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Defying Gravity [PA]

Keith Urban
Release Date: 03/31/2009
Original Release:  2009
# of Discs:   1
J&R Item # 1064429_CD
UPC # 5099923575127
Label: Capitol Nashville Records
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Track Details Credits Artist Related Shipping
Disc: 1
1. Kiss A Girl sound samples  real  |  windows media
2. If Ever I Could Love sound samples  real  |  windows media
3. Sweet Thing sound samples  real  |  windows media
4. 'Til Summer Comes Around sound samples  real  |  windows media
5. My Heart Is Open sound samples  real  |  windows media
6. Hit The Ground Runnin' sound samples  real  |  windows media
7. Only You Can Love Me This Way sound samples  real  |  windows media
8. Standing Right In Front Of You sound samples  real  |  windows media
9. Why's It Feel So Long sound samples  real  |  windows media
10. I'm In sound samples  real  |  windows media
11. Thank You sound samples  real  |  windows media

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Performer: Keith Urban
Engineer: Drew Bollman; Dean Reid; Seth Morton; Rich Ramsey; Justin Niebank
Producer: Dann Huff; Keith Urban
Distributor: EMI Music Distribution

Notes: Personnel: Keith Urban (vocals, guitar). Audio Mixer: Justin Niebank. Keith Urban's 2006 album, LOVE, PAIN AND THE WHOLE CRAZY THING, was an extremely personal album chronicling a period of personal upheaval both good (his marriage to actress Nicole Kidman) and bad (just prior to the album's release, the singer entered rehab for unspecified addictions), and although it was a success by most commercial measures, it was the Australian country singer's first album not to produce a Number One single on the country charts. The follow-up, DEFYING GRAVITY--from the adoption of a more buoyant mindset in the title song, to the soaring giddiness of the singles "Sweet Thing" and "Kiss A Girl"--is a far less somber affair. Produced by Urban's usual musical partner Dann Huff and consisting mostly of songs written or co-written by Urban (a cover of Radney Foster's sly "I'm In" being the best of the exceptions), DEFYING GRAVITY is a summery, good-time album filled with Urban's irrepressible charm. Keith Urban's fourth album, Love, Pain & the Whole Crazy Thing, was released literally days after he entered an alcohol treatment center to treat his disease. The album was issued, debuted in the top spot in the Billboard country charts, scored four hit singles, and eventually went double platinum. What's so remarkable about this is that Urban's rehabilitation regimen didn't allow him to tour for months after the disc's release, potentially hurting sales. It didn't happen. Urban's now trademark meld of country, pop, and rock & roll connects deeply with fans and they are nothing if not loyal. Defying Gravity is his fifth studio release, and in many ways it simultaneously builds on its predecessor while standing apart from it completely. Certainly, there are similarities in sound and approach: Urban once again worked with Dan Huff to co-produce the set, and his now signature manner of layering everything from strings and drum machines to taut, sheeny electric guitars playing power chords, banjos, pedal steel, and crunchy, crisp drums is a sound that belongs to him alone. The other is that this album is unapologetically one of redemption tomes colored as love songs in various shades and tempos -- though none of them are heartbreak songs. He co-wrote eight of Defying Gravity's 11 songs, and arranged all of them. That said, this time out Capitol throws everything into the ring by issuing a pair of leadoff singles in the tight little rocker "Kiss a Girl" and the shimmering, reverb-laden guitar workout "Sweet Thing," which is disguised as a midtempo power ballad. Both are 21st century equivalents of rock & roll love songs that echo everyone from Tom Petty to Greg Kihn and even Dwight Twilley -- though this is clearly not conscious. As radio tracks, they are smart picks, especially with the clever guitar and banjo interplay -- Urban has transformed the role of the backwoods and in-the-hills instrument into a respectable part of the rock & roll toolbox. There are some proper ballads on the disc as well, such as the haunting, nocturnal, and dreamily textured "The Summer Comes Around," his nakedly emotional paean to wife Nicole Kidman ("Thank You") that closes the set, and the shuffling "Only You Can Love Me This Way." The skittering drum loop that undergirds the guitar and Rolling Stones-esque "doo-doo" chorus in "I'm In" makes it an excellent choice for a fourth single, and the clipped pedal steel, distorted electric guitars careening in the bridge, and shuffling hi-hat and snare make the finger-popping "Why It Feels So Long" feel like a contemporary country take on of one of Bruce Springsteen's boulevard songs, or John Mellencamp's "Cherry Bomb." In sum, Defying Gravity builds on the skill set that gave listeners Love, Pain & the Whole Crazy Thing and takes it further, seamlessly combining hook-laden crafty songwriting with a pop sensibility in the modern country vernacular that blazes a new trail and underscores Duke Ellington's dictum that there are only two kinds of music: good and bad. This is a shining case in point for the former. ~ Thom Jurek
Though Keith Urban is a major US country star, he actually hails from Australia, where he began his career. After coming to America with his band the Ranch, Urban began making international inroads. As skilled at guitar playing as he was at singing, he did some session work for Garth Brooks and the Dixie Chicks before his solo career began to really take off. By 2000, though, Urban had his first big country hit, "It's a Love Thing," and he was off and running. In addition to being a consistent hitmaker, Urban has made the news for his dating life, including a long connection to actress and fellow Aussie, Nicole Kidman, with whom he has a child.
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PID # 4278249


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