Let's Take It to the StageFunkadelic
Release Date: 06/15/1992
Original Release:
1975
# of Discs:
1
J&R Item # 104080_CD
UPC # 723485021529
Label: Westbound (USA)
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Disc: 1
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Performer: Funkadelic
Engineer: Jim Uitti; Jim Callon Producer: George Clinton Distributor: City Hall Notes: Funkadelic: Gary Shider (vocals, guitar); Bernie Worrell (vocals, keyboards); William "Bootsy" Collins, Cordell Mosson (vocals, bass); Calvin Simon (vocals, congas); George Clinton, Fuzzy Haskins, Grady Thomas (vocals); Michael Hampton, Eddie Hazel (guitar); Bill Nelson (bass); Tiki Fulwood (percussion); Ron Bykowski. Additional personnel includes: Paul Warren, Reggie McBride, Frosty, Mello Garcia, Honeys, Denise Hurd, Gary "Mudbone" Cooper, Telma Hopkins, Joyce Vincent. Recorded at Hollywood Studios, Hollywood, California & United Sound, Detroit, Michigan. Liner Note Author: Sir Lleb of Funkadelia. Recording information: Hollywood Sound, Hollywood, CA; United Sound, Detroit, MI. Unknown Contributor Roles: Frosty; Eddie Hazel ; Gary "Mudbone" Cooper; Bill Bass; Paul Warren; Parliament; Reggie McBride; The Honeys; Ron Bykowski; Bootsy Collins. Despite it's misleading title, Funkadelic's LET'S TAKE IT TO THE STAGE is not a live album. This 1975 studio release is what many Funkadelic aficionados consider the band's last true rock-funk album, before Clinton and Co. concentrated entirely on more dance-based and radio-friendly material. It is also the first Parliament-Funkadelic release to prominently feature the talents of the groups' recently acquired bassist, the outrageous Bootsy Collins, whom many regard as the very embodiment of funk. LET'S TAKE IT TO THE STAGE also finds Parliament-Funkadelic on the verge of shedding its long-lived cult status and finally reaching wide spread commercial success. The title track, in which shots are taken at other popular '70s funk figures (such as Sly and even the Godfather of Soul, James Brown), gloriously displays the band's sense of humor. So do the sexually suggestive "No Head No Backstage Pass" and the album's party-anthem highlight, "Get Off Your Ass And Jam." Other top funk workouts include "Stuffs & Things," "Better By The Pound," "Good To Your Earhole," the more serene "Be My Beach," and the album-closing, largely instrumental "Atmosphere." LET'S TAKE IT TO THE STAGE continues Funkadelic's winning '70s streak.
Established at the dawn of the '70s, Funkadelic mixed hard rock, psychedelia, soul, and funk in equal measure. Led by funk godfather George Clinton, they released a brace of enormously influential albums throughout the decade, buoyed by the liquid bass lines of Bootsy Collins and the mind-melting guitar of Eddie Hazel. Over the time, the line between Funkadelic and Clinton's other project, Parlaiment, became increasingly blurred. They've influenced everyone from rock bands (Talking Heads, Red Hot Chili Peppers) to rap acts (Dr. Dre, Ice Cube), and remain among the most distinctive funk-rockers ever.
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Beastie Boys Cameo Commodores (The) Defunkt Dre, Dr. Earth, Wind & Fire Fishbone James, Rick (Bass) Lakeside Living Colour Mandrill Mayfield, Curtis Prince Rare Earth Red Hot Chili Peppers Slave Snoop Dogg Stooges (The) Talking Heads The Ohio Players Time (The) Voyage War Wild Cherry Williams, Tony (Drums) Wonder, Stevie
Influences:
Beatles (The) Berry, Chuck Brown, James Hawkins, Screamin' Jay Hendrix, Jimi Isley Brothers (The) Johnson, Robert Jones, Booker T. Led Zeppelin Ra, Sun Redding, Otis Richard, Little Rolling Stones (The) Temptations (R&B) (The) Zappa, Frank
Similar Genres:
Funk |