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Richard Strauss Edition |
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Release Date: 02/28/2012
Original Release:
N/A
# of Discs:
35
Domestic
Label: Brilliant Classics
Disc: 1
Disc: 2
Disc: 3
Disc: 4
4.
Dance Suite from harpsichord pieces by François Couperin: 1. Entrée and stately round
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11.
Don Quixote, Op. 35: Introduction: Mäßiges Zeitmaß: Don Quixote sinks into madness
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Disc: 5
Disc: 6
Disc: 7
Disc: 8
11.
Duett-Concertino, for clarinet, bassoon & strings: 3. Rondo: Allegro ma non troppo
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Disc: 9
3.
Panathenäenzug, symphonic studies in the form of a passacaglia for piano (left hand) & orchestra, Op
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Disc: 10
6.
Violin Concerto in D minor (version for violin & piano), Op. 8: 2. Lento ma non troppo
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Violin Concerto in D minor (version for violin & piano), Op. 8: 3. Rondo: Prestissmo
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Disc: 11
Disc: 12
Disc: 13
Disc: 14
2.
Horn Concerto No. 2 in E flat (version for horn & 2 pianos), AV 132: 3. Allegro molto
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6.
Horn Concerto No. 2 in E flat (version for horn & 2 pianos), AV 132: 2. Andante
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7.
Horn Concerto No. 1 in E flat (version for horn & piano), Op. 11: 2. Andante cantabile con variazion
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8.
Horn Concerto No. 1 in E flat (version for horn & piano), Op. 11: 3. Rondo: Allegro
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9.
Horn Concerto No. 2 in E flat (version for horn & 2 pianos), AV 132: 1. Allegro
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10.
Horn Concerto No. 1 in E flat (version for horn & piano), Op. 11: 1. Allegro
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Disc: 15
1.
Aus Italien - Symphonic Fantasy (version for piano 4 hands), Op. 16: 3. On the beach at Sorrento. An
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Aus Italien - Symphonic Fantasy (version for piano 4 hands), Op. 16: 1. In the Campagna. Andante
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3.
Aus Italien - Symphonic Fantasy (version for piano 4 hands), Op. 16: 4. Neapolitan folk life. Finale
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4.
Aus Italien - Symphonic Fantasy (version for piano 4 hands), Op. 16: 2. The ruins of Rome. Allegro m
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6.
Suite for winds (version for piano 4 hands), Op. 4: 4. Introduction and Fugue: Andante cantabile - A
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Disc: 16
4.
Symphony No. 2 in F minor (version for piano 4 hands), Op. 12: 2. Scherzo: Presto
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Symphony No. 2 in F minor (version for piano 4 hands), Op. 12: 4. Finale: Allegro assai, molto appas
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Symphony No. 2 in F minor (version for piano 4 hands), Op. 12: 3. Andante cantabile
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8.
Symphony No. 2 in F minor (version for piano 4 hands), Op. 12: 1. Allegro ma non troppo
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Disc: 17
Disc: 18
Disc: 19
Disc: 20
Disc: 21
Disc: 22
9.
Der Rosenkavalier: Act 3. Muß jetzt partout zu ihr!... Ihre hochfürstliche Gnaden
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15.
Der Rosenkavalier: Act 3. Oh weh, was maken wir?... Halt! Keiner rührt sich!
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Disc: 23
1.
Elektra: Was willst du? Seht doch, dort!
2.
Elektra: Ich habe keine guten Nächte
3.
Elektra: Allein! Weh, ganz allein
4.
Elektra: Ah! das Gesicht!
5.
Elektra: Wo bleibt Elektra?
Disc: 24
1.
Elektra: Orest! Orest ist tot!
2.
Elektra: Nun denn, allein!
3.
Elektra: Es muß etwas gescheh'n sein
4.
Elektra: Elektra! Schwester!
5.
Elektra: Orest! Orest! Es rührt sich niemand!
Disc: 25
1.
Salome: Scene 3. Er ist schrecklich
2.
Salome: Scene 4. Salome, komm, trink Wein mit mir
3.
Salome: Scene 3. Du bist verflucht
4.
Salome: Scene 3. Wo ist er, dessen Sündenbecher jetzt voll ist?
5.
Salome: Scene 4. Wahrhaftig, Herr, es wäre besser, ihn in unsre Hände zu geben!
6.
Salome: Scene 4. Siehe, die Zeit ist gekommen
7.
Salome: Scene 3. Wird dir nicht bange, Tochter der Herodias?
8.
Salome: Scene 4. Siehe, der Tag ist nahe
9.
Salome: Scene 4. O über dies geile Weib, die Tochter Babylons
10.
Salome: Scene 3. Lass mich deinen Mund küssen, Jochanaan!
11.
Salome: Scene 4. Wo ist Salome?
12.
Salome: Scene 3. Niemals, Tochter Babylons, Tochter Sodoms! Niemals!
13.
Salome: Scene 3. Zurück, Tochter Sodoms!
14.
Salome: Scene 2. Siehe, der Herr ist gekommen
15.
Salome: Scene 3. Dein Leib ist grauenvoll
16.
Salome: Scene 3. Wer ist dies Weib, das mich ansieht?
17.
Salome: Scene 2. Jauchze nicht, du Land Palästina
18.
Salome: Scene 2. Laßt den Propheten Herauskommen
19.
Salome: Scene 2. Ich will nicht bleiben
20.
Salome: Scene 1. Wie schön ist die Prinzessin Salome heute Nacht!
21.
Salome: Scene 3. Jochanaan! Ich bin verliebt in deinen Leib
22.
Salome: Scene 1. Nach mir wird einer kommen
Disc: 26
1.
Salome: Scene 4. Es ist kein Laut zu vernehmen
2.
Salome: Scene 4. Ah! Ich habe deinen Mund geküßt, Jochanaan
3.
Salome: Scene 4. Sie ist ein Ungeheuer, deine Tochter
4.
Salome: Scene 4. Salome, ich beschwöre dich
5.
Salome: Scene 4. Gib mir den Kopf des Jochanaan!
6.
Salome: Scene 4. Salome, bedenk, was du tun willst
7.
Salome: Scene 4. Ah! Herrlich! Wundervoll, wundervoll!
8.
Salome: Scene 4. Dance of the Seven Veils
9.
Salome: Scene 4. Tanz für mich, Salome
10.
Salome: Scene 4. Ah! Du wolltest mich nicht deinen Mund
Disc: 27
1.
Ariadne auf Naxos: Opera. Wo war ich? Tot?
2.
Ariadne auf Naxos: Prologue. Ein Augenblick ist wenig
3.
Ariadne auf Naxos: Prologue. Ist schon geschehn. Wir sind bereit
4.
Ariadne auf Naxos: Prologue. Nein, Herr, so kommt es nicht
5.
Ariadne auf Naxos: Prologue. Sei'n wir wieder gut... Music ist eine heilige Kunst
6.
Ariadne auf Naxos: Prologue. Du allmächtiger Gott!
7.
Ariadne auf Naxos: Opera. Overture
8.
Ariadne auf Naxos: Opera. Schläft sie?
9.
Ariadne auf Naxos: Prologue. Hast ein Stückerl Notenpapier?
10.
Ariadne auf Naxos: Prologue. Overture
11.
Ariadne auf Naxos: Prologue. Mein Herr Haushofmeister!
12.
Ariadne auf Naxos: Opera. Ein Schönes war, heiß Theseus-Ariadne
13.
Ariadne auf Naxos: Opera. Lieben, Hassen, Hoffen, Zagen
14.
Ariadne auf Naxos: Opera. Die Dame gibt mit trübem Sinn... Wie sie sich schwingen
15.
Ariadne auf Naxos: Opera. Es gibt ein Reich
Disc: 28
1.
Ariadne auf Naxos: Opera. Gibt es kein Hinüber?
2.
Ariadne auf Naxos: Opera. Theseus! Nein! Nein!
3.
Ariadne auf Naxos: Opera. Hübsch gepredigt! Aber tauben Ohren!... Eine Störrische zu trösten
4.
Ariadne auf Naxos: Opera. Circe, kannst du mich hören?
5.
Ariadne auf Naxos: Opera. Größmächtige Prinzessin
6.
Ariadne auf Naxos: Opera. Ein schönes Wunder!
7.
Ariadne auf Naxos: Opera. Das waren Zauberwörte
Disc: 29
1.
Die Frau ohne Schatten: Act 1. Ach, Herrin, süße Herrin!
2.
Die Frau ohne Schatten: Act 1. Wal wollt ihr hier?
3.
Die Frau ohne Schatten: Act 1. Mutter, Mutter, laß uns nach Hause!
4.
Die Frau ohne Schatten: Act 1. Hat es dich blutige Tränen gekostet
5.
Die Frau ohne Schatten: Act 1. Sie aus dem Hause, und das für immer
6.
Die Frau ohne Schatten: Act 1. Trag' ich die Ware selber zum Markt... Ihr Gatten in den Häusern dies
7.
Die Frau ohne Schatten: Act 1. Dritthalb Jahr bin ich dein Weib
8.
Die Frau ohne Schatten: Act 1. Flight down to Earth
9.
Die Frau ohne Schatten: Act 1. Dieb! Da nimm!... Reiß ihn nach hinten!... Zu Hilfe, Brüder!
10.
Die Frau ohne Schatten: Act 1. Ist mein Liebster dahin
11.
Die Frau ohne Schatten: Act 1. Licht überm See
12.
Die Frau ohne Schatten: Act 1. Wie soll ich denn nicht weinen?
13.
Die Frau ohne Schatten: Act 1. Amme, um alles, wo find' ich den Schatten?
14.
Die Frau ohne Schatten: Act 1. Amme! Wachst du?
Disc: 30
1.
Die Frau ohne Schatten: Act 2. Wer da?
2.
Die Frau ohne Schatten: Act 2. Wehe, mein Mann!
3.
Die Frau ohne Schatten: Act 2. Ein Handwerk verstehst du sicher nicht... Um Nahrung für mich gräme d
4.
Die Frau ohne Schatten: Act 2. Es gibt derer, die bleiben immer gelassen... Abtu' ich von meinem Lei
5.
Die Frau ohne Schatten: Act 2. Es dunkelt, daß ich nicht sehe zur Arbeit
6.
