Duetos

Performer: Gilberto Gil
Distributor: WEA (Distributor)

Notes: Photographer: Marcos Hermes. As the title of this compilation suggests, it's a collection of songs in which Gilberto Gil shares the stage with other artists. Some of the tracks are well-known, other more obscure. Gil at his best is a brilliant songwriter and singer, which is of course apparent on this album. However, most of the 14 tracks here were not written by Gil and do not in any way represent the best or most interesting features of his enormous discography. The material on this CD is quite disparate, and the only thing every song here really has in common is that you can hear Gil's voice on the recording. Gil's own work is already very eclectic as it is, spanning from bossa nova to tropicalia, reggae, '70s disco grooves, singer/songwriter-styled folk music, and traditional rhythms from the state of Bahia. But in several cases here the tracks are more representative of Gil's various duet partners' music than with Gil's own, which makes this compilation sound somewhat incoherent. Since the beginning of his long career, Gil has consistently recorded interesting, creative, and highly exciting music, although many of his albums have been slightly uneven. In other words, the potential for a worthy Gilberto Gil "best-of" is excellent, to say the least. Even though several tracks here, such as Na�ao Zumbi's "Mac�," Cazuza's "Um Trem Para as Estrelas," and Riachao's "Cada Macaco No Seu Galho," are fantastic pieces of music in themselves, this compilation, due to its incoherence, fails to make much sense as a unit or as a CD released under Gilberto Gil's name. ~ Philip Jandovsky As the title of this compilation suggests, it's a collection of songs in which Gilberto Gil shares the stage with other artists. Some of the tracks are well-known, other more obscure. Gil at his best is a brilliant songwriter and singer, which is of course apparent on this album. Most of the 14 tracks here were not written by Gil, and the only thing every song has in common is the presence of Gil's voice. In several cases here the tracks are more representative of Gil's various duet partners' music than with Gil's own, even though several tracks, such as Na�ao Zumbi's "Mac�," Cazuza's "Um Trem Para as Estrelas," and Riachao's "Cada Macaco No Seu Galho," are fantastic pieces of music in themselves. ~ Philip Jandovsky

With a career that dates back to the early 1960s, Gilberto Gil is one of the major innovators of Brazilian pop. A founder of the Tropicalia movement, he has embraced a huge variety of influences, from traditional regional styles of the Brazilian Northeast to jazz, reggae, disco, rock, and African music. Romantic, political, and downright funky, Gil always has an eye on both the past and the future.

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