Man on the Moon: The End of Day [Clean] [PA]

Performer: Kid Cudi
Artist: Ratatat; Kanye West; Chip Tha Ripper
Engineer: Anthony Kilhoffer; Ryan West; Andrew Dawson; Emile Haynie; Evan Mast
Producer: Matthew Friedman; Emile Haynie; Patrick "Plain Pat" Reynolds; Kanye West; Jeff Bhasker
Distributor: Universal Distribution

Notes: Composer: Scott Mescudi. Personnel: Andrew Van Wyngarden, Ben Goldwasser (vocals); Alain Whyte, Mike Stroud (guitar); Larry Gold (strings); Jeff Bhasker (keyboards, background vocals). Audio Mixers: Manny Marroquin; Ryan West. Recording information: Avex Studios, Honolulu, HI; Chung King Studios, New York, NY; Headbanga Studios, Brooklyn, NY; Jim Henson Studios, Hollywood, CA; Record Plant, Hollywood, CA; The Broski Room, New York, NY. Author: Kanye West. Illustrator: Bill Sienkiewicz. Kid Cudi is a fascinating rapper, claimed by the backpackers for his work with Kanye West on 808s & HEARTBREAK but equally loved by the mash-up club kids who went ape for his "Day N Nite" single, especially in its nu-disco remix from Crookers. His debut album was deep in the category of "much anticipated" as soon as it was announced, but when the promised game changer finally arrived, it became obvious that Cudi had already changed the game. With its narration from Common and a track list broken into five "acts," MAN ON THE MOON: THE END OF DAY is almost as conceptual as its name implies, kicking off with a spaced-out slow roller coated in strings while Cudi states "Welcome, you're in my dream now." What follows is Pink Floyd-styled story where the real world pain of "Soundtrack 2 My Life" mutates into sci-fi fantasies from the dark side of the moon. Along the way, brilliant samples--like a bit of OMD's esoteric album DAZZLE SHIPS--and innovative sounds from Cudi and special guests Emile, Ratatat, and MGMT slowly shuffle the listener through the man's spliff-fueled exploration of space. This first official release is a soul searcher and may require more patience than your everyday debut. Still, the chilly, complicated MAN ON THE MOON perfects the futuristic bleak-beat hip-hop Kanye purposed a year earlier, and rewards the listener with every tripped-out return. Kid Cudi is a fascinating rapper, claimed by the backpackers for his work with Kanye West on 808s & Heartbreak but equally loved by the mash-up club kids who went ape for his "Day N Nite" single, especially in its nu-disco remix from Crookers. His debut album was deep in the category of "much anticipated" as soon as it was announced, but when the promised game changer finally arrived, it became obvious that Cudi had already changed the game, and maybe debut albums aren't what they used to be. With its narration from Common and a track list broken into five "acts," Man on the Moon: The End of Day is almost as conceptual as its name implies, kicking off with a spaced-out slow roller coated in strings while Cudi states "Welcome, you're in my dream now." You most certainly are. What follows is Pink Floyd-styled story where the real world pain of "Soundtrack 2 My Life" mutates into sci-fi fantasies from the dark side of the moon. Along the way, brilliant samples -- like a bit of OMD's esoteric album Dazzle Ships -- and innovative sounds from Cudi and special guests Emile, Ratatat, and MGMT slowly shuffle the listener through the man's spliff-fueled exploration of space, a place where the artsy escape ridicule but fall prey to crushing isolation. With its bleeps, the hooky "Day N Nite" belongs, but the follow-up single, "Make Her Say," is a glorious mix of glitz and vulgarity with Kanye and Cudi twisting a Lady GaGa sample from "Poker Face" into "Poke Her Face." While it lightens the mood just before things turn ponderous, it barely fits. If it wasn't for the song, it would be as if Cudi launched his career with his own 808s, and therefore anyone looking for a more gripping kickoff should seek out either of his widely available mixtapes (A Kid Named Cudi or Dat Kid from Cleveland). This first official release is a soul searcher and may require more patience than your everyday debut. Still, the chilly, complicated Man on the Moon perfects the futuristic bleak-beat hip-hop Kanye purposed a year earlier, and rewards the listener with every tripped-out return. [A clean version of the CD, with all profanities removed, was also released.] ~ David Jeffries

Rolling Stone (p.96) - 3 stars out of 5 -- "The music is engrossing and Cudi's angst genuine..." Spin (p.88) - "Scott Ramon Seguro Mescudi is a quirky, singing rapper with a nice, effortless stoner drawl....He's more concerned with melody and emotion than lyrical terror." Entertainment Weekly (p.129) - "Cudi turns out to be that rarest of rap phenomena: a hyped upstart who really does represent a promising new phase in the genre's evolution." -- Grade: A- Billboard (p.52) - "The rapper's delivery is confident in a poetic and artful way, channeled through a theatrical set of songs..." Q (Magazine) (p.120) - 4 stars out of 5 -- "'Pursuit Of Happiness,' a psychedelic wash of piano riffs and lush harmonies courtesy of MGMT, has shades of The Flaming Lips."

The Ohio-born, Brooklyn-based hip-hop artist known as Kid Cudi debuted in 2008 with the online mixtape A KID NAMED CUDI. Blending elements of alternative rock, traditional boom bap, trip-hop, soul, and contemporary R&B, Kid Cudi's unique sound turned ears in both mainstream and underground circles. A KID NAMED CUDI's unusual production sound also caught the attention of Kanye West who enlisted Cudi to appear on his album 808S & HEARTBREAK later that year. "Day & Nite," aided by a sleek remix from the Crookers, would become one of the biggest pop and dance hits of 2009, lifting his career to a new level.

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