The Definitive Buddy Guy

Performer: Buddy Guy
Producer: Jeff Palo; David McLees (Compilation)
Distributor: Sony Music Distribution (

Notes: Personnel: Junior Wells (vocals, harmonica); Jimmy Johnson , G.E. Smith, Doug & Telisha Williams, Otis Rush, Phil Guy, Lefty Bates (guitar); Eric Clapton (bottleneck guitar); Bobby Fields (saxophone, tenor saxophone); Donald Hankins (saxophone, baritone saxophone); Aaron Corthen (saxophone); Jarrett Gibson, Bob Neely, Abe Locke, A.C. Reed, Lenny Pickett (tenor saxophone); McKinley Easton, Leslie Crawford, Lew DelGatto (baritone saxophone); Murray Watson, Norman Spiller, George Alexander , Ron Tooley (trumpet); Dennis Quartet Wilson (trombone); Dr. John, Johnnie Johnson, Junior Mance, Little Brother Montgomery, Otis Spann, Pinetop Perkins (piano); Lafayette Leake, Leon Pendarvis (organ); Paul Ossola (electric bass); Fred Below, Lonnie Taylor, Glenway McTeer, Jim Gordon , Odie Payne, Phil Thomas, Shawn Pelton, Ray Allison (drums). Liner Note Author: Bruce Bromberg. Recording information: Paris, France. The label- and era-spanning anthology THE DEFINITIVE BUDDY GUY lives up to its title, painting as spot-on a portrait of the legendary Chicago blues axeman as one could ever want in a single disc. It includes both his soul-on-fire slow-blues masterpieces ("A Man and the Blues") and his full-on barn-burners ("A Man of Many Words") and covers his long solo career as well as his fruitful collaborations with singer/harmonica man Junior Wells. As the tracks move through the years, you can hear blues history in the making. To call this collection of tunes from blues legend Buddy Guy definitive is not a stretch by any means, as it is a cohesive, thoughtful, chronological collection that accurately represents all of his changes and phases through six decades. Overall, it is a mellow compilation that showcases many of Guy's laid-back songs, several with longtime partner Junior Wells. It's sprinkled with the many all-star bluesmen he has collaborated with over the years, and is tastefully programmed to offer what is essentially cream of the crop blues from one of its enduring legends. Your hear music issued on singles, LPs and CDs recorded from 1958 through 2004 via various recordings done for the Artistic, Chess, Delmark, Vanguard, Blue Thumb, Atco, Evidence, Alligator, JSP, Blind Pig, and Silvertone labels. It really is a comprehensive overview of Guy's best known songs, and gives fans or neophytes an accurate big picture of why Buddy Guy remains one of the most influential artists in American popular music. The CD starts in slow grind mode with classics like "Sit & Cry" in the style of Howlin' Wolf with all-stars Otis Rush and Willie Dixon, the most well-known "First Time I Met the Blues" with pianist Little Brother Montgomery; "Ten Years Ago" in his first teaming with Wells from 1960; the downhearted "When My Left Eye Jumps" with four horns and Lafayette Leake on the organ; and the all-time great showtime tune with Wells' "Hoodoo Man Blues" from the Delmark LP of the same name from 1966 that has become synonymous with electric Chicago. Guy's distinctive solo guitar style is front and center on the intro of "A Man & the Blues" alongside the immortal pianist Otis Spann, while the sole track from Buddy & the Juniors, "Five Long Years," is a toned-down acoustic number with Wells and pianist Junior Mance from that rare Blue Thumb recording. A funky R&B number "A Man of Many Words," from Atco Records in 1972 features, Eric Clapton, Dr. John, saxophonist A.C. Reed and Wells, while Guitar Slim's standard, "The Things I Used to Do," again with Wells live at Montrueux, Switzerland, languishes over its time. Brother Phil Guy joins Buddy in a two-guitar tandem for Champion Jack Dupree's eight-minute, low-key slow jam "When I Left Home" and the rock & roll "Dust My Broom" styled "She Suits Me to a T." Another two live tracks, the upbeat shuffle of Sonny Boy Williamson's "Checkin' on My Baby" and Dixon's "Let Me Love You Baby" featuring Pinetop Perkins, Bill Wyman, and Charlie Watts, and G.E. Smith's nine-piece Saturday Night Live Band, respectively. The final selection, "Baby Please Don't Leave Me," with Jimbo Mathus is a heavy contemporary stomper that shows a new attitude toward the blues that steers away from authenticity, but more toward a youth oriented audience. This CD is recommended without reservation, a great single CD overview of Buddy Guy's soul and spirit as a true pioneer of the blues. ~ Michael G. Nastos

Dirty Linen (p.47) - "THE DEFINITIVE BUDDY GUY showcases 17 of Guy's best tracks, spanning from his 1958 single, 'Sit and Cry (The Blues)'...to his cover of Junior Kimbrough's 'Baby Please Don't Leave Me'..." Living Blues (p.60) - "[T]he selections on the present collection hold together remarkably well, offering listeners a truly comprehensive tour of his expansive career, with 17 stops along the way from 1958 to 2004."

Eric Clapton once called Buddy Guy "the greatest blues guitarist ever." Guy, along with contemporary Magic Sam, took the sounds of Chicago blues of the 1950s and ratcheted them up a notch, in the process creating a new form of controlled blues mayhem. Born in Louisiana, he moved to Chicago as a young man in 1957 and served an apprenticeship with Chicago blues king Muddy Waters while getting his own solo career underway. Guy's frequent collaborations with harmonica player Junior Wells are among his best work.

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