Die Frau ohne Schatten: Act 2. Das Weib ist irre... Barak, ich hab' es nicht getan!
7.
Die Frau ohne Schatten: Act 2. Sieh - Amme - Sieh
8.
Die Frau ohne Schatten: Act 2. Komm bald wieder nach Haus, mein Gebieter
9.
Die Frau ohne Schatten: Act 2. Was ist nun die Rede, du Prinzessin... O Tag des Glücks, o Abend der
10.
Die Frau ohne Schatten: Act 2. Schlange, was hab' ich mit dur zu schaffen!
11.
Die Frau ohne Schatten: Act 2. Es gibt derer, die haben immer Zeit
12.
Die Frau ohne Schatten: Act 2. Falke, Falke, du wiedergefundener
Disc: 31
1.
Die Frau ohne Schatten: Act 3. Schweigt doch, ihr Stimmen!
2.
Die Frau ohne Schatten: Act 3. Ach! Weh mir!... Erfüllt der Fluch!
3.
Die Frau ohne Schatten: Act 3. Trifft mich sein Lieben nicht
4.
Die Frau ohne Schatten: Act 3. Wenn das Herz aus Kristall zerbricht in einem Schrei
5.
Die Frau ohne Schatten: Act 3. Wehe, mein Kind
6.
Die Frau ohne Schatten: Act 3. Vater, bust du's?
7.
Die Frau ohne Schatten: Act 3. Mir anvertraut, daß ich sie hege
8.
Die Frau ohne Schatten: Act 3. Fort von hier!
9.
Die Frau ohne Schatten: Act 3. Nun will ich jubeln
10.
Die Frau ohne Schatten: Act 3. Auf, geh nach oben, Mann
Disc: 32
1.
Friedenstag: Wo ist der Mann
2.
Friedenstag: Geliebter, nicht das Schwert
3.
Friedenstag: Hast was geseh'n?
4.
Friedenstag: Nein, nicht Todensnebel
5.
Friedenstag: Erwünschtes Zeichen! Auf eure Posten!
6.
Friedenstag: Wagt es zu denken
7.
Friedenstag: Warum Kämpfen wir Jahre um Jahre
8.
Friedenstag: In einer Stunde verschwindet
9.
Friedenstag: Der Feind! Der Feind! Wo steht sein Angriff
10.
Friedenstag: Der Kaiser stand im Saal
11.
Friedenstag: Wie? Niemand hier?
12.
Friedenstag: Nein, leere Hoffnung alles
13.
Friedenstag: La rosa, la rosa che un bel fiore
14.
Friedenstag: Hunger! Brot!
15.
Friedenstag: Hunger! Hunger!... Nur Widerhall
16.
Friedenstag: Es sei! Doch hört
17.
Friedenstag: Mein Commandant!... Rede!
18.
Friedenstag: Geht, geht alle!
19.
Friedenstag: Zu Magdeburg in der Reitschlacht
20.
Friedenstag: Das Zeichen, das Ihr uns verheißet
Disc: 33
1.
Gedichte, Op. 21: Du Meines Herzens Krönelein / Ach Lieb, ich muß nun scheiden
2.
Songs (3), Op. 67: Wandrers Gemütsruhe
3.
Traum durch die Dämmerung, Op. 29/1
4.
Drei Lieder der Ophelia aus "Hamlet", Op. 67
5.
Krämerspiegel, Op. 66: Wie erkenn' ich mein Treulieb / Guten Morgen, s'ist Sankt Valentinstag / Sie
6.
Gefunden, Op. 56/1
7.
Befreit, Op. 39/4
8.
Ich trage meine Minne, Op. 32/1
9.
Morgen, Op. 27/4
10.
Mädchenblumen, Op. 22
11.
O wärst du mein, Op. 26/2
12.
Heimkehr, Op. 15/5
13.
Letzte Blätter, Op. 10: Zueignung / Nichts / Die Georgine / Die Verschwiegenen / Die Zeitlose / Alle
Disc: 34
Disc: 35
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1. Also sprach Zarathustra (Thus Spoke Zoroaster), tone poem for orchestra, Op. 30 (TrV 176)
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Tone Poem
2. Tod und Verklärung (Death and Transfiguration), tone poem for orchestra, Op. 24 (TrV 158)
Written: 1896 Country: Germany Recorded: 09/1971 Length - 33 min 12 sec Venue: Lukaskirche Dresden
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Tone Poem
3. Der Rosenkavalier, Op. 59: Waltzes
Written: 1888-1889 Country: Germany Recorded: 06/1970 Length - 22 min 31 sec Venue: Lukaskirche Dresden
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
4. Till Eulenspiegels lustige Streiche (Till Eulenspiegel's Merry Pranks), tone poem for orchestra, Op.
Written: 1909-1910 Country: Germany Recorded: 06/1973 Length - 17 min 45 sec Venue: Lukaskirche Dresden
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Tone Poem
5. Don Juan, tone poem for orchestra, Op. 20 (TrV 156)
Written: 1894-1895 Country: Germany Recorded: 06/1970 Length - 14 min 46 sec Venue: Lukaskirche Dresden
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Tone Poem
6. Ein Heldenleben (A Hero's Life), tone poem for orchestra, Op. 40 (TrV 190)
Written: 1888-1889 Country: Germany Recorded: 06/1970 Length - 16 min 12 sec Venue: Lukaskirche Dresden
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Tone Poem
7. Metamorphosen, study for 23 solo strings, o.Op. 142 (TrV 290, AV 142)
Written: 1897-1898 Country: Germany Recorded: 03/1972 Length - 42 min 50 sec Venue: Lukaskirche Dresden Performers: Peter Mirring - Violin
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Tone Poem
8. Eine Alpensinfonie (An Alpine Symphony) for orchestra, Op. 64 (TrV 233)
Written: 1945 Country: Germany Recorded: 01/1973 Length - 25 min 18 sec Venue: Lukaskirche Dresden
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Symphony
9. Don Quixote, fantastic variations for cello & orchestra, Op. 35 (TrV 184)
Written: 1911-1915 Recorded: 09/1971 Length - 45 min 34 sec Venue: Lukaskirche Dresden
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Variations
10. Dance Suite, for small orchestra (after F. Couperin's keyboard works), o.Op. 107 (TrV 245, AV 107)
Written: 1897 Country: Germany Recorded: 06/1973 Length - 38 min 18 sec Venue: Lukaskirche, Dresden Performers: Max Rostal - Viola ; Tortelier, Paul - Cello
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Suite
11. Aus Italien, symphonic fantasy, Op. 16 (TrV 147)
Written: 1923 Recorded: 01/1973/06/1973 Length - 28 min 0 sec Venue: Lukaskirche, Dresden
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Tone Poem
12. Macbeth, tone poem for orchestra, Op. 23 (TrV 163)
Written: 1886 Recorded: 03/1974 Length - 85 min 33 sec Venue: Lukaskirche, Dresden
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Tone Poem
13. Salome, Op. 54: Dance of the Seven Veils
Written: 1886-1891 Country: Germany Recorded: 01/1973 Length - 19 min 36 sec Venue: Lukaskirche, Dresden
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
14. Der Bürger als Edelmann (Le bourgeois gentilhomme), suite from the ballet for orchestra, Op. 60-IIIa
Written: 1903-1905 Country: Germany Recorded: 06/1970 Length - 8 min 28 sec Venue: Lukaskirche, Dresden
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Suite
15. Schlagobers, Op. 70: Waltz
Written: 1920 Recorded: 06/1970 Length - 32 min 16 sec Venue: Lukaskirche, Dresden
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Ballet
16. Josephslegende, Op. 63: Symphonic fragment
Written: 1921-1922 Recorded: 09/1971 Length - 7 min 22 sec Venue: Lukaskirche, Dresden
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Ballet
17. Violin Concerto in D minor, Op. 8 (TrV 110)
Written: 1912-1914 Country: Germany Recorded: 03/1974 Length - 25 min 33 sec Venue: Lukaskirche, Dresden
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Concerto
18. Sinfonia Domestica for orchestra, Op. 53 (TrV 209)
Written: 1880-1882 Recorded: 09/1975 Length - 58 min 7 sec Venue: Lukaskirche Dresden Performers: Hoelscher, Ulf - Violin
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Tone Poem
19. Horn Concerto No. 1 in E flat major, Op. 11 (TrV 117)
Written: 1902-1903 Country: Germany Recorded: 03/1972 Length - 43 min 17 sec Venue: Lukaskirche Dresden
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Concerto
20. Horn Concerto No. 2 in E flat major, o.Op. 132 (TrV 283, AV 132)
Written: 1882-1883 Country: Germany Recorded: 09/1975 Length - 32 min 11 sec Venue: Lukaskirche Dresden Performers: Damm, Peter - Horn
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Concerto
21. Oboe Concerto in D major, o.Op. 144 (TrV 292, AV 144)
Written: 1942 Country: Germany Recorded: 09/1975 Length - 36 min 31 sec Venue: Lukaskirche Dresden Performers: Damm, Peter - Horn
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Concerto
22. Duet-Concertino for clarinet, bassoon, harp & strings, o.Op. 147 (TrV 293, AV 147)
Written: 1945 Recorded: 09/1975 Length - 24 min 11 sec Venue: Lukaskirche Dresden Performers: Clement, Manfred - Oboe
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Concerto: Double / Concerto
23. Burleske for piano & orchestra (or 2 pianos) in D minor, o.Op. 85 (TrV 145, AV 85)
Written: 1947 Country: Germany Recorded: 09/1975 Length - 18 min 14 sec Venue: Lukaskirche Dresden Performers: Wolfgang Liebscher - Bassoon ; Manfred Weise - Clarinet
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Rondo
24. Parergon zur Sinfonia Domestica, for piano, left hand & orchestra, Op. 73 (TrV 209a)
Written: 1885-1886 Country: Germany Recorded: 09/1975 Length - 19 min 50 sec Venue: Lukaskirche Dresden Performers: Frager, Malcolm - Piano
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Sinfonia
25. Panathenäenzug (Symphonic Etudes in the form of a Passacaglia), for piano, left hand & orchestra, Op
Written: 1925 Recorded: 01/1976 Length - 21 min 34 sec Venue: Lukaskirche Dresden Performers: Rösel, Peter - Piano
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Etude / Passacaglia
26. Violin Concerto in D minor, Op. 8 (TrV 110)
Written: 1927 Recorded: 01/1976 Length - 27 min 45 sec Venue: Lukaskirche Dresden Performers: Rösel, Peter - Piano
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Concerto
