The Serpent's Egg [PA]

Performer: Dead Can Dance
Distributor: Alternative Dis. Alliance

Notes: The fourth Dead Can Dance album, THE SERPENT'S EGG, continues the band's evolution away from tradition rock/pop song structures. The tracks are instead built on sustained chords, vocal harmonizing, and brittle-sounding string instruments. "Orbis de Ignis" is almost a cappella, the only music being a bell struck between verses, with the ethereal voice of Lisa Gerrard (and others) skittering over the surface. Along with the insistent tribal drumming of "Mother Tongue," which eventually evolves into a wordless chant by Lisa Gerrard, the best tracks here are two featuring Brendan Perry's vocals, "Severance" and "Ullyses." The first opens on an ominous drone as the song's narrative tells of a fading community (or civilization, even). The second features some of Perry's most interesting work with the hurdy-gurdy, which is echoed by a string section. Also of note is the creepy vocal interplay in "Echolalia." For fans of This Mortal Coil, "Song of Sophia" distinctly recalls that band's "Song to the Siren." This is maybe not the best Dead Can Dance record to begin with--it is certainly the group's most insular--but for fans it is another fascinating trip to the dawn of Western music.

Brendan Perry and Lisa Gerrard formed Dead Can Dance in the early 1980s in Australia, moving to London before the release of their self-titled debut in '84. Their unique sound bore a dark, gothic feel, but was far more idiosyncratic than that of the goth-rock hordes. Over the years they incorporated Early Music, electronics, Celtic flavors, and various World Music touches, all held together by the pair's trademark vocal blend. Dead Can Dance split up on a high note following their 1996 album SPIRITCHASER, with Perry and Gerrard both going on to solo work, and the latter singing on numerous film soundtracks.

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