, imber abiit / Nisi Dominus
23.
Alme luci beate / Io vi lascio mie scorte (Madrigali a cinque voci, Libro VIII): Seconda parte. Io v
24.
Alme luci beate / Io vi lascio mie scorte (Madrigali a cinque voci, Libro VIII): Prima parte. Alme l
Disc: 2
1.
King Arthur, or the British Worthy, Z628: Act 3. Prelude while Cold Genius rises / What power art th
2.
King Arthur, or the British Worthy, Z628: Act 3. Thou doting fool, forbear, forbear
4.
King Arthur, or the British Worthy, Z628: Act 1. Brave souls, to be renown'd in story
5.
King Arthur, or the British Worthy, Z628: Act 3. What ho! thou genius of this isle, what ho!
7.
King Arthur, or the British Worthy, Z628: Act 3. No part of my dominion shall be waste
8.
King Arthur, or the British Worthy, Z628: Act 3. Great Love, I know thee now
9.
In Navtivitatem Domini Canticum, H416: Récit de l'Ange. Nolite timere pastores
11.
King Arthur, or the British Worthy, Z628: Act 3. See, see, we assemble... / Dance
14.
In Navtivitatem Domini Canticum, H416: Choeur des anges. Gloria in altissimis Deo
16.
King Arthur, or the British Worthy, Z628: Act 3. 'Tis I, 'tis I that have warm'd ye
18.
King Arthur, or the British Worthy, Z628: Act 5. Fairest Isle, all isles excelling
26.
Dido and Aeneas, Z626: Act 3. Scene 1. Come away, fellow sailors... / The Sailors' Dance
35.
Dido and Aeneas, Z626: Act 1. Grief increases by concealing... When monarchs unite
Disc: 3
1.
Zoroastre (1756 version): Act 3. Scenes 1-6. Ritournelle / Arrêtez, modérez cette fureur extrême
2.
Les Fêtes d'Hébé ou Les Talens Liriques: Entrée 3: La Danse. Scene 7. L'objet qui règne dans mon àme
3.
Les Fêtes d'Hébé ou Les Talens Liriques: Entrée 3: La Danse. Scene 7. Contredanse
5.
Les Fêtes d'Hébé ou Les Talens Liriques: Entrée 3: La Danse. Scene 7. Premier et Deuxième Passepieds
6.
Zoroastre (1756 version): Act 3. Scenes 1-6. Un coeur fier qui brise sa chaîne
7.
Zoroastre (1756 version): Act 3. Scenes 1-6. Mille rayons brillants / Duo. tout se ranime / O lumièr
8.
Zoroastre (1756 version): Act 3. Scenes 1-6. Sommeil, fuis ce séjour / L'aurore vermeille / Duo. Pou
10.
Les Fêtes d'Hébé ou Les Talens Liriques: Entrée 3: La Danse. Scene 7. Musette
12.
Zoroastre (1756 version): Act 3. Scenes 1-6. Ariette. Accourez, jeunesse brillante
15.
Les Fêtes d'Hébé ou Les Talens Liriques: Entrée 3: La Danse. Scene 7. Tambourin en rondeau
16.
Les Fêtes d'Hébé ou Les Talens Liriques: Entrée 3: La Danse. Scene 7. Suivez les lois
17.
Les Fêtes d'Hébé ou Les Talens Liriques: Entrée 3: La Danse. Scene 7. Premier et Deuxième Menuets
18.
Les Fêtes d'Hébé ou Les Talens Liriques: Entrée 3: La Danse. Scene 7. Lourée grave
20.
Hippolyte et Aricide: Act 2. Scenes 3-5. Dieux! que d'infortunés gémissent dans ces lieux!
22.
Les Plaisirs de Versailles, H480: Scene 1. Que tout cède aux douceurs de mes accords
24.
Les Fêtes d'Hébé ou Les Talens Liriques: Entrée 3: La Danse. Scene 7. terpsichore, les Nymphes, les
26.
Hippolyte et Aricide: Act 2. Scenes 3-5. Premier Air des Furies / Deuxième Air des Furies / Pluton c
27.
Hippolyte et Aricide: Act 2. Scenes 3-5. Non, Neptune aurait beau t'entendre
28.
Hippolyte et Aricide: Act 3. Scene 8. Premier Rigaudon en tambourin / Deuxième Rigaudon en tambourin
31.
Hippolyte et Aricide: Act 3. Scene 8. Premier Air des Matelots / Deuxième Air des Matelots
33.
Hippolyte et Aricide: Act 2. Scenes 3-5. Vous, qui de l'avenir percez la nuit profonde
Disc: 4
7.
Theodora, HWV 68: Part 1. Scene 4. Air. As with rosy steps the morn advancing
8.
Theodora, HWV 68: Part 1. Scene 4. Chorus of Christians. All pow'r in Heav'n above
18.
Orlando, HWV 31: Act 3. Scene 8. Recitativo. Vieni... Già per la man d'Orlando
Disc: 5
12.
Grand Motet 'Deus noster refugium': No. 3. Prélude du choeur. Sonuerunt et turbatae sunt
15.
Grand Motet 'Domine, ne in furore tuo arguas me': No. 10. Erubescant, et conturbentur vehementer omn
16.
Grand Motet 'In convertendo': No. 5. Choeur gracieux. Laudate nomen Dei cum cantico
17.
Grand Motet 'Domine, ne in furore tuo arguas me': No. 7. Turbatus est a furore oculus mesus
18.
Grand Motet 'Domine, ne in furore tuo arguas me': No. 8. Discedite a me omnes qui operamini iniquit
19.
Grand Motet 'Domine, ne in furore tuo arguas me': No. 9. Exaudivit Dominus deprecationem meam
Disc: 6
6.
Isis: Prelude. Entrée des peuples des climate glacés / Chorus. L'hiver qui nous tourmente / Recitati
7.
Isis: Scène des forges. Prélude / Chorus. Que le feu des forges s'allume / Recitative & Chorus. Quel
8.
Die Entführung aus dem Serail, K 384: Act 1. Scene 1. Aria. Hier soll ich dich denn sehen
9.
Die Entführung aus dem Serail, K 384: Act 1. Scene 7. Aria. Ach, ich liebte, war so glücklich
10.
Die Entführung aus dem Serail, K 384: Act 2. Scene 9. Aria. Wenn der Freude Tränen fließen
15.
Zéphyre: Scene 5-6. Quels sons! Quelle vive lumière! / Rassurez-vous, je cède et vos fers sont rompu
16.
Die Zauberflöte, K 620: Act 1. Scene 15. Wie stark ist nicht dein Zauberton
19.
Die Zauberflöte, K 620: Act 1. Scene 6. Recitative & Aria. O zittre nicht, mein lieber Sohn... Zum L
20.
Die Zauberflöte, K 620: Act 1. Scene 14. Duet. Bei Männern, welche Liebe fühlen
27.