27. Allegretto for violin & piano in E major (TrV 295, AV 149)
Written: 1880-1882 Recorded: 02/28/1995 Length - 58 min 7 sec Venue: Kleiner Konzertsaal, Gasteig, Munich, Ge Performers: Erno Sebestyen - Violin ; Sawallisch, Wolfgang [Conductor/Piano] - Piano
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
28. Daphne-Etude for violin & piano in G major (after the opera "Daphne"), o.Op. 141 (TrV 272b, AV 141)
Written: 1948 Recorded: 02/28/1995 Length - 1 min 35 sec Venue: Kleiner Konzertsaal, Gasteig, Munich, Ge Performers: Sawallisch, Wolfgang [Conductor/Piano] - Piano ; Erno Sebestyen - Violin
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Etude
29. Sonata for violin & piano in E flat major, Op. 18 (TrV 151)
Written: 1945 Recorded: 02/28/1995 Length - 1 min 42 sec Venue: Kleiner Konzertsaal, Gasteig, Munich, Ge Performers: Erno Sebestyen - Violin ; Sawallisch, Wolfgang [Conductor/Piano] - Piano
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Sonata
30. Sonata for cello & piano in F major, Op. 6 (TrV 115)
Written: 1887 Recorded: 02/28/1995 Length - 30 min 5 sec Venue: Kleiner Konzertsaal, Gasteig, Munich, Ge Performers: Erno Sebestyen - Violin ; Sawallisch, Wolfgang [Conductor/Piano] - Piano
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Sonata
31. Romance for cello & orchestra in F major, o.Op. 75 (TrV 118, AV 75)
Written: 1880-1883 Country: Germany Recorded: 10/17/1985 Length - 26 min 37 sec Venue: Kleiner Konzertsaal, Gasteig, Munich, Ge Performers: Wöpke, Peter - Cello ; Sawallisch, Wolfgang [Conductor/Piano] - Piano
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Romance
32. Variations on a Bavarian Folksong ("Dirndl is haub auf mi' "), for string trio (TrV 109)
Written: 1883 Country: Germany Recorded: 10/17/1985 Length - 7 min 37 sec Venue: Kleiner Konzertsaal, Gasteig, Munich, Ge Performers: Sawallisch, Wolfgang [Conductor/Piano] - Piano ; Wöpke, Peter - Cello
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Variations
33. Quartettsatz (Allegro moderato) for string quartet in E flat major (TrV 85, AV 211) (incomplete)
Written: 1882 Country: Germany Recorded: 04/14/1988 Length - 7 min 6 sec Venue: Studio 3 Bayerischer Rundfunk, Munich, G Performers: Wiener Streichtrio - Trio
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Quartet
34. String Quartet in A major, Op. 2 (TrV 95)
Written: 1879 Recorded: 05/21/1988 Length - 1 min 38 sec Venue: Kleiner Konzertsaal, Gasteig, Munich, Ge
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Quartet
35. Capriccio, dances from the opera for violin, cello & harpsichord, Op. 85 (TrV 279b)
Written: 1880 Recorded: 05/21/1988 Length - 31 min 39 sec Venue: Kleiner Konzertsaal, Gasteig, Munich, Ge
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
36. Piano Trio No. 1 in A major, o.Op. 37 (TrV 53, AV 37)
Written: 1943 Recorded: 02/28/1997 Length - 6 min 9 sec Venue: Hochschule für Musik, Munich, Germany Performers: Anna Kandinskaia - Violin ; Hess, Sebastian - Cello ; Sawallisch, Wolfgang [Conductor/Piano] - Piano
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
37. Romance for clarinet & orchestra in E flat major, o.Op. 61 (TrV 80, AV 61)
Written: 1877 Recorded: 02/28/1997 Length - 14 min 45 sec Venue: Hochschule für Musik, Munich, Germany Performers: Sawallisch, Wolfgang [Conductor/Piano] - Piano ; Hess, Sebastian - Cello ; Anna Kandinskaia - Violin
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Concerto
38. Romance for cello & orchestra in F major, o.Op. 75 (TrV 118, AV 75)
Written: 1879 Recorded: 02/28/1997 Length - 8 min 24 sec Venue: Hochschule für Musik, Munich, Germany Performers: Sawallisch, Wolfgang [Conductor/Piano] - Piano ; Steffens, Karl-Heinz - Clarinet
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Romance
39. Introduction, Theme and Variations for horn & piano in E flat major, o.Op. 52 (TrV 70, AV 52)
Written: 1883 Country: Germany Recorded: 02/28/1997 Length - 7 min 37 sec Venue: Hochschule für Musik, Munich, Germany Performers: Sawallisch, Wolfgang [Conductor/Piano] - Piano ; Wen-Sinn Yang - Cello
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Variations
40. Piano Trio No. 2 in D major, o.Op. 53 (TrV 71, AV 53)
Written: 1878 Recorded: 02/28/1997 Length - 10 min 4 sec Venue: Hochschule für Musik, Munich, Germany Performers: Sawallisch, Wolfgang [Conductor/Piano] - Piano ; Johannes Ritzkowsky - Horn
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
41. Ständchen, for piano quartet in G major (TrV 114, AV 168)
Written: 1878 Recorded: 02/28/1997 Length - 23 min 26 sec Venue: Hochschule für Musik, Munich, Germany Performers: Anna Kandinskaia - Violin ; Hess, Sebastian - Cello ; Sawallisch, Wolfgang [Conductor/Piano] - Piano
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Quartet / Serenade
42. Festmarsch (No. 2) in D major for piano quartet (TrV 136, AV 178)
Written: ?1880-85 Recorded: 10/17/1985 Length - 5 min 23 sec Venue: Kleiner Konzertsaal, Gasteig, Munich, Ge Performers: Sawallisch, Wolfgang [Conductor/Piano] - Piano ; Wöpke, Peter - Cello ; Roland Metzger - Viola ; Ingo Sinnhoffer - Violin
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: March / Quartet
43. Pieces (2) for piano quartet (TrV 169, AV 182)
Written: ?1885 Country: Germany Recorded: 10/17/1985 Length - 5 min 49 sec Venue: Kleiner Konzertsaal, Gasteig, Munich, Ge Performers: Ingo Sinnhoffer - Violin ; Roland Metzger - Viola ; Sawallisch, Wolfgang [Conductor/Piano] - Piano ; Wöpke, Peter - Cello
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Quartet
44. Piano Quartet in C minor, Op. 13 (TrV 137)
Written: 1893 Recorded: 10/17/1985 Length - 7 min 49 sec Venue: Kleiner Konzertsaal, Gasteig, Munich, Ge Performers: Wöpke, Peter - Cello ; Roland Metzger - Viola ; Sawallisch, Wolfgang [Conductor/Piano] - Piano ; Ingo Sinnhoffer - Violin
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Quartet
45. Horn Concerto No. 1 in E flat major, Op. 11 (TrV 117)
Written: 1883-1894 Recorded: 10/17/1985 Length - 38 min 2 sec Venue: Kleiner Konzertsaal, Gasteig, Munich, Ge Performers: Ingo Sinnhoffer - Violin ; Roland Metzger - Viola ; Sawallisch, Wolfgang [Conductor/Piano] - Piano ; Wöpke, Peter - Cello
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Concerto
46. Horn Concerto No. 2 in E flat major, o.Op. 132 (TrV 283, AV 132)
Written: 1882-1883 Country: Germany Recorded: 02/28/1985 Length - 32 min 11 sec Venue: Kleiner Konzertsaal, Gasteig, Munich, Ge Performers: Johannes Ritzkowsky - Horn ; Sawallisch, Wolfgang [Conductor/Piano] - Piano
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Concerto
47. Andante for horn & piano in C major (from unfinished sonata), o.Op. 86a (TrV 155, AV 86a)
Written: 1942 Country: Germany Length - 36 min 31 sec Venue: Kleiner Konzertsaal, Gasteig, Munich, Ge Performers: Johannes Ritzkowsky - Horn ; Gitti Pirner - Piano ; Barton Weber - Piano
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Sonata
48. Serenade for 13 wind instruments in E flat major, Op. 7 (TrV 106)
Written: 1888 Recorded: 03/21/1985 Length - 4 min 58 sec Venue: Kleiner Konzertsaal, Gasteig, Munich, Ge Performers: Johannes Ritzkowsky - Horn ; Sawallisch, Wolfgang [Conductor/Piano] - Piano
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Serenade
49. Improvisations (14) and Fugue on an Original Theme, for piano in A minor, o.Op. 81 (TrV 130, AV 177)
Written: 1881 Recorded: 03/21/1985 Length - 7 min 25 sec Venue: Kleiner Konzertsaal, Gasteig, Munich, Ge Performers: Sawallisch, Wolfgang [Conductor/Piano] - Piano
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
50. Aus alter Zeit, gavotte for piano, o.Op. 57 (TrV 72, AV 57)
Written: 1884 Recorded: 12/20/1987 Length - 6 min 6 sec Venue: Kleiner Konzertsaal, Gasteig, Munich, Ge Performers: Barton Weber - Piano ; Gitti Pirner - Piano
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Gavotte
51. Suite for 13 wind instruments in B flat major, Op. 4 (TrV 132)
Written: 1879 Recorded: 03/21/1985 Length - 4 min 11 sec Venue: Kleiner Konzertsaal, Gasteig, Munich, Ge Performers: Sawallisch, Wolfgang [Conductor/Piano] - Piano
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Suite
52. Aus Italien, symphonic fantasy, Op. 16 (TrV 147)
Written: 1884 Country: Germany Length - 24 min 13 sec Venue: Kleiner Konzertsaal, Gasteig, Munich, Ge Performers: Karl-Hermann Mrongovius - Piano ; Mrongovius, Begonia-Uriarte - Piano
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Tone Poem
53. Symphony No. 2 in F minor, Op. 12 (TrV 126)
Written: 1886 Length - 85 min 33 sec Venue: Kleiner Konzertsaal, Gasteig, Munich, Ge Performers: Karl-Hermann Mrongovius - Piano ; Mrongovius, Begonia-Uriarte - Piano
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Symphony
54. Serenade for 13 wind instruments in E flat major, Op. 7 (TrV 106)
Written: 1884 Recorded: 12/03/1985 Length - 42 min 52 sec Venue: Kleiner Konzertsaal, Gasteig, Munich, Ge Performers: Karl-Hermann Mrongovius - Piano ; Mrongovius, Begonia-Uriarte - Piano
