ButterflyBarbra Streisand
Release Date: 06/24/2008
Original Release:
1974
# of Discs:
1
J&R Item # 1052441_CD
UPC # 886972446721
Label: Columbia (USA)
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Buying Info
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Disc: 1
1.
Love in the Afternoon
2.
Guava Jelly
3.
Grandma's Hands
4.
I Won't Last a Day Without You
5.
Jubilation
6.
Simple Man
7.
Life on Mars?
8.
Since I Don't Have You
9.
Crying Time
10.
Let the Good Times Roll
Performer: Barbra Streisand
Artist: Larry Carlton; Tom Scott Engineer: Hank Cicalo; Michael Lietz Producer: Jon Peters Distributor: Sony Music Distribution ( Notes: Personnel: Barbra Streisand (vocals); Ben Benay, Larry Carlton (guitar); Tom Scott (woodwinds); Clarence McDonald (keyboards); Max Bennett (bass); John Guerin (drums); King Errisson (congas); Gary Coleman (percussion). This record, possibly more than any other Streisand release, shows Streisand's soul. The songs have that extra bit of depth to them, showing that Babs can really dig deep and produce some powerful stuff. It's Barbra's turn at R&B done her way, and she hangs with the best of them. "Love In The Afternoon" is a sweet ballad, with the aforementioned soul ringing throughout. "Guava Jelly" is Barbra trying her hand at some tropical music, with excellent congas, percussion, and steel drums. She turns in a distinctive performance of Bill Withers' "Grandma's Hands," while the mid-tempo "Jubilation" continues the funky theme with an added choir. The highlight of the record is "Simple Man," beautifully arranged with acoustic guitar, piano, and cello. Streisand voices her longing, exclaiming "I just wanna hold you/I don't wanna hold you down/I don't wanna make it on my own." The album runs from humorous to deep, while showing a more spiritual side to the Funny Girl.
When she emerged in a 1960s pop scene dominated by rock & roll, Barbra Streisand was a breath of fresh air to those nostalgic for the great Broadway-oriented pop vocalists of the past. Her stratospheric range and (initially) anachronistic taste in material made her the new Grande Dame of non-rock pop music. Along the way she experimented with the flavors of the day, from folk-rock to disco, but she always returned to the Great American Songbook for inspiration.
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