Willy and the Poor Boys [Digipak]Creedence Clearwater Revival
Release Date: 09/30/2008
Original Release:
1969
# of Discs:
1
J&R Item # 1040439_CD
UPC # 888072308794
Label: Fantasy (distributor)
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Buying Info
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Disc: 1
11.
Fortunate Son (Live - Manchester 1971; Previously Unreleased) (previously unreleased, live)
12.
It Came Out Of The Sky (Live - Berlin 1971; Previously Unreleased) (previously unreleased, live)
13.
Down On The Corner [From a Jam Session with Booker T & The MG's for a 1970 TV Special]
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Performer: Creedence Clearwater Revival
Producer: John Fogerty; Chris Clough Distributor: Universal Distribution Notes: Composer: John Fogerty. Lyricist: John Fogerty. Creedence Clearwater Revival: John Fogerty (vocals, guitar); Stu Cook (bass guitar, background vocals); Doug Clifford (drums, background vocals); Tom Fogerty (background vocals). Audio Remasterer: George Horn. Opening up with the feel-good, down-home groove of the hit "Down on the Corner" and featuring all-out, belligerent roots rock like "Fortunate Son" and loose, soul-drenched instrumentals like "Side Of The Road," WILLY AND THE POOR BOYS is sensational from start to finish. Throughout CCR's brief career, their sound was a musical evocation of a mythic rural South, and WILLY AND THE POOR BOYS is arguably the most Southern-sounding of all their records. Even though this t10-song album is padded out with cover versions of such folk-blues standards as "Cotton Fields" and "The Midnight Special," John and brother Tom Fogerty's ragged electric guitar playing and the minimalist bass and drum work of Stu Cook and Doug Clifford make these well-known songs sound like Creedence originals.
Rolling Stone (p.74) - 4 stars out of 5 -- "[The album] upped the anger ante on 'Fortunate Son,' which rages against class-based draft inequality with rare, beat-driven fury..."
Blender (Magazine) (p.84) - 5 stars out of 5 -- "WiLLY AND THE POOR BOYS is their loosest and most class-conscious record."
Creedence Clearwater Revival seemed like something of an anomaly in the psychedelic 1960s. Far removed from the mind-expanding, flower-power explorations of their California contemporaries, they were a gritty, hard-hitting band respectful of their blues, country, and rock & roll roots. John Fogerty's cutting, raspy voice bore echoes of Howlin' Wolf and Little Richard as he delivered lyrics that alternately celebrated and bemoaned a working man's life. In a rare instance of art and commerce coinciding, CCR's stream of hit singles made them one of the most successful '60s rock bands. The band broke up acrimoniously in the early '70s, but Fogerty went on to a successful (if sporadic) solo career.
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