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Serenade
55. Parade-Marsch (No. 1) des Regiments Königs-Jäger zu Pferde for piano in E flat major, o.Op. 97 (TrV
Written: 1881 Recorded: 12/03/1985 Length - 7 min 25 sec Venue: Kleiner Konzertsaal, Gasteig, Munich, Ge Performers: Mrongovius, Begonia-Uriarte - Piano ; Karl-Hermann Mrongovius - Piano
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: March
56. Parade-Marsch (No. 2) für Cavallerie for piano in D flat major, o.Op. 98 (TrV 222, AV 98)
Written: 1905 Recorded: 06/18/1986 Length - 3 min 22 sec Venue: Kleiner Konzertsaal, Gasteig, Munich, Ge Performers: Gitti Pirner - Piano
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: March
57. De Brandenburgsche Mars: Präsentiermarsch, for piano (or orchestra) in D major, o.Op. 99 (TrV 214, A
Written: 1907 Recorded: 06/18/1986 Length - 4 min 11 sec Venue: Kleiner Konzertsaal, Gasteig, Munich, Ge Performers: Gitti Pirner - Piano
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: March
58. Königsmarsch (Militärischer Festmarsch) for piano (or orchestra) in E flat major, o.Op. 100 (TrV 217
Written: 1905 Recorded: 06/18/1986 Length - 2 min 6 sec Venue: Kleiner Konzertsaal, Gasteig, Munich, Ge Performers: Gitti Pirner - Piano
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: March
59. Pieces (5) for piano, Op. 3 (TrV 105)
Written: 1905 Country: Germany Recorded: 06/18/1986 Length - 7 min 0 sec Venue: Kleiner Konzertsaal, Gasteig, Munich, Ge Performers: Gitti Pirner - Piano
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
60. Stimmungsbilder (Mood Pictures), pieces (5) for piano, Op. 9 (TrV 127)
Written: 1880-1881 Recorded: 05/21/1995 Length - 24 min 0 sec Venue: Kleiner Konzertsaal, Gasteig, Munich, Ge Performers: Gitti Pirner - Piano
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Character Piece
61. Piano Sonata in B minor, Op. 5 (TrV 103)
Written: 1882-1884 Recorded: 05/21/1995 Length - 18 min 46 sec Venue: Kleiner Konzertsaal, Gasteig, Munich, Ge Performers: Gitti Pirner - Piano
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Sonata / Sonatina
62. Das Schloss am Meere ("Hast du das Schloss gesehen"), melodrama for narrator & piano, o.Op. 92 (TrV
Written: 1880-1881 Recorded: 05/21/1995 Length - 24 min 29 sec Venue: Kleiner Konzertsaal, Gasteig, Munich, Ge Performers: Gitti Pirner - Piano
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Melodrama
63. Hochzeitspräludium (Wedding Prelude) for 2 harmoniums in B flat major, o.Op. 108 (TrV 247, AV 108)
Written: 1899 Recorded: 06/18/1986 Length - 5 min 36 sec Venue: Kleiner Konzertsaal, Gasteig, Munich, Ge Performers: Karl-Hermann Mrongovius - Harmonium ; Karl-Hermann Mrongovius - Piano ; Mrongovius, Begonia-Uriarte - Harmonium ; Mrongovius, Begonia-Uriarte - Piano
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Prelude
64. Enoch Arden, melodrama for speaker & piano, Op. 38 (TrV 181)
Written: 1924 Recorded: 06/18/1986 Length - 3 min 45 sec Venue: Kleiner Konzertsaal, Gasteig, Munich, Ge Performers: Mrongovius, Begonia-Uriarte - Harmonium ; Mrongovius, Begonia-Uriarte - Piano ; Karl-Hermann Mrongovius - Piano ; Karl-Hermann Mrongovius - Harmonium
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Melodrama
65. Taillefer ("Wer singt in meinem Hof"), ballad for soloists, chorus & orchestra, Op. 52 (TrV 207)
Written: 1897 Recorded: 06/18/1986 Length - 53 min 8 sec Venue: Kleiner Konzertsaal, Gasteig, Munich, Ge Performers: Karl-Hermann Mrongovius - Harmonium ; Karl-Hermann Mrongovius - Piano ; Mrongovius, Begonia-Uriarte - Harmonium ; Mrongovius, Begonia-Uriarte - Piano
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
66. Wandrers Sturmlied ("Wenn du nicht verlässet"), for chorus & orchestra, Op. 14 (TrV 131)
Written: 1903 Length - 18 min 1 sec Venue: Lukaskirche, Dresden Performers: Michael Volle - null ; Lott, Felicity [Soprano Vocal] - null ; Johan Botha - null
Composer: Richard Strauss (1864 - 1949)
67. Die Tageszeiten, for male chorus & orchestra, Op. 76 (TrV 256)
Written: 1884 Length - 17 min 17 sec Venue: Lukaskirche, Dresden Performers: Johan Botha - null ; Lott, Felicity [Soprano Vocal] - null ; Michael Volle - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
68. Der Rosenkavalier: Act 1. Introduction
Written: 1928 Length - 23 min 1 sec Venue: Lukaskirche, Dresden Performers: Johan Botha - null ; Lott, Felicity [Soprano Vocal] - null ; Michael Volle - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
69. Der Rosenkavalier: Act 1. Wie du warst! Wie du bist!
Written: 1909-1910 Country: Germany Length - 3 min 27 sec Venue: Kingsway Hall, London
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
70. Der Rosenkavalier: Act 1. Du bist mein Bub', du bist mein Schatz!
Written: 1909-1910 Country: Germany Length - 2 min 57 sec Venue: Kingsway Hall, London Performers: Ludwig, Christa - null ; Schwarzkopf, Elisabeth - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
71. Der Rosenkavalier: Act 1. Der Feldmarschall sitzt im krowatischen Wald
Written: 1909-1910 Country: Germany Length - 5 min 38 sec Venue: Kingsway Hall, London Performers: Ludwig, Christa - null ; Majkut, Erich - null ; Otto Edelmann - Bass Baritone ; Schwarzkopf, Elisabeth - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
72. Der Rosenkavalier: Act 1. Quinquin, es ist ein Besuch
Written: 1909-1910 Country: Germany Length - 4 min 10 sec Venue: Kingsway Hall, London Performers: Schwarzkopf, Elisabeth - null ; Otto Edelmann - Bass Baritone ; Majkut, Erich - null ; Ludwig, Christa - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
73. Der Rosenkavalier: Act 1. Selbstverständlich empfängt mich Ihro Gnaden
Written: 1909-1910 Country: Germany Length - 1 min 48 sec Venue: Kingsway Hall, London Performers: Schwarzkopf, Elisabeth - null ; Majkut, Erich - null ; Otto Edelmann - Bass Baritone ; Ludwig, Christa - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
74. Der Rosenkavalier: Act 1. Hat Sie schon einmal
Written: 1909-1910 Country: Germany Length - 8 min 16 sec Venue: Kingsway Hall, London Performers: Wächter, Eberhard - null ; Schwarzkopf, Elisabeth - null ; Otto Edelmann - Bass Baritone ; Majkut, Erich - null ; Harald Proglhoff - Voice ; Gerhard Unger - Voice
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
75. Der Rosenkavalier: Act 1. Macht das einen lahmen Esel aus mir?
Written: 1909-1910 Country: Germany Length - 0 min 55 sec Venue: Kingsway Hall, London Performers: Ludwig, Christa - null ; Otto Edelmann - Bass Baritone ; Schwarzkopf, Elisabeth - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
76. Der Rosenkavalier: Act 1. Geben mir Euer Gnaden den Grasoff' da
Written: 1909-1910 Country: Germany Length - 2 min 57 sec Venue: Kingsway Hall, London Performers: Anny Felbermayer - null ; Schwarzkopf, Elisabeth - null ; Gerhard Unger - Voice ; Meyer, Kerstin [Mezzo-Soprano Vocals] - null ; Paul Kuen - null ; Ludwig, Christa - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
77. Der Rosenkavalier: Act 1. Wollen Euer Gnaden leicht den Jungen Herren da
Written: 1909-1910 Country: Germany Length - 1 min 44 sec Venue: Kingsway Hall, London Performers: Paul Kuen - null ; Schwarzkopf, Elisabeth - null ; Meyer, Kerstin [Mezzo-Soprano Vocals] - null ; Ludwig, Christa - null ; Gerhard Unger - Voice ; Anny Felbermayer - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
78. Der Rosenkavalier: Act 1. I komm' glei' ...Drei arme adelige Waisen
Written: 1909-1910 Country: Germany Length - 1 min 22 sec Venue: Kingsway Hall, London Performers: Ludwig, Christa - null ; Paul Kuen - null ; Gerhard Unger - Voice ; Meyer, Kerstin [Mezzo-Soprano Vocals] - null ; Anny Felbermayer - null ; Schwarzkopf, Elisabeth - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
79. Der Rosenkavalier: Act 1. Die rigori armato il seno
Written: 1909-1910 Country: Germany Length - 2 min 57 sec Venue: Kingsway Hall, London Performers: Meyer, Kerstin [Mezzo-Soprano Vocals] - null ; Paul Kuen - null ; Schwarzkopf, Elisabeth - null ; Ludwig, Christa - null ; Anny Felbermayer - null ; Gerhard Unger - Voice
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
80. Der Rosenkavalier: Act 1. Als Morgengabe...
Written: 1909-1910 Country: Germany Length - 2 min 0 sec Venue: Kingsway Hall, London Performers: Harald Proglhoff - Voice ; Gedda, Nicolai - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
81. Der Rosenkavalier: Act 1. Mein lieber Hippolyte
Written: 1909-1910 Country: Germany Length - 3 min 1 sec Venue: Kingsway Hall, London Performers: Gedda, Nicolai - null ; Harald Proglhoff - Voice ; Otto Edelmann - Bass Baritone
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
82. Der Rosenkavalier: Act 1. Da geht er hin, der aufgeblasne schlechte Kerl
Written: 1909-1910 Country: Germany Length - 3 min 39 sec Venue: Kingsway Hall, London Performers: Otto Edelmann - Bass Baritone ; Paul Kuen - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