Die Entführung aus dem Serail, K 384: Act 3. Scene 9. Vaudeville. Nie werd' ich deine Held verkennen
To listen to sound clips, you'll need the most current version of the
1. Vespro della beata vergine, for chorus & instruments, SV 206
Composer: Claudio Monteverdi (1567 - 1643)
Period: Baroque
Form / Genre: Vespers
2. Alme luci beate / Io vi lascio mie scorte, madrigal for 5 voices
Written: 1610 Country: Italy Length - 21 min 9 sec Venue: Fondation Eugène Napoléon, Paris, France Conductor - Ensemble: Christie, William - Les Sacqueboutiers Performers: Agnew, Paul [Tenor Vocals] - null ; Joseph Cornwell - null ; Maryseult Wieczorek - null ; Sophie Marin-Degor - Voice ; Thierry Felix - null ; Clive Bayley - null
Composer: Sigismondo d'India (circa 1582 - 1629)
Period: Baroque
Form / Genre: Madrigal
Length - 1 min 1 sec
Venue: Salle Wagram, Paris
3. Sospir che del bel patto, madrigal (from Madrigali a cinque voci, Book 5)
Conductor - Ensemble: Christie, William - Orlando Gibbons Viol Ensemble Performers: Stephanie Revidat - null ; Matthieu Lecroart - null ; Maryseult Wieczorek - null ; Francois Piolino - null ; Brian Feehan - Theorbo
Composer: Sigismondo d'India (circa 1582 - 1629)
Period: Baroque
Form / Genre: Madrigal
Length - 2 min 26 sec
Venue: Salle Wagram, Paris
4. Crud'Amarilli (from "Libro Primo de Madrigali a Cinque Voci)
Conductor - Ensemble: Christie, William - Orlando Gibbons Viol Ensemble Performers: Brian Feehan - Theorbo
Composer: Sigismondo d'India (circa 1582 - 1629)
Period: Renaissance
Form / Genre: Madrigal
Length - 3 min 1 sec
Venue: Salle Wagram, Paris
5. La pierre philosophale, incidental music, H. 501
Conductor - Ensemble: Christie, William - Orlando Gibbons Viol Ensemble Performers: Maryseult Wieczorek - null ; Matthieu Lecroart - null ; Brian Feehan - Theorbo ; Francois Piolino - null ; Renaud Delaigue - null
Composer: Marc-Antoine Charpentier (1643 - 1704)
Period: Baroque
6. Ah! qu'ils sont courts les beaux jours, air for soprano & continuo, H. 442
Written: 1681 Recorded: 05/1998 Length - 7 min 15 sec Venue: Salle Wagram, Paris
Composer: Marc-Antoine Charpentier (1643 - 1704)
Period: Baroque
Form / Genre: Art Song / Air / Song
7. Charmantes fleurs, naissez, air for 2 voices & continuo, H. 449b
Written: circa 1680 Country: France Recorded: 05/1998 Length - 1 min 3 sec Venue: Salle Wagram, Paris Performers: David Le Monnier - null ; Petibon, Patricia - null ; Francois Piolino - null ; Daneman, Sophie - null ; Agnew, Paul [Tenor Vocals] - null ; Andrew Sinclair - null ; Adele Eikenes - null
Composer: Marc-Antoine Charpentier (1643 - 1704)
Period: Baroque
8. Quoi! rien ne peut vous arrêter, air for voice & continuo, H. 462
Written: circa 1689 Recorded: 05/1998 Length - 3 min 15 sec Venue: Salle Wagram, Paris Performers: Petibon, Patricia - null ; David Le Monnier - null ; Francois Piolino - null ; Daneman, Sophie - null ; Andrew Sinclair - null ; Adele Eikenes - null ; Agnew, Paul [Tenor Vocals] - null
Composer: Marc-Antoine Charpentier (1643 - 1704)
Period: Baroque
Form / Genre: Art Song / Air / Song
Country: France
9. Sans frayeur dans ce bois, chaconne for soprano & continuo, H. 467
Recorded: 05/1998 Length - 2 min 9 sec Venue: Salle Wagram, Paris Performers: David Le Monnier - null ; Francois Piolino - null ; Agnew, Paul [Tenor Vocals] - null ; Daneman, Sophie - null ; Andrew Sinclair - null ; Adele Eikenes - null ; Petibon, Patricia - null
Composer: Marc-Antoine Charpentier (1643 - 1704)
Period: Baroque
Form / Genre: Art Song / Air / Chaconne
10. Il Sant'Alessio: Prologo. Sinfonia
Written: 1680 Country: France Recorded: 05/1998 Length - 2 min 14 sec Venue: Salle Wagram, Paris Performers: David Le Monnier - null ; Petibon, Patricia - null ; Francois Piolino - null ; Agnew, Paul [Tenor Vocals] - null ; Daneman, Sophie - null ; Andrew Sinclair - null ; Adele Eikenes - null
Composer: Stefano Landi (circa 1586-1587 - 1639)
Period: Baroque
Form / Genre: Opera
Country: Italy
Length - 2 min 30 sec
Venue: Salle Berthier, Opéra Comique, Paris
11. Il Sant'Alessio: Prologo. Choro di Schiavi. Ghiaro giorno lieta sorte
Composer: Stefano Landi (circa 1586-1587 - 1639)
Period: Baroque
Form / Genre: Opera
Country: Italy
Length - 0 min 48 sec
Venue: Salle Berthier, Opéra Comique, Paris
12. Il Sant'Alessio: Prologo. Ritornello e Roma. Né fur solo i miei Figli
Performers: Maryseult Wieczorek - null
Composer: Stefano Landi (circa 1586-1587 - 1639)
Period: Baroque
Form / Genre: Opera
Country: Italy
Length - 3 min 53 sec
Venue: Salle Berthier, Opéra Comique, Paris
13. Il Sant'Alessio: Prologo. Choro di Schiavi. Già fastosa Guerriera
Performers: Maryseult Wieczorek - null
Composer: Stefano Landi (circa 1586-1587 - 1639)
Period: Baroque
Form / Genre: Opera
Country: Italy
Length - 1 min 6 sec
Venue: Salle Berthier, Opéra Comique, Paris
14. Il Sant'Alessio: Act 2. Scene 7. O Morte gradita
Composer: Stefano Landi (circa 1586-1587 - 1639)
Period: Baroque
Form / Genre: Opera
Country: Italy
Length - 3 min 24 sec
Venue: Salle Berthier, Opéra Comique, Paris
15. La Descente d'Orphée aux Enfers, H488: Ouverture
Performers: Petibon, Patricia - null
Composer: Marc-Antoine Charpentier (1643 - 1704)
Period: Baroque
16. La Descente d'Orphée aux Enfers, H488: Act 1. Scenes 1 & 2. Inventons mille jeux divers
Written: ?1686 Length - 2 min 52 sec Venue: Salle Berthier, Opéra Comique, Paris
Composer: Marc-Antoine Charpentier (1643 - 1704)
Period: Baroque
17. La Descente d'Orphée aux Enfers, H488: Act 1. Scenes 1 & 2. Compagnes fidèles
Written: ?1686 Length - 4 min 6 sec Venue: Salle Berthier, Opéra Comique, Paris Performers: Katalin Károlyi - Voice ; Petibon, Patricia - null
Composer: Marc-Antoine Charpentier (1643 - 1704)
Period: Baroque
18. La Descente d'Orphée aux Enfers, H488: Act 1. Scenes 1 & 2. Soutiens moi, chère Énone... Qu'ai-je en
Written: ?1686 Length - 3 min 14 sec Venue: Salle Berthier, Opéra Comique, Paris Performers: Petibon, Patricia - null
Composer: Marc-Antoine Charpentier (1643 - 1704)
Period: Baroque
19. La Descente d'Orphée aux Enfers, H488: Act 1. Scenes 1 & 2. Ah! Bergers c'en est fait
Written: ?1686 Length - 1 min 12 sec Venue: Salle Berthier, Opéra Comique, Paris Performers: Agnew, Paul [Tenor Vocals] - Voice ; Daneman, Sophie - null
Composer: Marc-Antoine Charpentier (1643 - 1704)
Period: Baroque
20. La Descente d'Orphée aux Enfers, H488: Act 1. Scenes 1 & 2. Entrée de nymphes et de bergers désespér
Written: ?1686 Length - 2 min 49 sec Venue: Salle Berthier, Opéra Comique, Paris Performers: Agnew, Paul [Tenor Vocals] - Voice
Composer: Marc-Antoine Charpentier (1643 - 1704)
