Rasta Got Soul [Slipcase]

Performer: Buju Banton
Engineer: Jermaine Reid
Producer: Mark Myrie; Tracii McGregor
Distributor: Alternative Dis. Alliance

Notes: Personnel: Buju Banton (vocals); Mitchum Chin (guitar); Steven Marsden (keyboards); Donald Dennis (bass guitar); Kirk Bennet (drums); Sydney Watson (percussion); Althea Hamilton, Angel Shalome, Nicky Burt (background vocals). Audio Mixers: Jermaine Reid; Steven Stanley. With Buju Banton's grand return to the dancehall on his 2006 release, TOO BAD, fans clamoring for the strictly-ragga flow of his early hits could rest easy that the gravelly-voiced master had not lost his touch. But as anyone who has tracked Banton's often tumultuous career would know, it's been the singer's 1995 conversion to the Rastafarian faith that has defined the arch of his career into the 2000s. RASTA GOT SOUL (2009) represents the completion of a long-anticipated album, first begun in 2005 and continuing in the modern roots style pioneered by Banton on releases such as TIL SHILOH (1995) and INNA HEIGHTS (1997). While heartfelt ballads like "Magic City" or energetic ska-styled throwbacks such as "A Little Bit of Sorry" may not appeal to hardcore dancehall heads, fans of authentic roots-flavored riddims will find lots to love here.

One of the most acclaimed Jamaican DJs of the '90s, Buju Banton was among those in the thriving ragga dancehall scene who turned their backs on the "slackness" to focus once again on "cultural" statements and "conscious" lyrics. He was huge in Jamaica, but when he was the voice of the moment in '92, he recorded the anti-gay "Boom Bye Bye," which sparked much controversy and momentarily stalled his career. He returned in '93 with "Murderer," a song instrumental in changing the focus of DJ lyrics away from celebrations of the gun.

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