83. Der Rosenkavalier: Act 1. Ach, du bist wieder da!
Written: 1909-1910 Country: Germany Length - 5 min 16 sec Venue: Kingsway Hall, London Performers: Schwarzkopf, Elisabeth - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
84. Der Rosenkavalier: Act 1. Die Zeit, die ist ein sonderbar Ding
Written: 1909-1910 Country: Germany Length - 5 min 40 sec Venue: Kingsway Hall, London Performers: Ludwig, Christa - null ; Schwarzkopf, Elisabeth - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
85. Der Rosenkavalier: Act 1. Mein schöner Schatz
Written: 1909-1910 Country: Germany Length - 2 min 25 sec Venue: Kingsway Hall, London Performers: Schwarzkopf, Elisabeth - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
86. Der Rosenkavalier: Act 1. Ich werd' jetzt in die Kirchen
Written: 1909-1910 Country: Germany Length - 4 min 19 sec Venue: Kingsway Hall, London Performers: Ludwig, Christa - null ; Schwarzkopf, Elisabeth - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
87. Der Rosenkavalier: Act 2. Introduction
Written: 1909-1910 Country: Germany Length - 7 min 22 sec Venue: Kingsway Hall, London Performers: Gerhard Unger - Voice ; Ludwig, Christa - null ; Majkut, Erich - null ; Schwarzkopf, Elisabeth - null ; Wächter, Eberhard - null ; Harald Proglhoff - Voice
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
88. Der Rosenkavalier: Act 2. Ein ernster Tag, ein großer Tag
Written: 1909-1910 Country: Germany Length - 0 min 39 sec Venue: Kingsway Hall, London
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
89. Der Rosenkavalier: Act 2. In dieser feierlichen Stunde der Prüfung
Written: 1909-1910 Country: Germany Length - 1 min 9 sec Venue: Kingsway Hall, London Performers: Wächter, Eberhard - null ; Majkut, Erich - null ; Welitsch, Ljuba - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
90. Der Rosenkavalier: Act 2. Mir ist die Ehre widerfahren
Written: 1909-1910 Country: Germany Length - 3 min 43 sec Venue: Kingsway Hall, London Performers: Teresa Stich-Randall - null ; Welitsch, Ljuba - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
91. Der Rosenkavalier: Act 2. Ich kenn' Ihn schon recht wohl
Written: 1909-1910 Country: Germany Length - 7 min 20 sec Venue: Kingsway Hall, London Performers: Ludwig, Christa - null ; Teresa Stich-Randall - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
92. Der Rosenkavalier: Act 2. Jetzt aber kommt mein Herr Zukünftiger
Written: 1909-1910 Country: Germany Length - 4 min 1 sec Venue: Kingsway Hall, London Performers: Welitsch, Ljuba - null ; Wächter, Eberhard - null ; Teresa Stich-Randall - null ; Otto Edelmann - Bass Baritone ; Ludwig, Christa - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
93. Der Rosenkavalier: Act 2. Brav, Faninal, er weiß, was sich gehört
Written: 1909-1910 Country: Germany Length - 2 min 59 sec Venue: Kingsway Hall, London Performers: Ludwig, Christa - null ; Otto Edelmann - Bass Baritone ; Wächter, Eberhard - null ; Teresa Stich-Randall - null ; Welitsch, Ljuba - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
94. Der Rosenkavalier: Act 2. Wird kommen über Nacht
Written: 1909-1910 Country: Germany Length - 4 min 29 sec Venue: Kingsway Hall, London Performers: Ludwig, Christa - null ; Otto Edelmann - Bass Baritone ; Welitsch, Ljuba - null ; Wächter, Eberhard - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
95. Der Rosenkavalier: Act 2. Hab' nichts dawider
Written: 1909-1910 Country: Germany Length - 2 min 8 sec Venue: Kingsway Hall, London Performers: Wächter, Eberhard - null ; Ludwig, Christa - null ; Welitsch, Ljuba - null ; Otto Edelmann - Bass Baritone
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
96. Der Rosenkavalier: Act 2. Was Sie ist... Mit Ihren Augen voll Tränen
Written: 1909-1910 Country: Germany Length - 3 min 45 sec Venue: Kingsway Hall, London Performers: Gerhard Unger - Voice ; Welitsch, Ljuba - null ; Teresa Stich-Randall - null ; Otto Edelmann - Bass Baritone ; Ludwig, Christa - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
97. Der Rosenkavalier: Act 2. Herr Baron von Lerchenau!
Written: 1909-1910 Country: Germany Length - 3 min 40 sec Venue: Kingsway Hall, London Performers: Ludwig, Christa - null ; Teresa Stich-Randall - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
98. Der Rosenkavalier: Act 2. Er muß mich pardonieren
Written: 1909-1910 Country: Germany Length - 7 min 44 sec Venue: Kingsway Hall, London Performers: Teresa Stich-Randall - null ; Welitsch, Ljuba - null ; Wächter, Eberhard - null ; Paul Kuen - null ; Otto Edelmann - Bass Baritone ; Ludwig, Christa - null ; Meyer, Kerstin [Mezzo-Soprano Vocals] - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
99. Der Rosenkavalier: Act 2. Da lieg' ich!
Written: 1909-1910 Country: Germany Length - 6 min 31 sec Venue: Kingsway Hall, London Performers: Welitsch, Ljuba - null ; Ludwig, Christa - null ; Teresa Stich-Randall - null ; Otto Edelmann - Bass Baritone ; Wächter, Eberhard - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
100. Der Rosenkavalier: Act 2. Da... Herr Cavalier!
Written: 1909-1910 Country: Germany Length - 6 min 38 sec Venue: Kingsway Hall, London Performers: Meyer, Kerstin [Mezzo-Soprano Vocals] - null ; Otto Edelmann - Bass Baritone
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
101. Der Rosenkavalier: Act 3. Introduction & Pantomime
Written: 1909-1910 Country: Germany Length - 4 min 48 sec Venue: Kingsway Hall, London Performers: Meyer, Kerstin [Mezzo-Soprano Vocals] - null ; Otto Edelmann - Bass Baritone
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
102. Der Rosenkavalier: Act 3. Hab'n Euer Gnaden noch weitre Befehle?
Written: 1909-1910 Country: Germany Length - 6 min 48 sec Venue: Kingsway Hall, London
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
103. Der Rosenkavalier: Act 3. Nein, nein, nein, nein! I' trink' kein Wein
Written: 1909-1910 Country: Germany Length - 2 min 33 sec Venue: Kingsway Hall, London Performers: Otto Edelmann - Bass Baritone ; Friedrich, Karl - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
104. Der Rosenkavalier: Act 3. Ach, laß sie schon einmal das fede Wort!
Written: 1909-1910 Country: Germany Length - 1 min 32 sec Venue: Kingsway Hall, London Performers: Ludwig, Christa - null ; Otto Edelmann - Bass Baritone
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
105. Der Rosenkavalier: Act 3. Die schöne Musi!
Written: 1909-1910 Country: Germany Length - 3 min 19 sec Venue: Kingsway Hall, London Performers: Otto Edelmann - Bass Baritone ; Paul Kuen - null ; Friedrich, Karl - null ; Meyer, Kerstin [Mezzo-Soprano Vocals] - null ; Ludwig, Christa - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
106. Der Rosenkavalier: Act 3. Wie die Stund' hingeht
Written: 1909-1910 Country: Germany Length - 2 min 46 sec Venue: Kingsway Hall, London Performers: Otto Edelmann - Bass Baritone ; Paul Kuen - null ; Meyer, Kerstin [Mezzo-Soprano Vocals] - null ; Ludwig, Christa - null ; Friedrich, Karl - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
107. Der Rosenkavalier: Act 3. Oh weh, was maken wir?... Halt! Keiner rührt sich!
Written: 1909-1910 Country: Germany Length - 4 min 52 sec Venue: Kingsway Hall, London Performers: Paul Kuen - null ; Otto Edelmann - Bass Baritone ; Meyer, Kerstin [Mezzo-Soprano Vocals] - null ; Ludwig, Christa - null ; Friedrich, Karl - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
108. Der Rosenkavalier: Act 3. Sind desto eher im Klaren
Written: 1909-1910 Country: Germany Length - 5 min 36 sec Venue: Kingsway Hall, London Performers: Wächter, Eberhard - null ; Paul Kuen - null ; Friedrich, Karl - null ; Otto Edelmann - Bass Baritone ; Ludwig, Christa - null ; Franz Bierbach - Voice
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
109. Der Rosenkavalier: Act 3. Muß jetzt partout zu ihr!... Ihre hochfürstliche Gnaden
Written: 1909-1910 Country: Germany Length - 1 min 43 sec Venue: Kingsway Hall, London Performers: Franz Bierbach - Voice ; Ludwig, Christa - null ; Otto Edelmann - Bass Baritone
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
110. Der Rosenkavalier: Act 3. Ist halt vorbei
Written: 1909-1910 Country: Germany Length - 10 min 2 sec Venue: Kingsway Hall, London Performers: Franz Bierbach - Voice ; Ludwig, Christa - null ; Otto Edelmann - Bass Baritone ; Schwarzkopf, Elisabeth - null ; Teresa Stich-Randall - null ; Friedrich, Karl - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
111. Der Rosenkavalier: Act 3. Mein Gott, es war nicht merh als eine Farce
Written: 1909-1910 Country: Germany Length - 2 min 36 sec Venue: Kingsway Hall, London Performers: Paul Kuen - null ; Teresa Stich-Randall - null ; Otto Edelmann - Bass Baritone ; Meyer, Kerstin [Mezzo-Soprano Vocals] - null ; Friedrich, Karl - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
112. Der Rosenkavalier: Act 3. Heut oder morgen oder den übernächsten Tag
Written: 1909-1910 Country: Germany Length - 2 min 19 sec Venue: Kingsway Hall, London Performers: Ludwig, Christa - null ; Schwarzkopf, Elisabeth - null ; Teresa Stich-Randall - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
113. Der Rosenkavalier: Act 3. Marie Theres'!... Hab' mir's gelobt
Written: 1909-1910 Country: Germany Length - 4 min 33 sec Venue: Kingsway Hall, London Performers: Teresa Stich-Randall - null ; Ludwig, Christa - null ; Schwarzkopf, Elisabeth - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
114. Der Rosenkavalier: Act 3. Ist ein Traum, kann nicht wirklich sein
Written: 1909-1910 Country: Germany Length - 6 min 3 sec Venue: Kingsway Hall, London Performers: Ludwig, Christa - null ; Schwarzkopf, Elisabeth - null ; Teresa Stich-Randall - null ; Wächter, Eberhard - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
115. Der Rosenkavalier: Act 3. Ist ein Traum... Spür nur dich
Written: 1909-1910 Country: Germany Length - 3 min 48 sec Venue: Kingsway Hall, London Performers: Wächter, Eberhard - null ; Schwarzkopf, Elisabeth - null ; Teresa Stich-Randall - null ; Ludwig, Christa - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
116. Elektra, opera, Op. 58 (TrV 223)
Written: 1909-1910 Country: Germany Length - 2 min 55 sec Venue: Kingsway Hall, London Performers: Ludwig, Christa - null ; Teresa Stich-Randall - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
