Conquer the World: The Lost Soul of Philadelphia International RecordsVarious Artists
Release Date: 11/27/2007
Original Release:
2008
# of Discs:
2
J&R Item # 1007369_VY
UPC # 886971958812
Label: Legacy Recordings
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Disc: 1
1.
Hard Workin' Man - Pat & The Blenders
2.
Conquer the World Together - Bunny Sigler/Dee Dee Sharp
3.
Grasshopper - Johnny Williams/Soul Devalents
4.
It's So Wonderful - Carolyn Crawford/Johnny Williams
5.
Makin' up Time (Parts 1 & 2) - Frankie & the Spindles
6.
Them For Five Fingers of Death - Bunny Sigler
Disc: 2
1.
Good and Plenty - Love Committee/Carolyn Crawford
2.
Darling Come Back Home - Soul Devalents/Love Committee
3.
Yellow Sunshine - Yellow Sunshine
4.
Ghetto Woman (Parts 1&2) - Ruth McFadden
5.
Everybody Needs Good Lovin' (Parts 1 & 2) - Bunny Sigler
6.
Days Go By - Bobby Bennett
Performer: Various Artists
Distributor: Sony Music Distribution ( Notes: The songwriting and production team of Kenny Gamble and Leon Huff prefigured and provided the template for disco and contemporary urban R&B in the early '70s with their strings, horns, and sugary groove approach to making records, and although by the end of the decade the formula began to wear thin and feel tired, uninspired, and stale, the fact remains that the duo's Philadelphia International Records imprint was to the 1970s what Berry Gordy's Motown Records was to the 1960s -- a hitmaking machine. But not everything the label released stormed up the charts, and this set features 16 singles from Philadelphia International that failed to register much airplay, a situation undoubtedly due more to bad luck and circumstance than any lack of musical quality. Nothing else explains why gems like "It's So Wonderful" by veteran Chicago singer Johnny Williams, the hard-driving, Southern soul-styled "Everybody Needs Good Lovin'" by Bunny Sigler, or the memorable and infectious "Hard Workin' Man" by Pat & the Blenders failed to take the airwaves by storm. Revelatory and at times tougher and harder-sounding than the usual Gamble & Huff productions, these lost tracks show that beneath all those sweet, sugary strings was some gutbucket soul and reminds listeners that just because it's good doesn't mean you'll get to hear it. ~ Steve Leggett
Blender (Magazine) (p.81) - 4 stars out of 5 -- "Motown had polish, Stax had grit, but Philly International had it all."
Paste (magazine) (p.81) - 3 stars out of 5 -- "Carolyn Crawford's 'Good and Plenty' is a sassy, horn-fueled strut, and the Soul Devalents' 'Grasshopper' is a 4/4 stomp that many consider one of the first disco songs."
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