Period: Baroque
21. Medée, H491: Act 1. Prologue. Ouverture
Written: ?1686 Length - 2 min 22 sec Venue: Salle Berthier, Opéra Comique, Paris Performers: Agnew, Paul [Tenor Vocals] - Voice
Composer: Marc-Antoine Charpentier (1643 - 1704)
Period: Baroque
Form / Genre: Opera
22. Medée, H491: Act 1. Prologue. Passepied
Written: 1693 Country: France Length - 1 min 58 sec Venue: Salle Berthier, Opéra Comique, Paris
Composer: Marc-Antoine Charpentier (1643 - 1704)
Period: Baroque
Form / Genre: Opera
23. Medée, H491: Act 1. Scene 6. Que l'épais bataillons
Written: 1693 Country: France Length - 2 min 38 sec Venue: Salle Berthier, Opéra Comique, Paris
Composer: Marc-Antoine Charpentier (1643 - 1704)
Period: Baroque
Form / Genre: Opera
24. Medée, H491: Act 1. Scene 6. Rondeau des Corinthiens
Written: 1693 Country: France Length - 4 min 33 sec Venue: Salle Berthier, Opéra Comique, Paris
Composer: Marc-Antoine Charpentier (1643 - 1704)
Period: Baroque
Form / Genre: Opera
25. Medée, H491: Act 1. Scene 6. Quel bonheur suit la tendresse
Written: 1693 Country: France Length - 1 min 14 sec Venue: Salle Berthier, Opéra Comique, Paris
Composer: Marc-Antoine Charpentier (1643 - 1704)
Period: Baroque
Form / Genre: Opera
26. Medée, H491: Act 1. Scene 6. Que d'épais bataillons
Written: 1693 Country: France Length - 2 min 46 sec Venue: Salle Berthier, Opéra Comique, Paris Performers: Francois Piolino - Voice ; Jean-Claude Sarragosse - Voice
Composer: Marc-Antoine Charpentier (1643 - 1704)
Period: Baroque
Form / Genre: Opera
27. Medée, H491: Act 1. Scene 6. Entr'acte
Written: 1693 Country: France Length - 1 min 40 sec Venue: Salle Berthier, Opéra Comique, Paris
Composer: Marc-Antoine Charpentier (1643 - 1704)
Period: Baroque
Form / Genre: Opera
28. Medée, H491: Act 3. Scenes 5-7. Noires filles du Stix
Written: 1693 Country: France Length - 0 min 38 sec Venue: Salle Berthier, Opéra Comique, Paris
Composer: Marc-Antoine Charpentier (1643 - 1704)
Period: Baroque
Form / Genre: Opera
29. Medée, H491: Act 3. Scenes 5-7. L'Enfer obéit à ta voix
Written: 1693 Country: France Length - 1 min 21 sec Venue: Salle Berthier, Opéra Comique, Paris Performers: Hunt Lieberson, Lorraine - Voice
Composer: Marc-Antoine Charpentier (1643 - 1704)
Period: Baroque
Form / Genre: Opera
30. Medée, H491: Act 3. Scenes 5-7. Je voy le don fatal qu'exige ma rivale
Written: 1693 Country: France Length - 1 min 48 sec Venue: Salle Berthier, Opéra Comique, Paris Performers: Hunt Lieberson, Lorraine - Voice
Composer: Marc-Antoine Charpentier (1643 - 1704)
Period: Baroque
Form / Genre: Opera
31. Medée, H491: Act 3. Scenes 5-7. Premier Air pour les Démons
Written: 1693 Country: France Length - 0 min 47 sec Venue: Salle Berthier, Opéra Comique, Paris Performers: Hunt Lieberson, Lorraine - Voice
Composer: Marc-Antoine Charpentier (1643 - 1704)
Period: Baroque
Form / Genre: Opera
32. Medée, H491: Act 3. Scenes 5-7. Dieu du Cocyte et des royaumes sombres
Written: 1693 Country: France Length - 1 min 34 sec Venue: Salle Berthier, Opéra Comique, Paris
Composer: Marc-Antoine Charpentier (1643 - 1704)
Period: Baroque
Form / Genre: Opera
33. Medée, H491: Act 3. Scenes 5-7. Seconde entrée des Démons
Written: 1693 Country: France Length - 3 min 45 sec Venue: Salle Berthier, Opéra Comique, Paris Performers: Hunt Lieberson, Lorraine - Voice
Composer: Marc-Antoine Charpentier (1643 - 1704)
Period: Baroque
Form / Genre: Opera
34. Dido and Aeneas, Z626: Act 1. Overture
Written: 1693 Country: France Length - 2 min 35 sec Venue: Salle Berthier, Opéra Comique, Paris Performers: Hunt Lieberson, Lorraine - Voice
Composer: Henry Purcell (1659 - 1695)
Period: Baroque
Form / Genre: Opera
35. Dido and Aeneas, Z626: Act 1. Shake the cloud from off your brow
Written: 1689 Country: United Kingdom Length - 1 min 50 sec Venue: Théâtre-Opéra de Massy, Essonne, France
Composer: Henry Purcell (1659 - 1695)
Period: Baroque
Form / Genre: Opera
36. Dido and Aeneas, Z626: Act 1. Ah Belinda, I am prest with torment
Written: 1689 Country: United Kingdom Length - 1 min 2 sec Venue: Théâtre-Opéra de Massy, Essonne, France Performers: Sophie Marin-Degor - Voice
Composer: Henry Purcell (1659 - 1695)
Period: Baroque
Form / Genre: Opera
37. Dido and Aeneas, Z626: Act 1. Grief increases by concealing... When monarchs unite
Written: 1689 Country: United Kingdom Length - 3 min 38 sec Venue: Théâtre-Opéra de Massy, Essonne, France Performers: Gens, Véronique - Voice
Composer: Henry Purcell (1659 - 1695)
Period: Baroque
Form / Genre: Opera
38. Dido and Aeneas, Z626: Act 1. The Triumphing Dance
Written: 1689 Country: United Kingdom Length - 0 min 46 sec Venue: Théâtre-Opéra de Massy, Essonne, France Performers: Sophie Marin-Degor - Voice ; Gens, Véronique - Voice
Composer: Henry Purcell (1659 - 1695)
Period: Baroque
Form / Genre: Opera
39. Dido and Aeneas, Z626: Act 3. Scene 1. Come away, fellow sailors... / The Sailors' Dance
Written: 1689 Country: United Kingdom Length - 1 min 10 sec Venue: Théâtre-Opéra de Massy, Essonne, France
Composer: Henry Purcell (1659 - 1695)
Period: Baroque
Form / Genre: Opera
40. Dido and Aeneas, Z626: Act 3. Scene 1. The Witches' Dance
Written: 1689 Country: United Kingdom Length - 2 min 20 sec Venue: Théâtre-Opéra de Massy, Essonne, France
Composer: Henry Purcell (1659 - 1695)
Period: Baroque
Form / Genre: Opera
41. Dido and Aeneas, Z626: Act 3. Scene 2. When I am laid in earth
Written: 1689 Country: United Kingdom Length - 1 min 38 sec Venue: Théâtre-Opéra de Massy, Essonne, France
Composer: Henry Purcell (1659 - 1695)
Period: Baroque
Form / Genre: Opera
42. King Arthur, or the British Worthy, Z628: Overture
Written: 1689 Country: United Kingdom Length - 3 min 53 sec Venue: Théâtre-Opéra de Massy, Essonne, France Performers: Gens, Véronique - Voice
Composer: Henry Purcell (1659 - 1695)
Period: Baroque
Form / Genre: Semi-opera / Opera
43. King Arthur, or the British Worthy, Z628: Air
Written: 1691 Country: England Recorded: 02/1995 Length - 1 min 51 sec Venue: Salle Berthier, Opéra Comique, Paris
Composer: Henry Purcell (1659 - 1695)
Period: Baroque
Form / Genre: Semi-opera / Opera
44. King Arthur, or the British Worthy, Z628: Act 1. Brave souls, to be renown'd in story
Written: 1691 Country: England Recorded: 02/1995 Length - 1 min 5 sec Venue: Salle Berthier, Opéra Comique, Paris
Composer: Henry Purcell (1659 - 1695)
Period: Baroque
Form / Genre: Semi-opera / Opera
45. King Arthur, or the British Worthy, Z628: Act 3. Prelude
Written: 1691 Country: England Recorded: 02/1995 Length - 2 min 49 sec Venue: Salle Berthier, Opéra Comique, Paris
Composer: Henry Purcell (1659 - 1695)
