Skin Deep

Performer: Buddy Guy
Artist: Derek Trucks; Susan Tedeschi; Eric Clapton; Robert Randolph; Quinn Sullivan
Distributor: BMG (distributor)

Notes: Personnel: Susan Tedeschi (vocals); Quinn Sullivan, David Grissom (guitar); Derek Trucks (slide guitar); Lannie McMIllian, Kirk Smothers (tenor saxophone); James L. Spake (baritone saxophone); Mark Franklin (trumpet); Reese Wynans (keyboards); Willie Weeks (bass guitar); Tom Hambridge (drums, tambourine, percussion); Wendy Moten, Bekka Bramlett (hand claps, background vocals). By the time SKIN DEEP was released in 2008, Buddy Guy was in his early 70s. The thing is, there are only a few tell-tale signs that Guy has aged any since his blistering work from the 1960s and `70s, and these signs-which include the slick, contemporary production, and the veteran-performer trend of having a parade of guest artists on the album-- are largely superficial. In truth, Guy still plays and sings like the urban blues monster he remains. From the slinky, sexy opener, "Best Damn Fool," to the blues history lesson of "Who's Gonna Fill Those Shoes," to the slow-burn closer "I Found Happiness," Guy doesn't seem to have mellowed with age. In fact, he wails and shreds here with as much passion as ever. Eric Clapton, Derek Trucks, Susan Tedeschi, and Robert Randolph all lend a hand, but Buddy is in charge here, much the way he has always been. It's hard to say that Buddy Guy's career was revived by his appearance in the Rolling Stones' Shine a Light, but his mesmerizing duet on Muddy Waters' "Champagne and Reefer" in that Martin Scorsese concert film was a bracing, welcome reminder of just how good Guy is, especially for listeners who may have let their attention wander in the years since Damn Right, I've Got the Blues. What made Guy so riveting was his coiled aggression: in stark contrast to the deferential Jack White, he came to cut the Stones down and he did so mercilessly, which made it the musical highlight of a show with plenty of great moments. That wildness has kept Buddy Guy unpredictable well into his senior citizenship, and it surfaces on Skin Deep, only perhaps not quite as often as it should. Touted as his first album of original material, Skin Deep does work as an effective showcase for Buddy's most original voice: his wild, gnarly guitar. The production may be crisp and clean but Buddy refuses to play polite, messing up the pristine surfaces with big, nasty, ugly smears of guitar. Even when the record gleams too brightly -- as it does just a little bit too often -- Guy sounds like he's trying to tear things apart from the inside, which lends vigor and energy to numbers that are performed with just a shade too much preciseness. Thankfully, not all of Skin Deep is so clean, as the record opens up with a pair of dynamite collaborations with Robert Randolph -- the stripped-down, swampy Delta blues "Out in the Woods" and the muscular "That's My Home." Guy also gets in a couple of good numbers with Susan Tedeschi and Derek Trucks -- there's also a duet with Eric Clapton on "Every Time I Sing the Blues," which slides into a too-comfortable slow groove -- and these are the moments when Skin Deep really clicks, as the songs spark and the band truly cooks. Elsewhere, the music slips toward the conventional, but at least it sounds like Guy is trying to reel it back in with that monstrous guitar, which can still sound wondrous. It's kind of fun to hear the accidental tension between Guy's guitar and the slick surfaces, but when he's paired with a band or production that matches his grit, Skin Deep is so good that it's hard not to wish the whole record sounded just like that. ~ Stephen Thomas Erlewine

Rolling Stone (p.92) - 3.5 stars out of 5 -- "Guy is a blues man, not a protest singer, and when he wields his ax with perfect restraint over the organ and loping bass line of 'I Found Happiness,' you best believe that's what he's done." Living Blues (p.39) - "SKIN DEEP is a return to form for Buddy Guy....On the opening track, 'Best Damn Fool,' Guy comes roaring out of the gate with a vicious guitar attack and a four-piece horn section blasting behind him."

Eric Clapton once called Buddy Guy "the greatest blues guitarist ever." Guy, along with contemporary Magic Sam, took the sounds of Chicago blues of the 1950s and ratcheted them up a notch, in the process creating a new form of controlled blues mayhem. Born in Louisiana, he moved to Chicago as a young man in 1957 and served an apprenticeship with Chicago blues king Muddy Waters while getting his own solo career underway. Guy's frequent collaborations with harmonica player Junior Wells are among his best work.

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