Works, Vol. 1 [White Cover] [Remaster]

Performer: Emerson, Lake & Palmer
Artist: Joe Walsh
Engineer: John Timperley; Roger Cameron
Producer: Carl Palmer; Keith Emerson; Pete Sinfield; Jeff Palo; Greg Lake; Derek Dressler (Reissue)
Distributor: Sony Music Distribution (

Notes: Emerson, Lake & Palmer: Keith Emerson (piano, keyboards); Greg Lake, Carl Palmer. Additional personnel: Joe Walsh (vocals, guitar); John Timperley, Andy Hendrikson (percussion); Godfrey Salmon, John Mayer , Orchestra de l'Opera de Paris, London Philharmonic Orchestra. Audio Remasterer: Andy Pearce. The larger-than-life music created by ELP was dependent upon the equally sizable musical/personal egos of its members. By 1977, the inevitable acrimony between the three had caused an aesthetic and spiritual decline. On the two separately issued volumes of WORKS, we can see a band on the verge of coming apart. Though the songs and arrangements are uniformly strong, there's precious little interaction. Ironically, this allowed the members' individual styles to be seen that much more clearly. The double-length WORKS VOL. 1 is arguably ELP's last great album. Taking the personal segregation to extremes, each member of the group was given one solo side (ah, vinyl) and they participated on one group-oriented side. Emerson is represented by a self-penned piano concerto, his finest straight-classical composition up to that point. Palmer exploits the full range of his percussive abilities on six varied instrumental tracks. Lake naturally offers up some impressive romantic balladry. The group side features the album's highlight; an orchestral epic tale called "Pirates," its intrigue-on-the-sea lyrics written by former King Crimson lyricist Pete Sinfield, and its music some of the most sophisticated ELP ever produced.

Emerson, Lake & Palmer were one of the most popular of the initial wave of 1970s British prog-rock bands. They sported post-British Invasion rock's first alternative to the guitar hero in Keith Emerson, whose outlandish keyboard antics rivaled the onstage pyrotechnics of Hendrix and Townshend. The group mixed heavy rock riffs with classical influences, relying equally on instrumental virtuosity and an epic sense of showmanship that won them countless fans in their '70s heyday.

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