Period: Baroque
Form / Genre: Semi-opera / Opera
46. King Arthur, or the British Worthy, Z628: Act 3. What ho! thou genius of this isle, what ho!
Written: 1691 Country: England Recorded: 02/1995 Length - 0 min 24 sec Venue: Salle Berthier, Opéra Comique, Paris
Composer: Henry Purcell (1659 - 1695)
Period: Baroque
Form / Genre: Semi-opera / Opera
47. King Arthur, or the British Worthy, Z628: Act 3. Prelude while Cold Genius rises / What power art th
Written: 1691 Country: England Recorded: 02/1995 Length - 0 min 58 sec Venue: Salle Berthier, Opéra Comique, Paris Performers: Susannah Waters - Voice
Composer: Henry Purcell (1659 - 1695)
Period: Baroque
Form / Genre: Semi-opera / Opera
48. King Arthur, or the British Worthy, Z628: Act 3. Thou doting fool, forbear, forbear
Written: 1691 Country: England Recorded: 02/1995 Length - 4 min 8 sec Venue: Salle Berthier, Opéra Comique, Paris Performers: Petteri Salomaa - Voice
Composer: Henry Purcell (1659 - 1695)
Period: Baroque
Form / Genre: Semi-opera / Opera
49. King Arthur, or the British Worthy, Z628: Act 3. Great Love, I know thee now
Written: 1691 Country: England Recorded: 02/1995 Length - 0 min 37 sec Venue: Salle Berthier, Opéra Comique, Paris Performers: Susannah Waters - Voice
Composer: Henry Purcell (1659 - 1695)
Period: Baroque
Form / Genre: Semi-opera / Opera
50. King Arthur, or the British Worthy, Z628: Act 3. No part of my dominion shall be waste
Written: 1691 Country: England Recorded: 02/1995 Length - 0 min 55 sec Venue: Salle Berthier, Opéra Comique, Paris Performers: Petteri Salomaa - Voice
Composer: Henry Purcell (1659 - 1695)
Period: Baroque
Form / Genre: Semi-opera / Opera
51. King Arthur, or the British Worthy, Z628: Act 3. Prelude
Written: 1691 Country: England Recorded: 02/1995 Length - 0 min 56 sec Venue: Salle Berthier, Opéra Comique, Paris Performers: Susannah Waters - Voice
Composer: Henry Purcell (1659 - 1695)
Period: Baroque
Form / Genre: Semi-opera / Opera
52. King Arthur, or the British Worthy, Z628: Act 3. See, see, we assemble... / Dance
Written: 1691 Country: England Recorded: 02/1995 Length - 0 min 44 sec Venue: Salle Berthier, Opéra Comique, Paris
Composer: Henry Purcell (1659 - 1695)
Period: Baroque
Form / Genre: Semi-opera / Opera
53. King Arthur, or the British Worthy, Z628: Act 3. 'Tis I, 'tis I that have warm'd ye
Written: 1691 Country: England Recorded: 02/1995 Length - 1 min 27 sec Venue: Salle Berthier, Opéra Comique, Paris
Composer: Henry Purcell (1659 - 1695)
Period: Baroque
Form / Genre: Semi-opera / Opera
54. King Arthur, or the British Worthy, Z628: Act 5. Fairest Isle, all isles excelling
Written: 1691 Country: England Recorded: 02/1995 Length - 2 min 1 sec Venue: Salle Berthier, Opéra Comique, Paris
Composer: Henry Purcell (1659 - 1695)
Period: Baroque
Form / Genre: Semi-opera / Opera
55. In Navtivitatem Domini Canticum, H416: Nuit
Written: 1691 Country: England Recorded: 02/1995 Length - 4 min 46 sec Venue: Salle Berthier, Opéra Comique, Paris Performers: Gens, Véronique - Voice
Composer: Marc-Antoine Charpentier (1643 - 1704)
Period: Baroque
56. In Navtivitatem Domini Canticum, H416: Réveil des bergers
Written: ?1690 Length - 4 min 12 sec Venue: Grande Salle, Cité de la Musique, Paris,
Composer: Marc-Antoine Charpentier (1643 - 1704)
Period: Baroque
57. In Navtivitatem Domini Canticum, H416: Chorus pastorum. Coeli aperti sunt
Written: ?1690 Length - 0 min 15 sec Venue: Grande Salle, Cité de la Musique, Paris,
Composer: Marc-Antoine Charpentier (1643 - 1704)
Period: Baroque
58. In Navtivitatem Domini Canticum, H416: Récit de l'Ange. Nolite timere pastores
Written: ?1690 Length - 0 min 13 sec Venue: Grande Salle, Cité de la Musique, Paris,
Composer: Marc-Antoine Charpentier (1643 - 1704)
Period: Baroque
59. In Navtivitatem Domini Canticum, H416: Choeur des anges. Gloria in altissimis Deo
Written: ?1690 Length - 2 min 40 sec Venue: Grande Salle, Cité de la Musique, Paris, Performers: Cyril Auvity - Voice
Composer: Marc-Antoine Charpentier (1643 - 1704)
Period: Baroque
60. Les Plaisirs de Versailles, H480: Ouverture
Written: ?1690 Length - 2 min 19 sec Venue: Grande Salle, Cité de la Musique, Paris,
Composer: Marc-Antoine Charpentier (1643 - 1704)
Period: Baroque
61. Les Plaisirs de Versailles, H480: Scene 1. Que tout cède aux douceurs de mes accords
Written: 1682 Length - 1 min 56 sec Venue: Salle Berthier, Opéra Comique, Paris
Composer: Marc-Antoine Charpentier (1643 - 1704)
Period: Baroque
62. Les Plaisirs de Versailles, H480: Scene 2. Menuet
Written: 1682 Length - 3 min 49 sec Venue: Salle Berthier, Opéra Comique, Paris Performers: Daneman, Sophie - Voice
Composer: Marc-Antoine Charpentier (1643 - 1704)
Period: Baroque
63. Hippolyte et Aricide: Act 2. Scenes 3-5. Premier Air des Furies / Deuxième Air des Furies / Pluton c
Written: 1682 Length - 0 min 45 sec Venue: Salle Berthier, Opéra Comique, Paris
Composer: Jean-Philippe Rameau (1683 - 1764)
