The Very Best Of Sheryl Crow [Slimline]

Performer: Sheryl Crow
Artist: Kid Rock; Lisa Germano; Liz Phair
Distributor: Universal Distribution

Notes: Personnel includes: Sheryl Crow (vocals, guitar); Kid Rock, Lisa Germano, Liz Phair, Brian MacLeod, Neil Finn, Dan Rothchild. Includes liner notes by David Wild. Sheryl Crow was one of the key artists of the '90s, if the yardstick is capturing the sound and spirit of the time. A former backing vocalist for Michael Jackson -- an association that led to dubious tabloid headlines romantically linking her with the singer long before she was a star in her own right -- she rode the first great wave of Women in Rock hysteria of the alt-rock explosion to fame with her first album, Tuesday Night Music Club, in 1994, settling into the weary aftermath of the post-grunge years with her brilliant eponymous second album in 1996, riding out the end years of the Clinton administration with the measured, mature Globe Sessions in 1998, and then defying the gloom of the W years by soaking up the sun on 2002's C'mon C'mon. It was a body of work that defined the times without getting too much critical respect (similar to Billy Joel in that respect, even if the music is totally dissimilar), and while her albums were always good and occasionally terrific, she made her greatest mark as a singles artist on the ever-morphing world of '90s radio. Released in late 2003, The Very Best of Sheryl Crow is the first attempt to summarize those years, and it does a pretty good job of it. All of the big hits are here: the deceptively effervescent "All I Wanna Do," the defiantly effervescent "Soak Up the Sun," the sweet resignation of "My Favorite Mistake," the giddy "Everyday Is a Winding Road," the evocative "Leaving Las Vegas," the sexily exhausted "If It Makes You Happy," the soccer-mom anthem "A Change Would Do You Good," the absurd escapism of the heavily Pro Tooled "Steve McQueen," and best of all, "Picture," a superb country duet with Kid Rock previously unavailable on one of Crow's albums. If the collection seems to be missing songs, it's because it is. Like most contemporary hits collection, it chooses to highlight album tracks ("Home," "The Difficult Kind," "I Shall Believe") in favor of minor hits -- a tactic that is highly debatable, since those album tracks may be favorites of the artist or the concert-attending audience yet those who follow an artist via the radio will find many songs absent, some more noteworthy than others. In this case, "Run Baby Run," "Can't Cry Anymore," "D'yer Mak'er," "Anything but Down," "Sweet Child O Mine," and "C'Mon C'Mon" are all missing in action, with "Can't Cry Anymore," "Anything but Down," and maybe "Run Baby Run" being truly missed (the covers of Zeppelin and Guns N' Roses being the byproduct of the '90s pop climate where major and minor artists alike had more contributions to soundtracks, benefit albums, and tribute records than could be counted; some hit the charts, as in this case, but most didn't). This is a minor quibble, since it effects the general texture and feel of the album more than the overall effect, but it's enough to keep it from being the unqualified home run that it should have been. Even so, The Very Best of Sheryl Crow does capture her biggest and best songs, adding two good new songs to the mix (a cover of Cat Stevens' "The First Cut Is the Deepest," which uses Rod Stewart's version as the starting point, and the solid new song "Light in Your Eyes"), that in turn capture the feel of the '90s by proxy. ~ Stephen Thomas Erlewine One of those rare talents who bucked the jinx of winning the Best New Artist Grammy (which she snagged in 1995), Sheryl Crow accrued an impressive canon over the span of a decade. Starting with this Missouri native's twangy, Rickie Lee Jones-flavored 1993 smash "All I Wanna Do," Crow has made her mark with songs such as the forward-looking "Every Day Is a Winding Road," the pleading ballad "Strong Enough," and the Beach Boys-flavored summer anthem "Soak Up the Sun." This former in-demand session musician's talents also found her going down a country path by way of a classic duet with Kid Rock on the ballad "Picture," which rubs shoulders with the wonderfully atmospheric "Home" and the put-up-or-shut-up sentiment of the life-loving "If It Makes You Happy." Fans who are looking for new material get rewarded with two versions of Cat Stevens' "The First Cut Is the Deepest," one with a vintage Rod Stewart-like arrangement and a country version, featuring steel guitar. Also included is "Light in Your Eyes," a gentle mid-tempo nod to the late George Harrison.

Q (1/04, p.132) - 3 stars out of 5 - "A canny mix of tomboy retro rock, looped beats and sharp pop hooks made Crow one of the staples of '90s radio." Mojo (Publisher) (12/03, p.130) - 3 stars out of 5 - "[S]he's unquestionably made of the right stuff."

With her hook-filled pop tunes, highly developed melodic sensibility, and pin-up girl looks, Sheryl Crow appealed to a wide audience in the 1990s. Garnering platinum albums, hit singles, and even the tacit approval of rock's old guard, Crow proved to be the pre-eminent female singer-songwriter of the era. In 2002, four years after her previous album, she returned with another fine set of tunes, revealing that her appeal extends beyond the 20th century.

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