Based on a True Story [Bonus Tracks]

Performer: The Del-Lords
Artist: Pat Benatar; Mojo Nixon; The Pandoras; Syd Straw; Sam
Engineer: Gordon Fordyce; Gordon Fordyce; Scott Gordon; Angus Davidson; Bill Cooper
Producer: Neil Geraldo; Neil Geraldo
Distributor: n/a

Notes: Personnel: Eric Ambel (vocals, guitar, keyboards); Scott Kempner (vocals, guitar); Manny Caiati (vocals, bass instrument); Frank Funaro (vocals, drums); Karen Blankfeld, Frank Linx, Kim Shattuck (vocals); Johnny Powers (harp); Kevin Savigar (keyboards); Lenny Castro (percussion); Scotty Bem (gong). Audio Mixers: Gordon Fordyce; Michael Frondelli. Liner Note Author: Scott Kempner. The Del-Lords' debut album, Frontier Days, sounded too sparse and didn't kick hard enough, and the follow-up, Johnny Comes Marching Home, sounded too slick and was weighed down with clich�d 1980s drum and guitar sounds. In the grand tradition of Goldilocks, the band's third LP, Based on a True Story, was where they finally got the proportions just right. While Neil Geraldo returned as producer after Johnny Comes Marching Home, he applies a much lighter hand on Based on a True Story, and Frank Funaro's drums sound a lot more natural and have regained their natural hard-swinging grace on this set. A number of guest musicians were brought in for Based on a True Story, but this time they add new textures rather than cluttering the arrangements, and Johnny Powers' wailing harp on "River of Justice", Lenny Castro's beatnik bongos on "The Cool and the Crazy," and the uncredited but wildly honking sax on "Whole Lotta Nothin' Goin' On" are welcome additions that help the songs come alive. Mojo Nixon's addled preaching on "River of Justice" is both hilarious and kicks up the song's righteous energy, and if Geraldo pushes Pat Benatar's backing vocals too high up in the mix, hey, they were married and she was probably working for free. And though Scott Kempner was always a fine songwriter, Based on a True Story is the most solid and consistent set of tunes he ever crafted for the Del-Lords, and whether he's wistful ("Cheyenne"), righteously pissed-off ("Crawl in Bed"), taking a stand ("I'm Gonna Be Around"), or just getting goofy ("Whole Lotta Nothin' Goin' On"), he brings his A game. Hard touring had turned the Del-Lords into a tight, impressively powerful band, and they rarely sounded better than they did on Based on a True Story, with Kempner and Eric Ambel's guitars roaring like a fine-tuned machine, and Funaro and bassist Manny Caiati laying down the rhythm with fury and precision. If they never made an album that quite captured the glory of their live shows, the Del-Lords never had a finer hour in the studio than on Based on a True Story, and it tells their story remarkably well. ~ Mark Deming The Del-Lords' debut album, Frontier Days, sounded too sparse and didn't kick hard enough, and the follow-up, Johnny Comes Marching Home, sounded too slick and was weighed down with clich�d 1980s drum and guitar sounds. In the grand tradition of Goldilocks, the band's third LP, Based on a True Story, was where they finally got the proportions just right. While Neil Geraldo returned as producer after Johnny Comes Marching Home, he applies a much lighter hand on Based on a True Story, and Frank Funaro's drums sound a lot more natural and have regained their natural hard-swinging grace on this set. A number of guest musicians were brought in for Based on a True Story, but this time they add new textures rather than cluttering the arrangements, and Johnny Powers' wailing harp on "River of Justice," Lenny Castro's beatnik bongos on "The Cool and the Crazy," and the uncredited but wildly honking sax on "Whole Lotta Nothin' Goin' On" are welcome additions that help the songs come alive. Mojo Nixon's addled preaching on "River of Justice" is both hilarious and kicks up the song's righteous energy, and if Geraldo pushes Pat Benatar's backing vocals too high up in the mix, hey, they were married and she was probably working for free. And though Scott Kempner was always a fine songwriter, Based on a True Story is the most solid and consistent set of tunes he ever crafted for the Del-Lords, and whether he's wistful ("Cheyenne"), righteously pissed-off ("Crawl in Bed"), taking a stand ("I'm Gonna Be Around"), or just getting goofy ("Whole Lotta Nothin' Goin' On"), he brings his A game. Hard touring had turned the Del-Lords into a tight, impressively powerful band, and they rarely sounded better than they did on Based on a True Story, with Kempner and Eric Ambel's guitars roaring like a fine-tuned machine, and Funaro and bassist Manny Caiati laying down the rhythm with fury and precision. If they never made an album that quite captured the glory of their live shows, the Del-Lords never had a finer hour in the studio than on Based on a True Story, and it tells their story remarkably well. [In 2009, American Beat reissued Based on a True Story with five bonus tracks and a new liner essay by Scott Kempner. Along with the otherwise unreleased "Valleri" and "Livin' with Her, Livin' Without Her," there's a stripped-down version of "River of Justice" without the multitude of backing vocalists, and similarly straightforward demos of "Cheyenne" and "Lover's Prayer." The fidelity of the bonus tracks isn't on the same level as the album, but fans aren't likely to complain, especially given how long this album has been out of print.) ~ Mark Deming

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