Period: Baroque
Form / Genre: Opera
64. Hippolyte et Aricide: Act 2. Scenes 3-5. Dieux! que d'infortunés gémissent dans ces lieux!
Written: 1733 Country: France Length - 4 min 55 sec Venue: Salle Wagram, Paris
Composer: Jean-Philippe Rameau (1683 - 1764)
Period: Baroque
Form / Genre: Opera
65. Hippolyte et Aricide: Act 2. Scenes 3-5. Du Destin le vouloir suprême
Written: 1733 Country: France Length - 1 min 32 sec Venue: Salle Wagram, Paris Performers: Francois Piolino - Voice ; Naouri, Laurent - Voice
Composer: Jean-Philippe Rameau (1683 - 1764)
Period: Baroque
Form / Genre: Opera
66. Hippolyte et Aricide: Act 2. Scenes 3-5. Ah! qu'on daigne au moins
Written: 1733 Country: France Length - 1 min 42 sec Venue: Salle Wagram, Paris Performers: Bertrand Bontoux - Voice ; Christopher Josey - Voice ; Matthieu Lecroart - Voice
Composer: Jean-Philippe Rameau (1683 - 1764)
Period: Baroque
Form / Genre: Opera
67. Hippolyte et Aricide: Act 2. Scenes 3-5. Non, Neptune aurait beau t'entendre
Written: 1733 Country: France Length - 2 min 34 sec Venue: Salle Wagram, Paris Performers: Naouri, Laurent - Voice
Composer: Jean-Philippe Rameau (1683 - 1764)
Period: Baroque
Form / Genre: Opera
68. Hippolyte et Aricide: Act 2. Scenes 3-5. Neptune vous demande gràce
Written: 1733 Country: France Length - 0 min 53 sec Venue: Salle Wagram, Paris
Composer: Jean-Philippe Rameau (1683 - 1764)
Period: Baroque
Form / Genre: Opera
69. Hippolyte et Aricide: Act 2. Scenes 3-5. Vous, qui de l'avenir percez la nuit profonde
Written: 1733 Country: France Length - 2 min 2 sec Venue: Salle Wagram, Paris Performers: Berg, Nathan [Baritone Vocal] - Voice ; Yann Beuron - Voice
Composer: Jean-Philippe Rameau (1683 - 1764)
Period: Baroque
Form / Genre: Opera
70. Hippolyte et Aricide: Act 3. Scene 1. Cruelle mère des amours
Written: 1733 Country: France Length - 4 min 22 sec Venue: Salle Wagram, Paris Performers: Matthieu Lecroart - Voice ; Christopher Josey - Voice ; Bertrand Bontoux - Voice
Composer: Jean-Philippe Rameau (1683 - 1764)
Period: Baroque
Form / Genre: Opera
71. Hippolyte et Aricide: Act 3. Scene 8. Premier Air des Matelots / Deuxième Air des Matelots
Written: 1733 Country: France Length - 5 min 52 sec Venue: Salle Wagram, Paris Performers: Hunt Lieberson, Lorraine - Voice
Composer: Jean-Philippe Rameau (1683 - 1764)
Period: Baroque
Form / Genre: Opera
72. Hippolyte et Aricide: Act 3. Scene 8. Premier Rigaudon en tambourin / Deuxième Rigaudon en tambourin
Written: 1733 Country: France Length - 2 min 9 sec Venue: Salle Wagram, Paris
Composer: Jean-Philippe Rameau (1683 - 1764)
Period: Baroque
Form / Genre: Opera
73. Les Fêtes d'Hébé ou Les Talens Liriques: Ouverture
Written: 1733 Country: France Length - 3 min 1 sec Venue: Salle Wagram, Paris Performers: Galle Mechaly - Voice ; Naouri, Laurent - Voice
Composer: Jean-Philippe Rameau (1683 - 1764)
Period: Baroque
Form / Genre: Ballet
74. Les Fêtes d'Hébé ou Les Talens Liriques: Entrée 3: La Danse. Scene 7. terpsichore, les Nymphes, les
Written: 1739 Length - 4 min 8 sec Venue: Salle Wagram, Paris
Composer: Jean-Philippe Rameau (1683 - 1764)
Period: Baroque
Form / Genre: Ballet
75. Les Fêtes d'Hébé ou Les Talens Liriques: Entrée 3: La Danse. Scene 7. Lourée grave
Written: 1739 Length - 0 min 41 sec Venue: Salle Wagram, Paris
Composer: Jean-Philippe Rameau (1683 - 1764)
Period: Baroque
Form / Genre: Ballet
76. Les Fêtes d'Hébé ou Les Talens Liriques: Entrée 3: La Danse. Scene 7. Premier et Deuxième Menuets
Written: 1739 Length - 1 min 23 sec Venue: Salle Wagram, Paris
Composer: Jean-Philippe Rameau (1683 - 1764)
Period: Baroque
Form / Genre: Ballet
77. Les Fêtes d'Hébé ou Les Talens Liriques: Entrée 3: La Danse. Scene 7. Musette
Written: 1739 Length - 2 min 31 sec Venue: Salle Wagram, Paris
Composer: Jean-Philippe Rameau (1683 - 1764)
Period: Baroque
Form / Genre: Ballet
78. Les Fêtes d'Hébé ou Les Talens Liriques: Entrée 3: La Danse. Scene 7. Tambourin en rondeau
Written: 1739 Length - 1 min 30 sec Venue: Salle Wagram, Paris
Composer: Jean-Philippe Rameau (1683 - 1764)
Period: Baroque
Form / Genre: Ballet
79. Les Fêtes d'Hébé ou Les Talens Liriques: Entrée 3: La Danse. Scene 7. Suivez les lois
Written: 1739 Length - 1 min 6 sec Venue: Salle Wagram, Paris
Composer: Jean-Philippe Rameau (1683 - 1764)
Period: Baroque
Form / Genre: Ballet
80. Les Fêtes d'Hébé ou Les Talens Liriques: Entrée 3: La Danse. Scene 7. Premier et Deuxième Passepieds
Written: 1739 Length - 1 min 53 sec Venue: Salle Wagram, Paris Performers: Jean-Paul Fouchecourt - Voice ; Maryseult Wieczorek - Voice
Composer: Jean-Philippe Rameau (1683 - 1764)
Period: Baroque
Form / Genre: Ballet
81. Les Fêtes d'Hébé ou Les Talens Liriques: Entrée 3: La Danse. Scene 7. L'objet qui règne dans mon àme
Written: 1739 Length - 2 min 17 sec Venue: Salle Wagram, Paris
Composer: Jean-Philippe Rameau (1683 - 1764)
Period: Baroque
Form / Genre: Ballet
82. Les Fêtes d'Hébé ou Les Talens Liriques: Entrée 3: La Danse. Scene 7. Contredanse
Written: 1739 Length - 4 min 22 sec Venue: Salle Wagram, Paris Performers: Jean-Paul Fouchecourt - Voice
Composer: Jean-Philippe Rameau (1683 - 1764)
Period: Baroque
Form / Genre: Ballet
83. Zoroastre (1756 version): Act 3. Scenes 1-6. Ritournelle / Arrêtez, modérez cette fureur extrême
Written: 1739 Length - 0 min 32 sec Venue: Salle Wagram, Paris
Composer: Jean-Philippe Rameau (1683 - 1764)
Period: Baroque
Form / Genre: Opera
84. Zoroastre (1756 version): Act 3. Scenes 1-6. Un coeur fier qui brise sa chaîne
Written: 1749 Country: France Length - 3 min 23 sec Venue: Théâtre de Poissy, Poissy, France Performers: Anna-Maria Panzarella - Voice ; Berg, Nathan [Baritone Vocal] - Voice
Composer: Jean-Philippe Rameau (1683 - 1764)
Period: Baroque
Form / Genre: Opera
