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Smooth Jazz Number Ones [Concord] [PA]

Various Artists
Release Date: 04/28/2009
Original Release:  2009
# of Discs:   1
J&R Item # 1068061_CD
UPC # 888072314474
Label: Concord Records (USA)
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Track Details Credits Related Shipping
Disc: 1
1. Total Experience, The - Boney James - (featuring George Duke) sound samples  real  |  windows media
2. Rhythm Method, The - Paul Brown sound samples  real  |  windows media
3. Sax-O-Loco - Kenny G sound samples  real  |  windows media
4. Window of the Soul - Chuck Loeb sound samples  real  |  windows media
5. Blue Water - Eric Marienthal sound samples  real  |  windows media
6. Mornin' - George Benson/Al Jarreau sound samples  real  |  windows media
7. Tequila Moon - Jessy J sound samples  real  |  windows media
8. Let's Take a Ride - Norman Brown sound samples  real  |  windows media
9. L.A. City Lights - Candy Dulfer sound samples  real  |  windows media
10. Ready for Love - Walter Beasley sound samples  real  |  windows media

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Performer: Various Artists
Artist: George Duke
Engineer: Chris Brooke; Darius Fong; Dave Rideau; Don Murray; Erik Zobler; Thomas Banks; Michael Thompson; Paul Rayner Brown; Jeff Carruthers; Steve Churchyard; Bill Schnee; Boney James; Brian Culbertson
Producer: Chuck Loeb; Michael Broening; Dave Love; Paul Rayner Brown; Herman Jackson; James K. Lloyd; John Burk; Kenny G; Boney James; Brian Culbertson; Walter Afanasieff; Nick Phillips (Compilation)
Distributor: Universal Distribution

Notes: Personnel: George Benson (vocals, guitar); Chuck Loeb (guitar, keyboards, drum programming); Paul Rayner Brown (guitar, percussion); Ulco Bed, Freddie Fox (guitar); Paul Jackson, Jr. (acoustic guitar); Tony Maiden (electric guitar); Gregg Karukas (strings, keyboards); Jeff Carruthers (strings, Moog synthesizer); Dan Higgins, Marion Meadows, Eddie Baccus, Jr. (saxophone); Kenny G (soprano saxophone); Candy Dulfer (alto saxophone, tenor saxophone, baritone saxophone); Eric Marienthal (alto saxophone, tenor saxophone); Walter Beasley (alto saxophone); Jessy J, Boney James (tenor saxophone); Jerry Hey (trumpet, flugelhorn); Louk Boudesteijn, Bill Reichenbach Jr. (trombone); Mike Broening, James K. Lloyd (piano, keyboards, programming); Brian Culbertson (piano, keyboards, drum programming); Johnny Britt, Walter Afanasieff (piano); George Duke (Fender Rhodes piano); Thomas Banks, Herman Jackson (keyboards, programming); Kasper VanKooten, Alex Acu�a, Teddy Campbell (drums); Lenny Castro, Michito S�nchez, Munyungo Jackson, Ron Powell (percussion); Al Jarreau (background vocals). Recording information: BCM Studios; Chieftan Estates Studios; Digital Zoo, Reseda, CA; From Above Music, Youngstown, OH; Funky Joint Studio, Sherman Oaks, CA; Henson Recording Studios, Hollywood, CA; La Cocina; Randyland Studios, Sharon Hill, PA; Sound Shack, Studio City, CA; Sugarhouse Studios; Sunset Sound, Hollywood, CA; WEstlake Studios, Los Angeles, CA. Arrangers: Kenny G; Brian Culbertson; Walter Afanasieff. SMOOTH JAZZ NUMBER ONES, as its title states, contains only number one hits--but not from the Billboard chart; these tracks all placed that spot on the Radio & Records Smooth Jazz chart. It hardly matters, though, since a slew of stars play their own hits. Norman Brown's "Let's Take a Ride" is here, as are Boney James's "The Total Experience" and George Benson's very breezy "Mornin'." The vibe is light and consistent--in other words, there are no overactive funkers to upset the balance. This ten-song set features, as its title states, only number one hits -- but not from the Billboard chart. These tracks all placed that spot on the Radio & Records Smooth Jazz chart. It hardly matters, though, since a slew of stars play their own hits. Norman Brown's "Let's Take a Ride" is here, as are Boney James' "The Total Experience" and George Benson's very breezy "Mornin'." The vibe is light and consistent -- in other words, there are no overactive funkers to upset the balance. One does wish the producers -- who used some imagination by including Eric Marienthal's "Blue Water," for instance -- would have stayed away from the obvious and utterly boring "Sax-O-Loco" by Kenny G. There were other number ones -- plenty of them in fact -- to choose from. But then, that's what the remote is for. The rest is beautifully put together, so just hit "skip" when it comes to this throwaway cut. ~ Thom Jurek
Similar Genres:
Smooth  
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