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Hold Back My Heart [Digipak]

Michael Johns
Release Date: 06/23/2009
Original Release:  2009
# of Discs:   1
J&R Item # 1075490_CD
UPC # 878037009620
Label: Downtown Records
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Track Details Credits Related Shipping
Disc: 1
1. Heart On My Sleeve sound samples  real  |  windows media
2. To Love Somebody sound samples  real  |  windows media
3. Feeling Alright sound samples  real  |  windows media
4. Little Bear sound samples  real  |  windows media
5. Fools Gold sound samples  real  |  windows media
6. Mountains sound samples  real  |  windows media
7. Fire sound samples  real  |  windows media
8. Hold Back My Heart sound samples  real  |  windows media
9. This is Goodbye sound samples  real  |  windows media
10. It's Too Late sound samples  real  |  windows media
11. Heart is Weak sound samples  real  |  windows media
12. Turn To You sound samples  real  |  windows media

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Performer: Michael Johns
Engineer: Greg Gordon
Producer: Dave Cobb
Distributor: Fontana Distribution

Notes: Personnel: Dave Cobb (guitar, bass guitar); Fred Mandell (keyboards). Audio Mixer: Greg Gordon. Audio Remasterer: Rodney Mills. Ensemble: Texicalli Horns. During his time on AMERICAN IDOL, Michael Johns' strongest performances always emphasized the bluesy side of his voice, culminating in a nuanced, slow-smoked cover of Dolly Parton's "It's All Wrong But It's All Right." Two years after his unexpected elimination, Johns makes his post-IDOL debut with HOLD BACK MY HEART, a surprisingly strong album that finds him doing what he does best: soul, Southern rock, and contemporary blues. The album title is unfortunate, of course--more appropriate for David Archuleta's teenaged pop than Johns' thirtysomething songcraft--but that's the worst thing about HOLD BACK MY HEART, which sounds looser and less calculated than most albums by AMERICAN IDOL's alumni. While none of Johns' own songs can quite measure up to "Heart on my Sleeve," a stand-out ballad composed by John Shanks and James Morrison, his own compositions are perfectly acceptable, showcasing his coarsely scrubbed baritone and preference for earthy melodies. Organ, horns, and background vocals enhance the vibe, but HOLD BACK MY HEART is essentially a showcase for Johns' voice, which sounds better here than it ever did on television.
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