Free At Last [PA]

Performer: Freeway
Engineer: Geoffrey Rice
Producer: Dame Grease; "J.R." Rotem; Teraike "Chris Styles" Crawford; Jason "Sire" Turnbull; DJ Noodles; Don Cannon; Ryan Press; Cool & Dre; Bink!; Needlz; Chad "Wes" Hamilton; Jake One; Double O; Ivan Barias; Carvin Haggins
Distributor: Universal Distribution

Notes: Personnel: Sherrod Barns (vocals, bass guitar); "J.R." Rotem, Ivan "Orthodox" Barias (various instruments); Wendell "Pops" Sewell (guitar); Ryan West (harp, keyboards, percussion, drum programming); Damon "Mister Dizzy Fingers" Bennett (flute); Johnnie "Smurf" Smith (piano); Double O (keyboards, drum programming); Canei Finch, Brizz (keyboards); Vitamin D (scratches); David Porter. Additional personnel: Jay-Z (vocals); Jeff Bass (bass guitar); Marsha Ambrosius, 50 Cent, Jadakiss, Rick Ross , Scarface, Busta Rhymes. Four years after his debut solo release, the Philly representative and Ice City crew member Freeway sounds as hungry as ever on his follow-up, FREE AT LAST. Keeping it gully with that trademark vigorous flow bubbling up with gangsta posturing and gun-toting hood narratives, Free matches his fierce vocals to a gang of street-level beats courtesy of Kanye West, Cool & Dre, Bink!, Dame Grease, Don Cannon, and J.R. Rotem. Featuring a guestlist of rap industry heavyweights such as 50 Cent, Jay-Z, Rick Ross, Marsha Ambrosius, Busta Rhymes, Jadakiss, and Scarface, FREE AT LAST is another tight Roc-A-Fella effort that stands with the label's best. Almost five years after releasing a near-classic rap debut, Freeway finally gets his second shot, and there's some unsurprisingly frank talk about his surroundings not being identical. Since Philadelphia Freeway's early 2003 release, there was the Damon Dash/Jay-Z Roc-A-Fella rift, so Free addresses that, despite it being old news. He was, after all, caught in the middle and did not switch labels. Then there's "It's Over," which could be the first track to mention the producer not responsible for its beat; in fact, both Just Blaze (who produced ten Philadelphia Freeway tracks) and Kanye West (who chipped in with two) are saltily put on blast for either not getting back or being too busy. Throw in a deepened relationship with 50 "Somewhat Responsible for Mobb Deep's Blood Money" Cent, who replaces Dash's role as co-executive producer, as well as what could be perceived as an enthusiasm shortage on the part of the Roc-A-Fella/Def Jam family, and Free at Last has all the makings of a disappointment -- a release destined to slide off everyone's radar within a couple weeks of release. "Oh, yeah, Freeway eventually put out that second album...Free Again, or something?" The album is not the least bit deserving of that fate. Even with the amount of expectation-lowering context heavy on the mind, Free at Last sounds like a very strong follow-up. Apart from the 50 feature "Take It to the Top," with a light and frilly production that is absolutely the worst fit for Free's gruff and pop-unfriendly voice, there are no obvious points of weakness -- unless, of course, Free's lack of vocal versatility is something to gripe about. His "boa constrictor flow" can still be taxing (or even immediately off-putting to some ears) across the course of an album, and it is apparent that Nice & Smooth would consider him a lost cause for their MCing class, but his intelligible grunts and rasps are just as commanding and riveting as any other MC's arsenal. With a pilgrimage to Mecca also in his recent past, the dichotomy between his threat/boast-based rhymes and more reflective side is greater than it was on Philadelphia Freeway, and it isn't at the expense of toughness -- take, for instance, "I will squeeze and leave your spleen on the outside." He is a sharper, more vivid lyricist, and it can also be sensed that he has done everything in his power to make up for all that lost time. And it must be said that his as-common-as-ever exultations of "Early!" -- practically a tic at this point -- are more perplexing and amusing than ever. ~ Andy Kellman

Rolling Stone (p.82) - 3.5 stars out of 5 -- "The production is state-of-the-art soul-hop -- sample-specked funk that stays hooky and relatively lean."

A member of the Philly-based crew State Property led by rapper Beanie Sigel, Freeway was quickly scooped up by the Jay-Z/Damon Dash-run label Roc-A-Fella after his cohort Sigel hit the big time. Freeway's albums have very much been family affairs with guest shots from members of both Roc-A-Fella and State Property. However, relations between Sigel and Freeway have cooled somewhat since the duo united in the late 2000s, with Freeway going so far as to start his own Philly crew, Ice City, proving that in terms of both mic skills and entrepreneurial spirit he is a force to be reckoned with.

Click Here for Shipping Options and Policies

Shipping or Dimension weight in pounds: 0.25