Tha Carter III [PA]

Performer: Lil Wayne
Artist: Jay-Z; T-Pain; Babyface; Robin Thicke; Kidd Kidd; Bobby Valentino; D. Smith; Static Major; Brisco; Busta Rhymes; Fabolous; Juelz Santana
Engineer: Darius Harrison; Joshua Berkman; Ed Falcor-Iidow; Angel Aponte; Pro-Jay
Producer: Vaushaun "Maestro" Brooks; David Banner; Kanye West; Shondrea Crawford; Swizz Beatz; Jim Jonsin; Play-N-Skillz; Andrews Correa; T-Pain; Rodnae
Distributor: Universal Distribution

Notes: Personnel: Eddie Montilla (strings, keyboards); Ludas Charles (keyboards); Darius Harrison (drums). Additional personnel: Sha-Ron Prescott (background vocals); Pro-Jay, Robin Thicke, Cool & Dre, Jim Jonsin. Audio Mixers: Miguel Bermudez; Andrew Dawson; Edward Lido; Fabian Marasciullo. Although his first studio album in three years has been long-awaited and repeatedly delayed, Lil Wayne has been anything but absent. Since THA CARTER II, Weezy has left an impressive mass of recordings--from mixtapes (authorized and otherwise) to guest appearances--in his wake as he blusters through the rap industry. In the third installment of the THA CARTER series, Wayne shows he's earned the right to ego-trip as he lets his off-kilter flow, freak-out lyrics, and vocal acrobatics run wild over 16 tracks. Scaling the heights of hubris on "Dr. Carter," he plays an MC/doctor treating a certain music genre diagnosed as lifeless and closes with a quintessential Weezy snarl: "Welcome back hip-hop/I saved your life." Wayne then shifts to alien-mode for the E.T.-inspired "Phone Home." Later on, he details his sexual conquest of a female cop on "Ms. Officer." As expected, THA CARTER III is rife with big name producers (The Alchemist, Kanye West, Wyclef Jean, David Banner, Swizz Beatz, will.i.am) and guest artists (Jay-Z, Babyface, Busta Rhymes, Juelz Santana, Fabolous, T-Pain) from all coasts.

Rolling Stone (p.74) - 4.5 stars out of 5 -- "He really is the best rapper alive....As usual, Wayne's tumbling freestyle rhymes are full of imagination and surprise, but his voice itself is half the fun." Rolling Stone (p.88) - Ranked #3 in Rolling Stone's 50 Best Albums Of 2008 -- "Lil Wayne's greatness lies not just in what he says, but in the way he says it..." Spin (p.96) - "[T]he purest product of the most transformative, chaos-inducing man-made disasters of the 21st century -- New Orleans, hip-hop, and the Internet." Spin (p.53) - Ranked #2 in Spin's "40 Best Albums Of 2008" -- "[With] rapping, Auto-Tune crooning, groping guitar strings, and rasping for air over a digital patchwork of beats and synths..." Entertainment Weekly (p.66) - "There's some intricate art here: 'Dr. Carter' and 'A Milli' have bursts of spectacular rhyme..." The Wire (p.64) - "'Misunderstood', based around the Nina Simone track, has lines that come straight from the heart, and the vital signs are strong..." XXL (Magazine) (p.98) - "Wayne's supreme confidence as an MC dominates the album....His songwriting skills continue to get more thoughtful and focused..." Blender (Magazine) (p.80) - 4.5 stars out of 5 -- "His taste in beats and sounds is omnivorous, his crushed-charcoal rasp equally indebted to crisp East Coast complexity, Southern sing-song and his own warped imagination."

Along with fellow Cash Money Click labelmate Juvenile, Lil Wayne is one of the most important MCs in the unfairly overlooked early 21st-century New Orleans rap scene. Blunt ghetto narratives about the hustler's life and woozy nearly psychedelic free associations fill Wayne's albums, but it's his allegiance to his home town that makes him a unique and forceful presence in hip-hop, and an important reminder that there is more to the Big Easy than Fats Domino and Dr. John.

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