117. Salome: Scene 1. Wie schön ist die Prinzessin Salome heute Nacht!
Written: 1906-1908 Recorded: 09/1995 Length - 91 min 33 sec Venue: Großer Saal, Musikverein, Vienna Performers: Katerina Beranova - null ; Helga Termer - Voice ; Elisabeth Wilke - Voice ; Gabriele Sima - Voice ; Anne Schwanewilms - null ; Annette Jahns - Voice
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
118. Salome: Scene 1. Nach mir wird einer kommen
Written: 1903-1905 Country: Germany Recorded: 11/04/1970 Length - 2 min 30 sec Studio / Live: Live Venue: Hamburg Performers: Schultz, Carl - Voice ; Ursula Boese - Voice ; Ochman, Wieslaw - Voice ; Moll, Kurt - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
119. Salome: Scene 2. Ich will nicht bleiben
Written: 1903-1905 Country: Germany Recorded: 11/04/1970 Length - 2 min 29 sec Studio / Live: Live Venue: Hamburg Performers: Grundheber, Franz - Voice ; Moll, Kurt - null ; Ochman, Wieslaw - Voice ; Schultz, Carl - Voice
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
120. Salome: Scene 2. Siehe, der Herr ist gekommen
Written: 1903-1905 Country: Germany Recorded: 11/04/1970 Length - 1 min 45 sec Studio / Live: Live Venue: Hamburg Performers: Ursula Boese - Voice ; Jones, Gwyneth, Dame [Soprano Vocal] - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
121. Salome: Scene 2. Jauchze nicht, du Land Palästina
Written: 1903-1905 Country: Germany Recorded: 11/04/1970 Length - 1 min 31 sec Studio / Live: Live Venue: Hamburg Performers: Schultz, Carl - Voice ; Willy Hartmann - Voice ; Moll, Kurt - null ; Ochman, Wieslaw - Voice ; Fischer-Dieskau, Dietrich - Bass Baritone ; Jones, Gwyneth, Dame [Soprano Vocal] - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
122. Salome: Scene 2. Laßt den Propheten Herauskommen
Written: 1903-1905 Country: Germany Recorded: 11/04/1970 Length - 3 min 50 sec Studio / Live: Live Venue: Hamburg Performers: Ochman, Wieslaw - Voice ; Schultz, Carl - Voice ; Moll, Kurt - null ; Jones, Gwyneth, Dame [Soprano Vocal] - null ; Fischer-Dieskau, Dietrich - Bass Baritone
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
123. Salome: Scene 3. Wo ist er, dessen Sündenbecher jetzt voll ist?
Written: 1903-1905 Country: Germany Recorded: 11/04/1970 Length - 2 min 8 sec Studio / Live: Live Venue: Hamburg Performers: Jones, Gwyneth, Dame [Soprano Vocal] - null ; Ochman, Wieslaw - Voice
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
124. Salome: Scene 3. Er ist schrecklich
Written: 1903-1905 Country: Germany Recorded: 11/04/1970 Length - 3 min 45 sec Studio / Live: Live Venue: Hamburg Performers: Fischer-Dieskau, Dietrich - Bass Baritone ; Ochman, Wieslaw - Voice ; Jones, Gwyneth, Dame [Soprano Vocal] - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
125. Salome: Scene 3. Wer ist dies Weib, das mich ansieht?
Written: 1903-1905 Country: Germany Recorded: 11/04/1970 Length - 1 min 54 sec Studio / Live: Live Venue: Hamburg Performers: Jones, Gwyneth, Dame [Soprano Vocal] - null ; Ochman, Wieslaw - Voice
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
126. Salome: Scene 3. Jochanaan! Ich bin verliebt in deinen Leib
Written: 1903-1905 Country: Germany Recorded: 11/04/1970 Length - 2 min 34 sec Studio / Live: Live Venue: Hamburg Performers: Ochman, Wieslaw - Voice ; Fischer-Dieskau, Dietrich - Bass Baritone ; Jones, Gwyneth, Dame [Soprano Vocal] - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
127. Salome: Scene 3. Dein Leib ist grauenvoll
Written: 1903-1905 Country: Germany Recorded: 11/04/1970 Length - 2 min 7 sec Studio / Live: Live Venue: Hamburg Performers: Fischer-Dieskau, Dietrich - Bass Baritone ; Jones, Gwyneth, Dame [Soprano Vocal] - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
128. Salome: Scene 3. Zurück, Tochter Sodoms!
Written: 1903-1905 Country: Germany Recorded: 11/04/1970 Length - 2 min 25 sec Studio / Live: Live Venue: Hamburg Performers: Jones, Gwyneth, Dame [Soprano Vocal] - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
129. Salome: Scene 3. Niemals, Tochter Babylons, Tochter Sodoms! Niemals!
Written: 1903-1905 Country: Germany Recorded: 11/04/1970 Length - 2 min 39 sec Studio / Live: Live Venue: Hamburg Performers: Fischer-Dieskau, Dietrich - Bass Baritone ; Jones, Gwyneth, Dame [Soprano Vocal] - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
130. Salome: Scene 3. Wird dir nicht bange, Tochter der Herodias?
Written: 1903-1905 Country: Germany Recorded: 11/04/1970 Length - 1 min 9 sec Studio / Live: Live Venue: Hamburg Performers: Fischer-Dieskau, Dietrich - Bass Baritone ; Jones, Gwyneth, Dame [Soprano Vocal] - null ; Ochman, Wieslaw - Voice
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
131. Salome: Scene 3. Lass mich deinen Mund küssen, Jochanaan!
Written: 1903-1905 Country: Germany Recorded: 11/04/1970 Length - 2 min 39 sec Studio / Live: Live Venue: Hamburg Performers: Fischer-Dieskau, Dietrich - Bass Baritone ; Jones, Gwyneth, Dame [Soprano Vocal] - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
132. Salome: Scene 3. Du bist verflucht
Written: 1903-1905 Country: Germany Recorded: 11/04/1970 Length - 0 min 53 sec Studio / Live: Live Venue: Hamburg Performers: Fischer-Dieskau, Dietrich - Bass Baritone ; Jones, Gwyneth, Dame [Soprano Vocal] - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
133. Salome: Scene 4. Wo ist Salome?
Written: 1903-1905 Country: Germany Recorded: 11/04/1970 Length - 4 min 4 sec Studio / Live: Live Venue: Hamburg Performers: Fischer-Dieskau, Dietrich - Bass Baritone
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
134. Salome: Scene 4. Salome, komm, trink Wein mit mir
Written: 1903-1905 Country: Germany Recorded: 11/04/1970 Length - 3 min 27 sec Studio / Live: Live Venue: Hamburg Performers: Mignon Dunn - Voice ; Moll, Kurt - null ; Richard Cassilly - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
135. Salome: Scene 4. Siehe, die Zeit ist gekommen
Written: 1903-1905 Country: Germany Recorded: 11/04/1970 Length - 2 min 44 sec Studio / Live: Live Venue: Hamburg Performers: Richard Cassilly - null ; Mignon Dunn - Voice ; Jones, Gwyneth, Dame [Soprano Vocal] - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
136. Salome: Scene 4. Wahrhaftig, Herr, es wäre besser, ihn in unsre Hände zu geben!
Written: 1903-1905 Country: Germany Recorded: 11/04/1970 Length - 0 min 47 sec Studio / Live: Live Venue: Hamburg Performers: Mignon Dunn - Voice ; Fischer-Dieskau, Dietrich - Bass Baritone ; Richard Cassilly - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
137. Salome: Scene 4. Siehe, der Tag ist nahe
Written: 1903-1905 Country: Germany Recorded: 11/04/1970 Length - 2 min 47 sec Studio / Live: Live Venue: Hamburg Performers: Hans Sotin [Bass Vocals] - null ; Heinz Blankenburg - null ; Peter Haage - null ; Mignon Dunn - Voice ; Kurt Marschner - null ; Jurgen Forster - null ; Kruse, Heinz - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
138. Salome: Scene 4. O über dies geile Weib, die Tochter Babylons
Written: 1903-1905 Country: Germany Recorded: 11/04/1970 Length - 2 min 37 sec Studio / Live: Live Venue: Hamburg Performers: Fischer-Dieskau, Dietrich - Bass Baritone ; Horst Wilhelm - null ; Mignon Dunn - Voice ; Peter Haage - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
139. Salome: Scene 4. Tanz für mich, Salome
Written: 1903-1905 Country: Germany Recorded: 11/04/1970 Length - 2 min 27 sec Studio / Live: Live Venue: Hamburg Performers: Richard Cassilly - null ; Fischer-Dieskau, Dietrich - Bass Baritone ; Mignon Dunn - Voice
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
140. Salome: Scene 4. Dance of the Seven Veils
Written: 1903-1905 Country: Germany Recorded: 11/04/1970 Length - 4 min 11 sec Studio / Live: Live Venue: Hamburg Performers: Fischer-Dieskau, Dietrich - Bass Baritone ; Jones, Gwyneth, Dame [Soprano Vocal] - null ; Mignon Dunn - Voice ; Richard Cassilly - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
