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Song Up In Her Head

Sarah Jarosz
Release Date: 06/16/2009
Original Release:  2009
# of Discs:   1
J&R Item # 1074038_CD
UPC # 015891404929
Label: Sugar Hill Records
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Disc: 1
1. Song Up In Her Head sound samples  real  |  windows media
2. Edge Of A Dream sound samples  real  |  windows media
3. Tell Me True sound samples  real  |  windows media
4. Mansinneedof sound samples  real  |  windows media
5. I Can't Love You Now sound samples  real  |  windows media
6. Broussard's Lament sound samples  real  |  windows media
7. Fischer Shore Road sound samples  real  |  windows media
8. Left Home sound samples  real  |  windows media
9. Shankill Butchers sound samples  real  |  windows media
10. Can't Hide sound samples  real  |  windows media
11. Long Journey sound samples  real  |  windows media
12. Come On Up To The House sound samples  real  |  windows media
13. Little Song sound samples  real  |  windows media

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Performer: Sarah Jarosz
Engineer: Chris Dye; Brandon Bell; Keith Gary; Mike Judeh; John Netti
Producer: Sarah Jarosz; Gary Paczosa
Distributor: EMI Music Distribution

Notes: Audio Mixer: Gary Paczosa. Seventeen years old and already turning the heads of critics, producers, and session musicians alike, Sarah Jarosz is not only a jaw-dropping talent but a multidimensional one as well. Her voice is clear and sweet, her mandolin playing has been good enough for long enough that she has memories of jamming on-stage with David Grisman and Ricky Skaggs at age twelve, and she plays guitar and clawhammer banjo. Her debut is not a bluegrass album, though it seems likely that it will end up in that section of the CD store. The songs are all originals, except for covers of the Decemberists' "Shankill Butchers" and Tom Waits' "Come on Up to the House." Some of her original compositions sound remarkably ancient, such as the vinegary and modal "Tell Me True"; others are bitingly topical, such as "Broussard's Lament" -- a song that, for all its indirectness, can only be intended as a sharp commentary on the government's bungling of the rescue and recovery effort following Hurricane Katrina. Her instrumental compositions are complex but sweetly lovely, and her twin-mandolin interplay with Mike Marshall on "Mansinneedof" is especially impressive in both its pleasant accessibility and its mature sophistication. Her acoustic arrangement of "Come on Up to the House" expresses all of the original's bluesy swagger but tempers it with a more refined sense of Southern hospitality.
Dirty Linen (pp.54-55) - "Sarah Jarosz offers a 13-track set that crosses genres among folk, Americana, and bluegrass and showcases her emerging skills as a singer, songwriter, and instrumentalist."
Similar Genres:
Bluegrass  
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