Carnival, Vol. 2: Memoirs of an Immigrant

Performer: Wyclef Jean
Artist: Paul Simon; Mary J. Blige; T.I.; Norah Jones; Akon; Lil Wayne; Shakira
Engineer: John Pirretti; Julian Vasquez; Doug Rotwitt; Elvis Aponte; Mike "Nyte" DeSalvo; Serge "Serjical" Tsai; Idris "Baby Shaq" Washington; Kiana "Kiki" Sullivan; Joe Deluso; Devon Golder; Lamont Coleman; Glen Marchese; Elliott Carter; Wilner Alexandre; Dave Clauss; Andy Grassi
Producer: Wyclef Jean; Djakout Mizik; Jerry Duplessis; Sedeck "All Hands On Deck" Jean
Distributor: Sony Music Distribution (

Notes: Personnel: Wyclef Jean (guitar). Additional personnel: Aadesh Shrivastava, Horacio Jim�nez (vocals); David Brozer (guitar); Andy Grassi (guitars); Louis Farrakhan (violin); Rubin Kodheli (cello); Mike "Nyte" DeSalvo, Dave Clauss (horns); Arden Altino, Sedeck "All Hands On Deck" Jean, J. Thomas (keyboards); Jerry Duplessis (bass guitar); Marivaldo, Lamont "Logic" Coleman, Joe Tomino (percussion); LaTavia Parker, Anthony Leggett, Devon Golder (background vocals); Melissa Jiminez, Niia, Daniela Mercury, Djakout Mizik, Akon, Lil Wayne, Machel Montano, Mary J. Blige, Norah Jones, Paul Simon, Serj Tankian, Shakira, Sizzla, T.I., will.i.am, Black Alex, Chamillionaire. In the decade since his post-Fugees solo debut Wyclef Jean has become as well known as an activist as a pop artist. CARNIVAL II: MEMOIRS OF AN IMMIGRANT reflects Jean's political commitment in its detailing of immigrant experience, but not without also turning in an album of bright, eclectic, and continually inventive music. Reggae, Latin, and South Asian sounds can be heard amid the hip-hop and R&B, creating a multicultural pastiche that perfectly suits Jean's lyrical message. CARNIVAL II is star-studded affair, with everyone from Paul Simon to Mary J. Blige to Nora Jones to the Minister Louis Farrakhan making guest appearances. There's plenty of the smooth rapping and pop smarts that Jean fans expect, but the arrangements and production for the disc set it a cut above. "Riot," featuring dancehall king Sizzla and System of a Down's Serj Tanikan, is a highlight, as is "Hollywood Meets Bollywood," a track that features the Southern MC Chamillionaire. Ten years after his 1997 solo debut, The Carnival, former Fugee, "Hips Don't Lie" producer, and globetrotting activist Wyclef Jean presents the sequel, subtitled Memoirs of an Immigrant and meaning it. There's a star-studded guest list, but Carnival, Vol. 2 is composed from Wyclef's personal experience and filled with his commentary on 2007's immigration crisis. He even works his own green-card story into "Selena," a lighthearted love letter to the Mexican American diva that shamelessly quotes her "Bidi Bidi Bum Bum" over a light reggae beat before it morphs into a screaming loud carnival number. Many of the songs here shift genres with fascinating ease, like when the epic "Touch Your Button Carnival Jam" goes from a Black Eyed Peas-styled pop number to an intense soca workout. Then there's "Riot," a duet featuring System of a Down's Serj Tankian and dancehall dread Sizzla that utilizes a tense rock rhythm before exiting on a wet reggae beat. If it all sounds overwhelming, it's held together by Wyclef's well-crafted arrangements, and if Serj and Sizzla sound like an odd combination, try Sizzla and Minister Louis Farrakhan on violin for "Welcome to the East." Chamillionaire gets a Bollywood orchestra as a backing band, T.I.'s track is almost a hippie number, and Paul Simon croons over an R&B beat during "Fast Car," not the Tracy Chapman one but a song just as poignant. While this skillful mixing and matching of the A-list makes quite a first impression, it's the songwriting that sticks as Wyclef has upped his game. The deadbeat dad story "What About the Baby" is a convincing exchange between Wyclef and Mary J. Blige because of all the honesty written into it, and lines like "I got love for Miami all day/But if my Cubans get to stay/Why you turn my Haitians away?" add edge and weight to an album that's otherwise slick and immaculately polished. To make sure the immigration issue is always nearby, Wyclef quietly and at regular intervals references "shelter," "helping hands," and other words of refuge and protection. It's done so masterfully that it makes the couple "I'm gonna grab my guitar!" moments worth ignoring, which are the only times Wyclef's ego seems to be muscling into the mix. Otherwise, Carnival, Vol. 2 strives to give the immigration problem a face, turning those thousands of marchers seen on the news into a thousand personal stories of struggle and hope. It does so while pulsating with life and displaying an unabashed love of music that's rich, daring, and delightful. ~ David Jeffries

Rolling Stone (p.130) - 3.5 stars out of 4 -- "It's a breathtaking, ambitious ride through a carnival of global music too rarely explored." Entertainment Weekly (p.76) - "[With] the post-Katrina hymn 'Any Other Day,' on which Norah Jones joins Wyclef to paint a poignant picture of families stranded on rooftops..." Vibe (p.108) - "[The album] makes Wyclef's M.O. crystal-clear: There are no division. He's aiming for one world, rocking to his thick, improbable grooves." Q (Magazine) (p.124) - 3 stars out of 5 -- "[T]he roll-call of guests reflects his savvy, anything-goes approach." Mojo (Publisher) (p.102) - 4 stars out of 5 -- "Jean's sonic scope is breathtaking, complemented by imaginative lyrics whose themes range from family break ups, prostitution and drive-by shootings to the US occupation of Iraq."

Haitian-born and Brooklyn-raised Wyclef Jean joined the hip-hop supergroup the Fugees in the early 1990s with his cousin Pras (Michel) and his friend Lauryn Hill. The trio went on to major success with THE SCORE. Wyclef didn't realize his full artistic potential until his 1997 debut solo album, THE CARNIVAL, on which he combined reggae, rock, hip-hop, and pop into a potent sonic document. The record earned him the top ten crossover ballad, "Gone Till November." While subsequent records never reached such elevation, they kept him in the public eye, and his eclectic touch and unique flow made him a sought after collaborator.

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