141. Salome: Scene 4. Ah! Herrlich! Wundervoll, wundervoll!
Written: 1903-1905 Country: Germany Recorded: 11/04/1970 Length - 8 min 43 sec Studio / Live: Live Venue: Hamburg
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
142. Salome: Scene 4. Salome, ich beschwöre dich
Written: 1903-1905 Country: Germany Recorded: 11/04/1970 Length - 3 min 44 sec Studio / Live: Live Venue: Hamburg Performers: Richard Cassilly - null ; Mignon Dunn - Voice ; Jones, Gwyneth, Dame [Soprano Vocal] - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
143. Salome: Scene 4. Salome, bedenk, was du tun willst
Written: 1903-1905 Country: Germany Recorded: 11/04/1970 Length - 3 min 7 sec Studio / Live: Live Venue: Hamburg Performers: Jones, Gwyneth, Dame [Soprano Vocal] - null ; Mignon Dunn - Voice ; Richard Cassilly - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
144. Salome: Scene 4. Gib mir den Kopf des Jochanaan!
Written: 1903-1905 Country: Germany Recorded: 11/04/1970 Length - 2 min 49 sec Studio / Live: Live Venue: Hamburg Performers: Jones, Gwyneth, Dame [Soprano Vocal] - null ; Richard Cassilly - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
145. Salome: Scene 4. Es ist kein Laut zu vernehmen
Written: 1903-1905 Country: Germany Recorded: 11/04/1970 Length - 1 min 45 sec Studio / Live: Live Venue: Hamburg Performers: Richard Cassilly - null ; Jones, Gwyneth, Dame [Soprano Vocal] - null ; Mignon Dunn - Voice
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
146. Salome: Scene 4. Ah! Du wolltest mich nicht deinen Mund
Written: 1903-1905 Country: Germany Recorded: 11/04/1970 Length - 2 min 13 sec Studio / Live: Live Venue: Hamburg Performers: Jones, Gwyneth, Dame [Soprano Vocal] - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
147. Salome: Scene 4. Sie ist ein Ungeheuer, deine Tochter
Written: 1903-1905 Country: Germany Recorded: 11/04/1970 Length - 11 min 32 sec Studio / Live: Live Venue: Hamburg Performers: Jones, Gwyneth, Dame [Soprano Vocal] - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
148. Salome: Scene 4. Ah! Ich habe deinen Mund geküßt, Jochanaan
Written: 1903-1905 Country: Germany Recorded: 11/04/1970 Length - 1 min 4 sec Studio / Live: Live Venue: Hamburg Performers: Richard Cassilly - null ; Mignon Dunn - Voice ; Jones, Gwyneth, Dame [Soprano Vocal] - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
149. Ariadne auf Naxos, opera, Op. 60-II (TrV 228a) (revised version)
Written: 1903-1905 Country: Germany Recorded: 11/04/1970 Length - 4 min 10 sec Studio / Live: Live Venue: Hamburg Performers: Jones, Gwyneth, Dame [Soprano Vocal] - null ; Richard Cassilly - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
150. Die Frau ohne Schatten (The Woman without a Shadow), opera, Op. 65 (TrV 234)
Written: 1916 Recorded: 2000 Length - 88 min 0 sec Venue: Lukaskirche, Dresden
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
151. Friedenstag (Peace Day), opera, Op. 81 (TrV 271)
Written: 1914-1917 Recorded: 11/21/1963 Length - 148 min 23 sec Studio / Live: Live Venue: National Theater, Munich, Germany Performers: Herbert Becker - Violin ; Hotter, Hans - Bass Baritone ; Martha Mödl - Voice ; Oswald Uhl - Cello
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Opera
152. Letzte Blätter, Op. 10: Zueignung / Nichts / Die Georgine / Die Verschwiegenen / Die Zeitlose / Alle
Written: 1935-1936 Recorded: 09/1999 Length - 24 min 8 sec Venue: Lukaskirche, Dresden Performers: Reiter, Alfred - Bass Baritone ; Martinsen, Tom [Tenor Vocal] - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Art Song / Song
153. Heimkehr ("Leiser schwanken die Äste"), song for voice & piano, Op. 15/5 (TrV 148/5)
Written: 1885 Length - 12 min 26 sec Performers: Höll, Hartmut - Piano ; Shirai, Mitsuko - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Art Song / Song
154. Gedichte, Op. 21: Du Meines Herzens Krönelein / Ach Lieb, ich muß nun scheiden
Written: 1884-1886 Country: Germany Length - 2 min 32 sec Performers: Höll, Hartmut - Piano ; Shirai, Mitsuko - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Art Song / Song
155. Mädchenblumen, songs (4) for voice & piano, Op. 22 (TrV 153)
Written: 1887-1888 Country: Germany Length - 3 min 47 sec Performers: Höll, Hartmut - Piano ; Shirai, Mitsuko - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Song Cycle
156. O wärst du mein ("O wärst du mein, es wär ein schönres Leben"), song for voice & piano, Op. 26/2 (Tr
Written: 1886-1888 Country: Austria Length - 13 min 42 sec Performers: Höll, Hartmut - Piano ; Shirai, Mitsuko - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Art Song / Song
157. Morgen ("Und morgen wird die Sonne wieder scheinen"), song for voice & piano (or orchestra), Op. 27/
Written: 1891 Length - 3 min 7 sec Performers: Höll, Hartmut - Piano ; Shirai, Mitsuko - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Art Song
158. Traum durch die Dämmerung ("Weite Wiesen im Dämmergrau"), song for voice & piano (or orchestra), Op.
Written: 1894 Country: Germany Length - 4 min 33 sec Performers: Höll, Hartmut - Piano ; Shirai, Mitsuko - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Art Song / Song
159. Ich trage meine Minne, song for voice & piano, Op. 32/1 (TrV 174/1)
Written: 1895 Country: Austria Length - 3 min 7 sec Performers: Höll, Hartmut - Piano ; Shirai, Mitsuko - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Art Song / Song
160. Befreit ("Du wirst nicht weinen"), song for voice & piano (or orchestra), Op. 39/4 (TrV 189/4)
Written: 1896 Country: Germany Length - 2 min 41 sec Performers: Höll, Hartmut - Piano ; Shirai, Mitsuko - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Art Song / Song
161. Gefunden ("Ich ging im Walde so für mich hin"), song for voice & piano, Op. 56/1 (TrV 220/1)
Written: 1898 Country: Austria Length - 5 min 8 sec Performers: Höll, Hartmut - Piano ; Shirai, Mitsuko - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Art Song / Song
162. Krämerspiegel, Op. 66: Wie erkenn' ich mein Treulieb / Guten Morgen, s'ist Sankt Valentinstag / Sie
Written: 1903 Country: Germany Length - 1 min 56 sec Performers: Höll, Hartmut - Piano ; Shirai, Mitsuko - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Art Song / Song
163. Songs (3) for voice & piano (after Shakespeare's "Hamlet;" "Ophelia Lieder"), Op. 67/1-3 (TrV 238/1-
Written: 1918 Length - 11 min 41 sec Performers: Shirai, Mitsuko - null ; Höll, Hartmut - Piano
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Song Cycle
164. Songs (3), Op. 67: Wandrers Gemütsruhe
Written: 1918 Country: Germany Length - 6 min 40 sec Performers: Höll, Hartmut - Piano ; Shirai, Mitsuko - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Art Song / Song
165. Heimkehr ("Leiser schwanken die Äste"), song for voice & piano, Op. 15/5 (TrV 148/5)
Written: 1918 Length - 0 min 46 sec Performers: Höll, Hartmut - Piano ; Shirai, Mitsuko - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Art Song / Song
166. Seitdem dein Aug' in meines schaute, song for voice & piano, Op. 17/1 (TrV 149/1)
Written: 1884-1886 Country: Germany Recorded: 1943 Length - 2 min 32 sec Performers: Dermota, Anton [Tenor Vocals] - null ; Strauss, Richard - Piano
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Art Song / Song
167. All' mein Gedanken, mein Herz und mein Sinn, song for voice & piano, Op. 21/1 (TrV 160/1)
Written: 1885-1887 Country: Germany Recorded: 1943 Length - 1 min 37 sec Performers: Strauss, Richard - Piano ; Dermota, Anton [Tenor Vocals] - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Art Song / Song
168. Glückes genug ("Wenn sanft du mir im Arme schliefst"), song for voice & piano, Op. 37/1 (TrV 187/1)
Written: 1887-1888 Country: Germany Recorded: 1943 Length - 1 min 13 sec Performers: Dermota, Anton [Tenor Vocals] - null ; Strauss, Richard - Piano
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Art Song / Song
169. In goldener Fülle (Wir schreiten in goldener Fülle"), song for voice & piano, Op. 49/2 (TrV 204/2)
Written: 1898 Recorded: 1943 Length - 2 min 27 sec Performers: Dermota, Anton [Tenor Vocals] - null ; Strauss, Richard - Piano
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Art Song / Song
170. Sehnsucht ("Ich ging den Weg entlang, der einsam lag"), song for voice & piano, Op. 32/2 (TrV 174/2)
Written: 1901 Recorded: 1943 Length - 2 min 15 sec Performers: Dermota, Anton [Tenor Vocals] - null ; Strauss, Richard - Piano
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Art Song / Song
171. Schlechtes Wetter ("Das ist ein schlechtes Wetter"), song for voice & piano, Op. 69/5 (TrV 237/5)
Written: 1896 Recorded: 1943 Length - 3 min 39 sec Performers: Dermota, Anton [Tenor Vocals] - null ; Strauss, Richard - Piano
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Art Song / Song
172. Blick vom oberen Belvedere ("Fülle du! Gezier und schöner"), song for voice & piano, Op. 88/2 (TrV 2
Written: 1918 Recorded: 1943 Length - 2 min 21 sec Performers: Konetzni, Hilde [Soprano Vocals] - null ; Strauss, Richard - Piano
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Art Song / Song
173. Du meines Herzens Krönelein, song for voice & piano, Op. 21/2 (TrV 160/2)
Written: 1942 Recorded: 1943 Length - 3 min 33 sec Performers: Konetzni, Hilde [Soprano Vocals] - null ; Strauss, Richard - Piano
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Song
174. Ach Lieb, ich muss nun scheiden!, song for voice & piano, Op. 21/3 (TrV 160/3)
Written: 1887-1888 Recorded: 1943 Length - 2 min 20 sec Performers: Konetzni, Hilde [Soprano Vocals] - null ; Strauss, Richard - Piano
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Art Song / Song
175. Ach, weh mir unglückhaftern Mann, song for voice & piano, Op. 21/4 (TrV 160/4)
Written: 1887-1888 Country: Germany Recorded: 1943 Length - 1 min 50 sec Performers: Konetzni, Hilde [Soprano Vocals] - null ; Strauss, Richard - Piano
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Art Song / Song
176. Wozu noch, Mächden, soll es frommen, song for voice & piano, Op. 19/1 (TrV 152/1)
Written: 1887-1888 Recorded: 1943 Length - 2 min 3 sec Performers: Alfred Poell - null ; Strauss, Richard - Piano
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Art Song / Song
177. Das Rosenband ("Im Frühlingsschatten fand ich sie"), song for voice & piano (or orchestra), Op. 36/1
Written: 1885-1888 Recorded: 1943 Length - 1 min 44 sec Performers: Alfred Poell - null ; Strauss, Richard - Piano
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Song
178. Winterliebe ("Der Sonne entgeten in Liebesgluten"), song for voice & piano (or orchestra), Op. 48/5
Written: 1897 Recorded: 1943 Length - 2 min 41 sec Performers: Strauss, Richard - Piano ; Alfred Poell - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Song
