Country Life [PA] [Slipcase]

Performer: Roxy Music
Distributor: Caroline Distribution

Notes: From the idiosyncratic art rock of their self-titled debut to the seductive pop of albums like AVALON, Roxy Music covered a lot of ground, but COUNTRY LIFE, which falls somewhere in between, synthesizes all of their strengths. Singer Bryan Ferry's vision of sophisticated, "gentleman" rock emerges on this release, yet the strident, driving quality crucial to the band's early sound still looms large. The combination of textures is exhilarating, and the songwriting--which draws on elements of R&B, cabaret music, and glam rock--is among the band's best. Standouts include "Bitter-Sweet," a clear homage to the bombast and fading glory of German cabaret music, and the work of Kurt Weill in particular, and "Casanova," a dense funk track carried along on a complex bass line and a wavering synthesizer. The album's last track, "Prairie Rose," leads off with a heavily echoed guitar solo, and features some of Andrew Mackay's most expressive saxophone playing. Everything from the famously controversial cover art (which depicts two very scantily clad models) to the varied, often spectacular music within, marks COUNTRY LIFE as unique. It is one of the finest moments in the band's impressive catalogue.

Q (9/99, pp.122-3) - 4 stars (out of 5) - "...More adult it may seem, but there remains a darkness at its heart, not least the poisonous 'Casanova', which predicts the downfall of the playboy..."

Like Bowie, Roxy Music delivered art-rock with a heavy dose of irony, a scarce commodity in the mid-'70s. Bryan Ferry's lounge-lizard persona meshed with Brian Eno's pioneering electronics and Phil Manzanera's highly textured guitar work to create a decadent but humorous sound that influenced many '80s new wave bands on both sides of the Atlantic, from the Cars to Duran Duran.

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