85. Zoroastre (1756 version): Act 3. Scenes 1-6. Osons achever de grands crimes
Written: 1749 Country: France Length - 0 min 57 sec Venue: Théâtre de Poissy, Poissy, France Performers: Anna-Maria Panzarella - Voice ; Berg, Nathan [Baritone Vocal] - Voice
Composer: Jean-Philippe Rameau (1683 - 1764)
Period: Baroque
Form / Genre: Opera
86. Zoroastre (1756 version): Act 3. Scenes 1-6. Sommeil, fuis ce séjour / L'aurore vermeille / Duo. Pou
Written: 1749 Country: France Length - 2 min 49 sec Venue: Théâtre de Poissy, Poissy, France Performers: Berg, Nathan [Baritone Vocal] - Voice
Composer: Jean-Philippe Rameau (1683 - 1764)
Period: Baroque
Form / Genre: Opera
87. Zoroastre (1756 version): Act 3. Scenes 1-6. Sommeil, fuis de ce séjour
Written: 1749 Country: France Length - 3 min 36 sec Venue: Théâtre de Poissy, Poissy, France Performers: Galle Mechaly - Voice ; Padmore, Mark [Tenor Vocals] - Voice
Composer: Jean-Philippe Rameau (1683 - 1764)
Period: Baroque
Form / Genre: Opera
88. Zoroastre (1756 version): Act 3. Scenes 1-6. Entrée de peuple différents
Written: 1749 Country: France Length - 1 min 3 sec Venue: Théâtre de Poissy, Poissy, France Performers: Padmore, Mark [Tenor Vocals] - Voice ; Galle Mechaly - Voice
Composer: Jean-Philippe Rameau (1683 - 1764)
Period: Baroque
Form / Genre: Opera
89. Zoroastre (1756 version): Act 3. Scenes 1-6. Mille rayons brillants / Duo. tout se ranime / O lumièr
Written: 1749 Country: France Length - 1 min 31 sec Venue: Théâtre de Poissy, Poissy, France
Composer: Jean-Philippe Rameau (1683 - 1764)
Period: Baroque
Form / Genre: Opera
90. Zoroastre (1756 version): Act 3. Scenes 1-6. Loure
Written: 1749 Country: France Length - 3 min 49 sec Venue: Théâtre de Poissy, Poissy, France
Composer: Jean-Philippe Rameau (1683 - 1764)
Period: Baroque
Form / Genre: Opera
91. Zoroastre (1756 version): Act 3. Scenes 1-6. Ariette. Accourez, jeunesse brillante
Written: 1749 Country: France Length - 1 min 38 sec Venue: Théâtre de Poissy, Poissy, France
Composer: Jean-Philippe Rameau (1683 - 1764)
Period: Baroque
Form / Genre: Opera
92. Zoroastre (1756 version): Act 3. Scenes 1-6. Entrée des Montagnards
Written: 1749 Country: France Length - 2 min 6 sec Venue: Théâtre de Poissy, Poissy, France
Composer: Jean-Philippe Rameau (1683 - 1764)
Period: Baroque
Form / Genre: Opera
93. Orlando, HWV 31: Ouvertura. Lentement
Written: 1749 Country: France Length - 1 min 21 sec Venue: Théâtre de Poissy, Poissy, France
Composer: George Frederick Handel (1685 - 1759)
Period: Baroque
Form / Genre: Opera
94. Orlando, HWV 31: Ouvertura. Allegro
Written: 1732 Country: Italy Length - 3 min 21 sec Venue: Salle Wagram, Paris
Composer: George Frederick Handel (1685 - 1759)
Period: Baroque
Form / Genre: Opera
95. Orlando, HWV 31: Act 2. Scene 1. Aria. Quando spieghi i tuoi tormenti
Written: 1732 Country: Italy Length - 1 min 48 sec Venue: Salle Wagram, Paris
Composer: George Frederick Handel (1685 - 1759)
Period: Baroque
Form / Genre: Opera
96. Orlando, HWV 31: Act 3. Scene 8. Duetto. Finché prendi ancora il sangue
Written: 1732 Country: Italy Length - 3 min 37 sec Venue: Salle Wagram, Paris
Composer: George Frederick Handel (1685 - 1759)
Period: Baroque
Form / Genre: Opera
97. Orlando, HWV 31: Act 3. Scene 8. Recitativo. Vieni... Già per la man d'Orlando
Written: 1732 Country: Italy Length - 2 min 38 sec Venue: Salle Wagram, Paris
Composer: George Frederick Handel (1685 - 1759)
Period: Baroque
Form / Genre: Opera
98. Orlando, HWV 31: Act 3. Scene 8. Aria. Già l'ebro mio ciglio
Written: 1732 Country: Italy Length - 1 min 39 sec Venue: Salle Wagram, Paris
Composer: George Frederick Handel (1685 - 1759)
Period: Baroque
Form / Genre: Opera
99. Alcina, HWV 34: Sinfonia
Written: 1732 Country: Italy Length - 4 min 53 sec Venue: Salle Wagram, Paris
Composer: George Frederick Handel (1685 - 1759)
Period: Baroque
Form / Genre: Opera
100. Alcina, HWV 34: Menuet
Written: 1735 Country: England Recorded: 06/1999 Length - 2 min 52 sec Venue: Paris Opera (Palais Garnier), France
Composer: George Frederick Handel (1685 - 1759)
Period: Baroque
Form / Genre: Opera
101. Alcina, HWV 34: Musette
Written: 1735 Country: England Recorded: 06/1999 Length - 1 min 5 sec Venue: Paris Opera (Palais Garnier), France
Composer: George Frederick Handel (1685 - 1759)
Period: Baroque
Form / Genre: Opera
102. Alcina, HWV 34: Act 1. Scene 14. Aria. Tornami a vagheggiar
Written: 1735 Country: England Recorded: 06/1999 Length - 1 min 55 sec Venue: Paris Opera (Palais Garnier), France
Composer: George Frederick Handel (1685 - 1759)
Period: Baroque
Form / Genre: Opera
103. Alcina, HWV 34: Act 3. Scene 3. Aria. Sta nell'Ircana
Written: 1735 Country: England Recorded: 06/1999 Length - 5 min 1 sec Venue: Paris Opera (Palais Garnier), France
Composer: George Frederick Handel (1685 - 1759)
Period: Baroque
Form / Genre: Opera
104. Alcina, HWV 34: Act 3. Scene 5. Aria. Mi restano le lagrime
Written: 1735 Country: England Recorded: 06/1999 Length - 5 min 52 sec Venue: Paris Opera (Palais Garnier), France
Composer: George Frederick Handel (1685 - 1759)
Period: Baroque
Form / Genre: Opera
105. Acis and Galatea, HWV 49a: Act 1. Sinfonia
Written: 1735 Country: England Recorded: 06/1999 Length - 8 min 22 sec Venue: Paris Opera (Palais Garnier), France
Composer: George Frederick Handel (1685 - 1759)
Period: Baroque
Form / Genre: Oratorio
106. Acis and Galatea, HWV 49a: Act 1. Air. Love in her eyes sits playing
Written: 1718 Length - 3 min 16 sec Venue: Salle Wagram, Paris
Composer: George Frederick Handel (1685 - 1759)
Period: Baroque
Form / Genre: Oratorio
107. Acis and Galatea, HWV 49a: Act 1. Air. As when the dove laments her love
Written: 1718 Length - 6 min 9 sec Venue: Salle Wagram, Paris
Composer: George Frederick Handel (1685 - 1759)
