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Don't Look Now

1974 - Rated R (MPAA)
Release Date: 09/03/2002
Features: DVD Features: Region 1 Keep Case Letterbox - 1.85 Widescreen - 1.85 Audio: Dolby Digital Mono - English, French Subtitles - English - Optional Additional Release Material: Trailers: Original Theatrical Trailer Interactive Features: Scene Selection Interactive Menus
Time:  110  mins.
J&R Item # 1006104_5
UPC # 097360870442
Label: Paramount Home Entertainment
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1974 - Rated R (MPAA)
Release Date: 09/15/2009
Features: DVD Features: Region [unknown]
Original Language:  N/A
Time:  N/A  mins.
J&R Item # 1006104_7
UPC # 032429068729
Label: Paramount Home Entertainment
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Nicolas Roeg's third film--after the brash PERFORMANCE (1970) and meditative WALKABOUT (1971)--is a haunting thriller that confirmed the director's status as a true visionary. Based on a story by Daphne Du Maurier, DON'T LOOK NOW follows a grieving English couple to Venice, where the past continues to plague them. John Baxter (Donald Sutherland) and his wife Laura (Julie Christie) are in mourning for their young daughter, who drowned tragically near their home. John takes a job in Venice so that the couple can leave the past behind, but, unfortunately, the past is not easily forgotten. While John begins to see unsettling visions of a young girl in a red coat running through the Venice streets, Laura learns from an elderly psychic that her husband is in grave danger. What follows is an eerie, erotic mystery that builds to a shockingly horrific climax. DON'T LOOK NOW is one of the most daring and influential motion pictures of the 1970s. From Pino Donaggio's atmospheric score to Graeme Clifford's elliptical editing (exemplified in the film's notorious sex scene), Roeg's film is a stylistic achievement. Sutherland and Christie are their typical phenomenal selves playing the bereaved, devastated couple.

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"...One of the most dynamic and radical British films ever made..." -- Alan Morrison , (Total Film)

"...Nicolas Roeg's 1973 film remains one of the great horror masterpieces working not with fright, which is easy, but with dread, grief and apprehension..." -- Roger Ebert , (Chicago Sun-Times)

"Roeg's masterly adaptation of Daphne Du Maurier's story is as much a meditation on grief as a conventional horror pic..." -- Geoffrey Macnab , (Sight and Sound)

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