Whomp That Sucker [PA]Sparks
Release Date: 07/18/2008
Original Release:
1981
# of Discs:
1
J&R Item # 1033383_CD
UPC # 4009910512623
Label: Repertoire Records (Germany)
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Buying Info
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Disc: 1
1.
Tips for Teens
2.
Funny Face
3.
Where's My Girl
4.
Upstairs
5.
I Married a Martian
6.
Willys, The
7.
Don't Shoot Me
8.
Suzie Safety
9.
That's Not Nastassia
10.
Wacky Women
Performer: Sparks
Producer: Giorgio Moroder Distributor: Infinity Entertainment Gr Notes: Sparks: Russell Mael (vocals); Bob Haag (guitar, background vocals); Ron Mael (keyboards, synthesizer); Leslie Bohem (bass, background vocals); David Kendrick (drums); Mack (programming). Recorded at MusicLand Studios, Munich, West Germany. Sparks: Ron Mael, Russell Mael. Upon returning to their native Los Angeles in 1981, after nearly a decade of stardom in Britain and Germany, brothers Ron and Russell Mael hooked up with a local band called Gleaming Spires and, for the fourth time in their careers, completely reinvented themselves. Having tried art rock, power pop, and rock disco fusion, keyboardist Ron and singer Russell combined elements of all three with a new-wave synth gloss and came up with their best album since 1974's KIMONO MY HOUSE. Starting with the thumping "Tips For Teens," one of the brothers' funniest and catchiest songs, WHOMP THAT SUCKER glides through 10 synth-pop ditties with quirky lyrics-"Funny Face" and "The Willies" are particularly strange-and instantly memorable melodies. WHOMP THAT SUCKER marks the beginning of one of Sparks' most artistically and commercially successful eras.
From the very beginning Sparks was at odds with the conventional rock & roll archetype. Based around brothers Ron and Russell Mael, the band had an unusual sound and image, with Russell's freakishly high voice and Ron's glam-meets-cabaret keyboards and provocative Hitler moustache. After a few albums of quirky art rock that prefigured New Wave, Sparks hooked up with disco producer Giorgio Moroder in the late '70s for a danceable, synth-driven sound that proved well ahead of its time. Always more popular abroad than at home, the CA-born Maels were destined to remain beloved cult figures in America, but continued recording into the 21st century.
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