Period: Baroque
Form / Genre: Oratorio
108. Acis and Galatea, HWV 49a: Act 1. Chorus. Happy we! What joys I feel!
Written: 1718 Length - 6 min 12 sec Venue: Salle Wagram, Paris
Composer: George Frederick Handel (1685 - 1759)
Period: Baroque
Form / Genre: Oratorio
109. Theodora, HWV 68: Ouverture. (Grave) - Allegro
Written: 1718 Length - 1 min 12 sec Venue: Salle Wagram, Paris
Composer: George Frederick Handel (1685 - 1759)
Period: Baroque
Form / Genre: Oratorio
110. Theodora, HWV 68: Ouverture. Trio
Written: 1749 Country: England Length - 3 min 3 sec Venue: Espace de Projection, Ircam, Paris
Composer: George Frederick Handel (1685 - 1759)
Period: Baroque
Form / Genre: Oratorio
111. Theodora, HWV 68: Ouverture. Courante
Written: 1749 Country: England Length - 1 min 33 sec Venue: Espace de Projection, Ircam, Paris
Composer: George Frederick Handel (1685 - 1759)
Period: Baroque
Form / Genre: Oratorio
112. Theodora, HWV 68: Part 1. Scene 4. Air. As with rosy steps the morn advancing
Written: 1749 Country: England Length - 1 min 44 sec Venue: Espace de Projection, Ircam, Paris
Composer: George Frederick Handel (1685 - 1759)
Period: Baroque
Form / Genre: Oratorio
113. Theodora, HWV 68: Part 1. Scene 4. Chorus of Christians. All pow'r in Heav'n above
Written: 1749 Country: England Length - 5 min 57 sec Venue: Espace de Projection, Ircam, Paris
Composer: George Frederick Handel (1685 - 1759)
Period: Baroque
Form / Genre: Oratorio
114. Theodora, HWV 68: Part 1. Scene 5. Air. Angels, ever bright and fair
Written: 1749 Country: England Length - 2 min 23 sec Venue: Espace de Projection, Ircam, Paris
Composer: George Frederick Handel (1685 - 1759)
Period: Baroque
Form / Genre: Oratorio
115. Grand Motet 'Usquequo, Domine, oblivisceris me in finem?': Opening
Written: 1749 Country: England Length - 3 min 23 sec Venue: Espace de Projection, Ircam, Paris
Composer: Henry Desmarest (1661 - 1741)
Period: Baroque
116. Grand Motet 'Domine, ne in furore tuo arguas me': No. 7. Turbatus est a furore oculus mesus
Recorded: 10/1999 Length - 6 min 47 sec Venue: L'Arsenal, Metz, France
Composer: Henry Desmarest (1661 - 1741)
Period: Baroque
117. Grand Motet 'Domine, ne in furore tuo arguas me': No. 8. Discedite a me omnes qui operamini iniquit
Recorded: 10/1999 Length - 1 min 57 sec Venue: L'Arsenal, Metz, France
Composer: Henry Desmarest (1661 - 1741)
Period: Baroque
118. Grand Motet 'Domine, ne in furore tuo arguas me': No. 9. Exaudivit Dominus deprecationem meam
Recorded: 10/1999 Length - 2 min 5 sec Venue: L'Arsenal, Metz, France
Composer: Henry Desmarest (1661 - 1741)
Period: Baroque
119. Grand Motet 'Domine, ne in furore tuo arguas me': No. 10. Erubescant, et conturbentur vehementer omn
Recorded: 10/1999 Length - 2 min 39 sec Venue: L'Arsenal, Metz, France
Composer: Henry Desmarest (1661 - 1741)
Period: Baroque
120. Leçon de Ténèbres 3, for 2 treble voices & continuo
Recorded: 10/1999 Length - 3 min 36 sec Venue: L'Arsenal, Metz, France
Composer: François Couperin (1668 - 1733)
Period: Baroque
Form / Genre: Motet
121. Grand Motet 'In convertendo': No. 5. Choeur gracieux. Laudate nomen Dei cum cantico
Written: circa 1712 Country: France Length - 1 min 40 sec Venue: Salle Wagram, Paris
Composer: Jean-Philippe Rameau (1683 - 1764)
Period: Baroque
Form / Genre: Motet
122. Grand Motet 'In convertendo': No. 6. Trio. Qui seminant in lacrimis
Written: by 1720 Length - 4 min 4 sec Venue: Maison de Radio-France, Paris, France
Composer: Jean-Philippe Rameau (1683 - 1764)
Period: Baroque
Form / Genre: Motet
123. Grand Motet 'In convertendo': No. 7. Choeur. Euntes ibant et flebant
Written: by 1720 Length - 2 min 18 sec Venue: Maison de Radio-France, Paris, France
Composer: Jean-Philippe Rameau (1683 - 1764)
Period: Baroque
Form / Genre: Motet
124. Grand Motet 'Deus noster refugium': No. 3. Prélude du choeur. Sonuerunt et turbatae sunt
Written: by 1720 Length - 5 min 12 sec Venue: Maison de Radio-France, Paris, France
Composer: Jean-Philippe Rameau (1683 - 1764)
Period: Baroque
Form / Genre: Motet
125. Grand Motet 'Dominus regnavit': Elevaverunt flumina
Written: 1713-1715 Length - 3 min 35 sec Venue: Maison de Radio-France, Paris, France
Composer: Jean-Joseph Cassanéa de Mondonville (1711 - 1772)
Period: Baroque
Form / Genre: Motet
Length - 4 min 5 sec
Venue: Paris
126. Grand Motet 'In exitu Israel': March & Chorus. In exitu Israel
Composer: Jean-Joseph Cassanéa de Mondonville (1711 - 1772)
Period: Baroque
Form / Genre: Motet
Length - 2 min 42 sec
Venue: Paris
127. Grand Motet 'In exitu Israel': Mare vidit
Composer: Jean-Joseph Cassanéa de Mondonville (1711 - 1772)
Period: Baroque
Form / Genre: Motet
Length - 1 min 14 sec
Venue: Paris
128. Grand Motet 'In exitu Israel': Jordanis conversus est retrorsum
Composer: Jean-Joseph Cassanéa de Mondonville (1711 - 1772)
Period: Baroque
Form / Genre: Motet
Length - 2 min 18 sec
Venue: Paris
129. Grand Motet 'In exitu Israel': A facie Domini
Composer: Jean-Joseph Cassanéa de Mondonville (1711 - 1772)
Period: Baroque
Form / Genre: Motet
Length - 5 min 1 sec
Venue: Paris
130. Mass in C minor, K 427: No. 1. Kyrie eleison
Composer: Wolfgang Amadeus Mozart (1756 - 1791)
Period: Classical
Form / Genre: Mass
131. Mass in C minor, K 427: No. 2. Gloria in excelcis
Written: 1783 Length - 7 min 17 sec Venue: Abbaye de Lessay, Normandy
Composer: Wolfgang Amadeus Mozart (1756 - 1791)
Period: Classical
Form / Genre: Mass
132. Requiem, K 626: No. 1. Introitus
Written: 1783 Length - 2 min 16 sec Venue: Abbaye de Lessay, Normandy
Composer: Wolfgang Amadeus Mozart (1756 - 1791)
Period: Classical
Form / Genre: Mass Ordinary / Mass / Requiem
133. Requiem, K 626: No. 2. Kyrie eleison
Written: 1791 Country: Austria Length - 5 min 13 sec Venue: Salle Berthier, Opéra Comique, Paris
Composer: Wolfgang Amadeus Mozart (1756 - 1791)
Period: Classical
Form / Genre: Mass Ordinary / Mass / Requiem
134. Requiem, K 626: No. 3. Sequentia. Dies irae
Written: 1791 Country: Austria Length - 2 min 17 sec Venue: Salle Berthier, Opéra Comique, Paris
Composer: Wolfgang Amadeus Mozart (1756 - 1791)
Period: Classical
Form / Genre: Mass Ordinary / Mass / Requiem
135. Die Zauberflöte, K 620: Overture
Written: 1791 Country: Austria Length - 1 min 47 sec Venue: Salle Berthier, Opéra Comique, Paris
Composer: Wolfgang Amadeus Mozart (1756 - 1791)
Period: Classical
Form / Genre: Singspiel / Opera
