Together Through Life [PA]

Performer: Bob Dylan
Engineer: David Bianco; Rich Tosi; David Spreng; David Bianco; Rafael Serrano; Bill Lane
Producer: Jack Frost & the Christmas Band
Distributor: Sony Music Distribution (

Notes: Lyricists: Robert Hunter; Bob Dylan. Personnel: Bob Dylan (vocals, guitar, keyboards); Mike Campbell (guitar, mandolin); David Hidalgo (guitar, accordion); Donny Herron (steel guitar, banjo, mandolin, trumpet); Tony Garnier (upright bass); George Recile (drums). Audio Mixer: David Bianco. Photographers: Josef Koudelka; Danny Clinch. After two decades of outsourcing the producing and arranging of his records to everyone from Mark Knopfler to Daniel Lanois, Bob Dylan stopped phoning it in in the '00s and began directly shaping their sound and feel. As producer of TOGETHER THROUGH LIFE, he elevates the near-cliche material with a beautifully crafted latticework of breathy border-town accordion and smoky guitar riffs (courtesy of Los Lobos's David Hidalgo and Heartbreaker Mike Campbell respectively), steel guitar, mandolin, and brushed drums. Initially intended as a soundtrack of an Olivier Drahan movie, the album finds a pleasantly off-hand bard building on the wistful romanticism of recent ballads (like MODERN TIMES's "Beyond the Horizon") with a cycle of songs (nine of them co-written with legendary Dead lyricist Robert Hunter) about dreaming, hoping, and good love. Indeed, the change in "I Feel A Change Comin' On" is not of the apocalyptic hard rain variety, but portends a potential tryst as Dylan chimes "life is for love" with uncharacteristic sweetness. Via languid slow burns ("Forgetful Heart"), sensual grooves ("If You Ever Go To Houston"), and loping blues walkarounds ("Jolene"), TOGETHER THROUGH LIFE plays like a great date night in a Texas dancehall--perfect for lovers tired of talking, who just want to grab hold and sway. By all accounts, Together Through Life arrived quickly, cut swiftly by Bob Dylan and his touring band in the fall of 2008, surprising the label upon its delivery a couple months later, then rushed into stores in April 2009, just half a year after the release of the monumental archive project Tell Tale Signs. Given the speed of its creation, it fits that the album has a spontaneous, kinetic kick, feeling so alive that it's a little messy, teeming with contradictions, crossed signals, and frayed ends. That liveliness turns Together Through Life into a much lighter affair than its weighty predecessor, Modern Times, which was tinged with doom and had thematic unity, two things missing from this comparatively breezy affair. If Together Through Life is about any one thing, it is -- as its title and cover photo elliptically suggest -- the enduring power of romance, how it provides sustenance and how its absence can make life hard. But all this suggests that Dylan has turned in a meditation on the meaning of life and love here, when its core charm is its very modesty. It's an old-fashioned ten tracks, clocking in at 45 minutes, a simple set of songs co-written with Robert Hunter -- Jerry Garcia's lyricist and previous Dylan collaborator, co-writing the irresistibly jaunty "Silvio" in 1988 -- and delivered without adornment, its clean yet earthy production slyly emphasizing the musical variety here. Sonically, this is right in line with Dylan's 2000s albums, the sound of a well-lubricated traveling band easing into the same chords it plays every night, but this isn't strictly roadhouse rock & roll: Dylan remains fixated on pre-rock & roll American music, emphasizing the blues but eager to croon love-struck ballads. In this context, David Hidalgo's accordion -- which appears so often it soon ceases to be noteworthy -- can suggest a romantic stroll down Parisian streets or a steamy sojourn with Doug Sahm in a Tex-Mex border town, but everything here is recognizably, thoroughly Dylan's mythic picturesque America that stretches from the hazy past to the barbed present. While the music is proudly, almost defiantly, rooted in the past, with Dylan borrowing Willie Dixon's "I Just Want to Make Love to You" wholesale for the riotous "My Wife's Home Town," there's no avoidance of the present here, with Bob even going so far as to turn the omnipresent catch phrase "It's All Good" into a mordantly funny rocker. Dylan's not just aware of the modern-day vernacular, he's wound up with an album that fits the spirit of 2009: it's troubled but hopeful, firmly in favor of love and romance, but if that fails there are always romantic dreams and sardonic jokes to get you through life. ~ Stephen Thomas Erlewine

Spin (p.88) - "TOGETHER THROUGH LIFE resides in that sepia-toned world; the biggest flourish is the omnipresent accordion, courtesy of Los Lobos' David Hidalgo, which only adds to the air of dusty antiquity." Q (Magazine) (p.116) - 3 stars out of 5 -- "[I]ts musical touchstone is his radio programme, 'Theme Time Radio Hour.' As on the show, here he's reconnecting with the uncluttered blues-based music he grew up with, the music he loves." Blender (Magazine) - 5 stars out of 5 -- "[A] strikingly simple -- and strikingly excellent new album....He revels in how banged-up and gruff his voice is with a lifetime of road dust corroding his lungs." Record Collector (magazine) (p.83) - 4 stars out of 5 -- "Rather than the sophisticated country-jazz of MODERN TIMES, here's a raw rock'n'roll cacophany with a Cajun twist, Los Lobos' David Higaldo driving virtually every song with his accordion."

Bob Dylan began as a Woody Guthrie acolyte, imitating the dust-bowl balladeer as faithfully as a baby boomer from Hibbing, Minnesota, could. It wasn't long before he found his own voice, spearheading the early-1960s folk revival as well as the singer-songwriter movement, and introducing poetry into pop music. Through countless changes in sound, image, and even religion, he retained his unique artistic vision even when his popularity occasionally waned. By the 21st century, he was enjoying an upsurge of critical and popular interest based on a series of powerful late-career albums that crystallized his aesthetics and unique world view.

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