179. Ruhe, meine Seele ("Nicht ein Lüftchen regt sich leise"), song for voice & piano (or orchestra), Op.
Written: 1900 Country: Germany Recorded: 1943 Length - 1 min 36 sec Performers: Alfred Poell - null ; Strauss, Richard - Piano
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Art Song
180. Heimliche Aufforderung ("Auf, hebe die funkelnde Schale empor zum Mund"), song for voice & piano, Op
Written: 1894 Country: Germany Recorded: 1943 Length - 3 min 10 sec Performers: Alfred Poell - null ; Strauss, Richard - Piano
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Art Song / Song
181. Zueignung ("Ja, du weisst es, teur Seele"), song for voice & piano (or orchestra), Op. 10/1 (TrV 141
Written: 1894 Country: Germany Recorded: 1943 Length - 2 min 50 sec Performers: Alfred Poell - null ; Strauss, Richard - Piano
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Art Song
182. Traum durch die Dämmerung ("Weite Wiesen im Dämmergrau"), song for voice & piano (or orchestra), Op.
Written: 1885 Country: Germany Recorded: 04/1942 Length - 1 min 49 sec Venue: Reichssender Wien des Grossdeutschen RF, Performers: Strauss, Richard - Piano ; Reining, Maria - null
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Art Song / Song
183. Meinem Kinde ("Du schläfst und sachte neig' ich mich"), song for voice & piano (or orchestra), Op. 3
Written: 1895 Country: Austria Recorded: 04/1942 Length - 3 min 7 sec Venue: Reichssender Wien des Grossdeutschen RF, Performers: Reining, Maria - null ; Strauss, Richard - Piano
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Art Song / Song
184. Wiegenlied ("Träume, träume, du mein süsses Leben"), song for voice & piano (or orchestra), Op. 41/1
Written: 1897 Recorded: 04/1942 Length - 2 min 31 sec Venue: Reichssender Wien des Grossdeutschen RF, Performers: Reining, Maria - null ; Strauss, Richard - Piano
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Art Song
185. Freundliche Vision ("Nicht im Schlafe hab' ich das geträumt"), song for voice & piano (or orchestra)
Written: 1899 Country: Germany Recorded: 04/1942 Length - 3 min 51 sec Venue: Reichssender Wien des Grossdeutschen RF, Performers: Reining, Maria - null ; Strauss, Richard - Piano
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Art Song / Song
186. Cäcilie ("Wenn du es wüsstest"), song for voice & piano (or orchestra), Op. 27/2 (TrV 170/2)
Written: 1900 Country: Germany Recorded: 04/1942 Length - 2 min 26 sec Venue: Reichssender Wien des Grossdeutschen RF, Performers: Reining, Maria - null ; Strauss, Richard - Piano
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Art Song
187. Du meines Herzens Krönelein, song for voice & piano, Op. 21/2 (TrV 160/2)
Written: 1894 Country: Germany Recorded: 04/1942 Length - 2 min 3 sec Venue: Reichssender Wien des Grossdeutschen RF, Performers: Reining, Maria - null ; Strauss, Richard - Piano
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Song
188. Ich trage meine Minne, song for voice & piano, Op. 32/1 (TrV 174/1)
Written: 1887-1888 Recorded: 04/1942 Length - 2 min 20 sec Venue: Reichssender Wien des Grossdeutschen RF,
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Art Song / Song
189. Die Nacht ("Aus dem Walde tritt die Nacht"), song for voice & piano, Op. 10/3 (TrV 141/3)
Written: 1896 Country: Germany Recorded: 04/1942 Length - 2 min 41 sec Venue: Reichssender Wien des Grossdeutschen RF,
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Art Song / Song
190. Seitdem dein Aug' in meines schaute, song for voice & piano, Op. 17/1 (TrV 149/1)
Written: 1885 Country: Germany Recorded: 04/1942 Length - 2 min 23 sec Venue: Reichssender Wien des Grossdeutschen RF,
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Art Song / Song
191. Breit' uber mein Haupt dien schwarzes Haar, song for voice & piano, Op. 19/2 (TrV 152/2)
Written: 1885-1887 Country: Germany Recorded: 04/1942 Length - 1 min 37 sec Venue: Reichssender Wien des Grossdeutschen RF,
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Art Song / Song
192. Ich liebe dich ("Vier adlige Rosse voran unserm Wagen"), song for voice & piano (or orchestra), Op.
Written: 1885-1888 Recorded: 04/1942 Length - 1 min 30 sec Venue: Reichssender Wien des Grossdeutschen RF,
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Art Song / Song
193. Zueignung ("Ja, du weisst es, teur Seele"), song for voice & piano (or orchestra), Op. 10/1 (TrV 141
Written: 1898 Country: Germany Recorded: 04/1942 Length - 2 min 5 sec Venue: Reichssender Wien des Grossdeutschen RF,
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Art Song
194. Heimliche Aufforderung ("Auf, hebe die funkelnde Schale empor zum Mund"), song for voice & piano, Op
Written: 1885 Country: Germany Recorded: 04/1942 Length - 1 min 49 sec Venue: Reichssender Wien des Grossdeutschen RF,
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Art Song / Song
195. Heimkehr ("Leiser schwanken die Äste"), song for voice & piano, Op. 15/5 (TrV 148/5)
Written: 1894 Country: Germany Recorded: 04/1942 Length - 2 min 50 sec Venue: Reichssender Wien des Grossdeutschen RF,
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Art Song / Song
196. All' mein Gedanken, mein Herz und mein Sinn, song for voice & piano, Op. 21/1 (TrV 160/1)
Written: 1884-1886 Country: Germany Recorded: 04/1942 Length - 2 min 32 sec Venue: Reichssender Wien des Grossdeutschen RF,
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Art Song / Song
197. Ständchen ("Mach' auf, mach' auf, doch leise, mein Kind"), song for voice & piano, Op. 17/2 (TrV 149
Written: 1887-1888 Country: Germany Recorded: 04/1942 Length - 1 min 13 sec Venue: Reichssender Wien des Grossdeutschen RF,
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Art Song / Song
198. Waldseligkeit ("Der Wald beginnt zu rauchen"), song for voice & piano (or orchestra), Op. 49/1 (TrV
Written: 1885-1887 Country: Germany Recorded: 04/1942 Length - 2 min 28 sec Venue: Reichssender Wien des Grossdeutschen RF,
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Art Song / Song
199. Zueignung ("Ja, du weisst es, teur Seele"), song for voice & piano (or orchestra), Op. 10/1 (TrV 141
Written: 1901 Recorded: 04/1942 Length - 2 min 36 sec Venue: Reichssender Wien des Grossdeutschen RF,
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Art Song
200. Die Nacht ("Aus dem Walde tritt die Nacht"), song for voice & piano, Op. 10/3 (TrV 141/3)
Written: 1885 Country: Germany Length - 1 min 49 sec Venue: De Doelen, Rotterdam
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Art Song / Song
201. Morgen ("Und morgen wird die Sonne wieder scheinen"), song for voice & piano (or orchestra), Op. 27/
Written: 1885 Country: Germany Length - 2 min 23 sec Venue: De Doelen, Rotterdam
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Art Song
202. Befreit ("Du wirst nicht weinen"), song for voice & piano (or orchestra), Op. 39/4 (TrV 189/4)
Written: 1894 Country: Germany Length - 4 min 33 sec Venue: De Doelen, Rotterdam
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Art Song / Song
203. Wiegenlied ("Träume, träume, du mein süsses Leben"), song for voice & piano (or orchestra), Op. 41/1
Written: 1898 Country: Austria Length - 5 min 8 sec Venue: De Doelen, Rotterdam
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Art Song
204. Freundliche Vision ("Nicht im Schlafe hab' ich das geträumt"), song for voice & piano (or orchestra)
Written: 1899 Country: Germany Length - 3 min 51 sec Venue: De Doelen, Rotterdam
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Art Song / Song
205. Waldseligkeit ("Der Wald beginnt zu rauchen"), song for voice & piano (or orchestra), Op. 49/1 (TrV
Written: 1900 Country: Germany Length - 2 min 26 sec Venue: De Doelen, Rotterdam
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Art Song / Song
206. Die heil'gen drei Kön'ge aus Morgenland, song for voice & piano (or orchestra), Op. 56/6 (TrV 220/6)
Written: 1901 Length - 2 min 36 sec Venue: De Doelen, Rotterdam
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Art Song / Song
207. Vier letzte Lieder (Four Last Songs), for soprano & orchestra, o.Op. 150 (TrV 296, AV 150)
Written: 1903-1906 Country: Austria Length - 5 min 52 sec Venue: De Doelen, Rotterdam
Composer: Richard Strauss (1864 - 1949)
Period: Post-Romantic
Form / Genre: Song Cycle
208. Untitled CD-ROM Track
Written: 1948 Country: Germany Recorded: 02/22/1993 Length - 22 min 39 sec Venue: De Doelen, Rotterdam
Composer: Unspecified
Period: Modern
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