136. Die Zauberflöte, K 620: Act 1. Scene 2. Aria. Der Vogelfänger bin ich ja
Written: 1791 Country: Austria Length - 5 min 58 sec Venue: Studio Olivier Messiaen, Radio-France, P
Composer: Wolfgang Amadeus Mozart (1756 - 1791)
Period: Classical
Form / Genre: Singspiel / Opera
137. Die Zauberflöte, K 620: Act 1. Scene 6. Recitative & Aria. O zittre nicht, mein lieber Sohn... Zum L
Written: 1791 Country: Austria Length - 3 min 7 sec Venue: Studio Olivier Messiaen, Radio-France, P
Composer: Wolfgang Amadeus Mozart (1756 - 1791)
Period: Classical
Form / Genre: Singspiel / Opera
138. Die Zauberflöte, K 620: Act 1. Scene 14. Duet. Bei Männern, welche Liebe fühlen
Written: 1791 Country: Austria Length - 4 min 37 sec Venue: Studio Olivier Messiaen, Radio-France, P
Composer: Wolfgang Amadeus Mozart (1756 - 1791)
Period: Classical
Form / Genre: Singspiel / Opera
139. Die Zauberflöte, K 620: Act 1. Scene 15. Wie stark ist nicht dein Zauberton
Written: 1791 Country: Austria Length - 2 min 56 sec Venue: Studio Olivier Messiaen, Radio-France, P
Composer: Wolfgang Amadeus Mozart (1756 - 1791)
Period: Classical
Form / Genre: Singspiel / Opera
140. Die Zauberflöte, K 620: Act 2. Scene 1. Aria & Chorus. O Isis und Osiris
Written: 1791 Country: Austria Length - 2 min 57 sec Venue: Studio Olivier Messiaen, Radio-France, P
Composer: Wolfgang Amadeus Mozart (1756 - 1791)
Period: Classical
Form / Genre: Singspiel / Opera
141. Le Guirlande: Scene 2. Air gracieux
Written: 1791 Country: Austria Length - 2 min 45 sec Venue: Studio Olivier Messiaen, Radio-France, P
Composer: Jean-Philippe Rameau (1683 - 1764)
Period: Baroque
Form / Genre: Ballet
142. Le Guirlande: Scene 2. Hâtons-nous, voici l'aurore
Written: 1751 Length - 1 min 32 sec Venue: Studio Stolbergerstraße, Köln
Composer: Jean-Philippe Rameau (1683 - 1764)
Period: Baroque
Form / Genre: Ballet
143. Le Guirlande: Scene 2. 1st & 2nd Menuets
Written: 1751 Length - 0 min 38 sec Venue: Studio Stolbergerstraße, Köln
Composer: Jean-Philippe Rameau (1683 - 1764)
Period: Baroque
Form / Genre: Ballet
144. Le Guirlande: Scene 6. Air gracieux, 1st & 2nd Tambourins
Written: 1751 Length - 1 min 40 sec Venue: Studio Stolbergerstraße, Köln
Composer: Jean-Philippe Rameau (1683 - 1764)
Period: Baroque
Form / Genre: Ballet
145. Le Guirlande: Scene 6. Vole, Amour
Written: 1751 Length - 2 min 49 sec Venue: Studio Stolbergerstraße, Köln
Composer: Jean-Philippe Rameau (1683 - 1764)
Period: Baroque
Form / Genre: Ballet
146. Le Guirlande: Scene 6. Contredanse
Written: 1751 Length - 5 min 59 sec Venue: Studio Stolbergerstraße, Köln
Composer: Jean-Philippe Rameau (1683 - 1764)
Period: Baroque
Form / Genre: Ballet
147. Zéphyre: Scene 5-6. Quels sons! Quelle vive lumière! / Rassurez-vous, je cède et vos fers sont rompu
Written: 1751 Length - 0 min 56 sec Venue: Studio Stolbergerstraße, Köln
Composer: Jean-Philippe Rameau (1683 - 1764)
Period: Baroque
Form / Genre: Ballet
148. Zéphyre: Scene 6. Sarabande pour les fleurs
Written: circa 1750 Length - 2 min 24 sec Venue: Studio Stolbergerstraße, Köln
Composer: Jean-Philippe Rameau (1683 - 1764)
Period: Baroque
Form / Genre: Ballet
149. Zéphyre: Scene 6. 1st & 2nd Gavottes
Written: circa 1750 Length - 1 min 16 sec Venue: Studio Stolbergerstraße, Köln
Composer: Jean-Philippe Rameau (1683 - 1764)
Period: Baroque
Form / Genre: Ballet
150. Zéphyre: Scene 6. Amour, sois le Dieu de nos âmes
Written: circa 1750 Length - 2 min 16 sec Venue: Studio Stolbergerstraße, Köln
Composer: Jean-Philippe Rameau (1683 - 1764)
Period: Baroque
Form / Genre: Ballet
151. Zéphyre: Scene 6. Contredanse
Written: circa 1750 Length - 1 min 55 sec Venue: Studio Stolbergerstraße, Köln
Composer: Jean-Philippe Rameau (1683 - 1764)
Period: Baroque
Form / Genre: Ballet
152. Psyché: Prélude pour les trompettes
Written: circa 1750 Length - 0 min 36 sec Venue: Studio Stolbergerstraße, Köln
Composer: Jean-Baptiste Lully (1632 - 1687)
Period: Baroque
Form / Genre: Tragedie En Musique / Opera
153. Psyché: Chorus. Chantons les plaisirs charmants
Written: 1678 Country: France Length - 0 min 51 sec Venue: Espace de Projection, Ircam, Paris
Composer: Jean-Baptiste Lully (1632 - 1687)
Period: Baroque
Form / Genre: Tragedie En Musique / Opera
154. Isis: Duet. Aimez, profitez du temps
Written: 1678 Country: France Length - 1 min 46 sec Venue: Espace de Projection, Ircam, Paris
Composer: Jean-Baptiste Lully (1632 - 1687)
Period: Baroque
Form / Genre: Opera
Country: France
Length - 1 min 23 sec
Venue: Espace de Projection, Ircam, Paris
155. Isis: Prelude. Entrée des peuples des climate glacés / Chorus. L'hiver qui nous tourmente / Recitati
Composer: Jean-Baptiste Lully (1632 - 1687)
Period: Baroque
Form / Genre: Opera
Country: France
Length - 4 min 6 sec
Venue: Espace de Projection, Ircam, Paris
156. Isis: Scène des forges. Prélude / Chorus. Que le feu des forges s'allume / Recitative & Chorus. Quel
Composer: Jean-Baptiste Lully (1632 - 1687)
Period: Baroque
Form / Genre: Opera
Country: France
Length - 3 min 0 sec
Venue: Espace de Projection, Ircam, Paris
157. Die Entführung aus dem Serail, K 384: Ouverüre
Composer: Wolfgang Amadeus Mozart (1756 - 1791)
Period: Classical
Form / Genre: Singspiel / Opera
158. Die Entführung aus dem Serail, K 384: Act 1. Scene 1. Aria. Hier soll ich dich denn sehen
Written: 1782 Length - 4 min 0 sec Venue: Théâtre de Poissy, Poissy, France
Composer: Wolfgang Amadeus Mozart (1756 - 1791)
Period: Classical
Form / Genre: Singspiel / Opera
159. Die Entführung aus dem Serail, K 384: Act 1. Scene 7. Aria. Ach, ich liebte, war so glücklich
Written: 1782 Length - 2 min 23 sec Venue: Théâtre de Poissy, Poissy, France
Composer: Wolfgang Amadeus Mozart (1756 - 1791)
Period: Classical
Form / Genre: Singspiel / Opera
160. Die Entführung aus dem Serail, K 384: Act 2. Scene 9. Aria. Wenn der Freude Tränen fließen
Written: 1782 Length - 5 min 16 sec Venue: Théâtre de Poissy, Poissy, France
Composer: Wolfgang Amadeus Mozart (1756 - 1791)
Period: Classical
Form / Genre: Singspiel / Opera
161. Die Entführung aus dem Serail, K 384: Act 3. Scene 9. Vaudeville. Nie werd' ich deine Held verkennen
Written: 1782 Length - 4 min 56 sec Venue: Théâtre de Poissy, Poissy, France
Composer: Wolfgang Amadeus Mozart (1756 - 1791)
Period: Classical
Form / Genre: Singspiel / Opera
Written: 1782 Length - 4 min 1 sec Venue: Théâtre de Poissy, Poissy, France |
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