Ultimate Grammy Collection: Contemporary RockVarious Artists
Release Date: 01/08/2008
Original Release:
2008
# of Discs:
1
J&R Item # 1007565_CD
UPC # 826663107302
Label: Shout! Factory
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Disc: 1
2.
Ain't It Heavy - Melissa Etheridge (Best Rock Vocal Performance, Female 1992)
6.
Run-Around - Blues Traveler (Album Version/Best Rock Performance By a Duo Or Group With Vocal 1995)
8.
Bullet with Butterfly Wings - The Smashing Pumpkins (Best Hard Rock Performance 1996)
9.
Block Rockin' Beats - The Chemical Brothers (instrumental, Best Rock Instrumental Performance 1997)
12.
In My Place - Coldplay (Best Rock Performance By a Duo Or Group With Vocal/Best Alternative Music Album (A Rush Of Blood To)
14.
Seven Nation Army - The White Stripes (Best Rock Song/Best Alternative Music Album (Elephant) 2003)
15.
Bring Me to Life - Evanescence (Best Hard Rock Performance/Best New Artist 2003)
16.
Boulevard of Broken Dreams - Green Day (Record Of the Year/Best Rock Album (American Idiot) 2005)
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Performer: Various Artists
Producer: Jeff Palo; Jeff Palo; Derek Dressler (Compilation); Leslie Lewis (Compilation) Distributor: Sony Music Distribution ( Notes: Author: Quincy Jones. This 16-track collection draws from the considerable pool of artists who won Grammy awards in the rock category between 1989 and 2005. In addition to soaring anthems (see Stone Temple Pilots' neo-grunge hit "Plush" and Coldplay's pensive single "In My Place"), the compilation features songs not typically considered "rock," including the Chemical Brothers' techno-funk track "Block Rockin' Beats" and Fiona Apple's soulful "Criminal," making this Grammy set an intriguing and surprisingly eclectic mix. This collection of Grammy-winning songs (or songs from Grammy-winning albums) highlights the best alternative radio rock from 1989 (Living Colour's "Cult of Personality") to 2004 (Green Day's "Boulevard of Broken Dreams") chronologically, so tracks like Tracy Chapman's version of "Give Me One Reason" and Coldplay's "In My Place" break up the harder guitars of Lenny Kravitz, Evanescence, and Stone Temple Pilots. It's certainly not comprehensive -- Nirvana, for example, is a glaring omission -- but the compilation still presents a straightforward yet interesting perspective of (mainly) American rock music from around the turn of the 21st century. ~ Marisa Brown
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