The Very Best Of Big Daddy Kane

Performer: Big Daddy Kane
Artist: Big Scoob
Distributor: WEA (Distributor)

Notes: Personnel includes: Big Daddy Kane, Teddy Riley, Big Scoob. Producers include: Marley Marl, Prince Paul, Teddy Riley, Easy Mo Bee, Cool V. Compilation producer: Barry Benson. Includes liner notes by Reginald C. Dennis. Digitally remastered by Dan Hersch and Bill Inglot (Digiprep). Audio Remasterers: Dan Hersch; Bill Inglot. One of the key artists of the late-1980s New York City hip-hop scene, Big Daddy Kane won over a considerable audience with his first two albums, LONG LIVE THE KANE and IT'S A BIG DADDY THING. This well-selected collection draws heavily from those records, giving listeners a potent dose of Kane's smooth, ladies'-man persona on tracks such as the cool, confident "Ain't No Half Steppin'" and the frenetic "I Get the Job Done." Particularly for those who don't own those discs, this is the perfect overview of some of the Big Daddy's finest moments. How do you become a hip-hop legend and still remain somewhat underappreciated? If you're Big Daddy Kane, you hit the scene right after one of the greatest MCs ever to pick up a mic (Rakim), record lots of battle rhymes when your peers (KRS-One, Chuck D.) are getting political, and cross over to R&B listeners before hip-hop figured out that it didn't have to compromise to do so. Kane was one of the prime movers behind the quantum leap in lyrical technique that took place during the late '80s, rapping with excellent diction at a more frantic pace than the smooth, effortless-sounding Rakim. Time has been kind to his work, as Rhino's The Very Best of Big Daddy Kane demonstrates. Its selections concentrate mostly on Kane's first (and best) two albums, pulling six tracks from Long Live the Kane and seven from It's a Big Daddy Thing. The opening trio of classics -- "Raw," "Set It Off," and "Ain't No Half-Steppin'" -- are flawless bids for immortality all by themselves, and haven't lost an ounce of energy, nor has the storming live cut "Wrath of Kane." Despite his reputation as a battle MC, Kane's Nation of Islam beliefs did pop up in the occasional message cut, represented here by "Word to the Mother (Land)" and "Another Victory." And even if they made purists uneasy at the time, Kane's crossover efforts were where his image as hip-hop's leading loverman came together. "Smooth Operator" and "Cause I Can Do It Right" hold up just fine, and while the Teddy Riley-produced "I Get the Job Done" has a jarringly different new jack sound, the spirit behind it is pretty infectious all the same. (The ballad "Very Special," on the other hand...well, it made the charts.) Even so, there's no better place than this to get acquainted with one of the golden age's greatest rappers. ~ Steve Huey

Q (8/01, p.146) - 3 stars out of 5 - "...Flawed but occasionally fabulous....The best of this compilation is th early material..."

Big Daddy Kane was one of the first rap artists to take on the suave pimp persona so prevalent in hip-hop today. As a lyricist for Marly Marl's Juice Crew, Kane penned lyrics for, among others, Biz Markie, before embarking on his own career in 1989. Blending classic soul samples, an effortlessly smooth yet intense flow, and lyrics that referenced both the trials and tribulations of being a ladies' man and, oddly enough, the Black Muslim lifestyle, Kane was an influential artist who presaged many of the trends in both hip-hop and R&B that would emerge in the decades that followed.

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