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Certa Manha Acordei de Sonhos Intranquilos [PA] [Digipak]

Otto
Release Date: 09/01/2009
Original Release:  2009
# of Discs:   1
J&R Item # 1080535_CD
UPC # 634457516021
Label: Nublu Records
Buying Info
 
Track Details Credits Related Shipping
Disc: 1
1. Crua sound samples  real  |  windows media
2. O Leite sound samples  real  |  windows media
3. Janaína sound samples  real  |  windows media
4. Meu Mundo Dança sound samples  real  |  windows media
5. Seis Minutos sound samples  real  |  windows media
6. Lágrimas Negras - (featuring Julieta Venegas) sound samples  real  |  windows media
7. Saudade - (featuring Julieta Venegas) sound samples  real  |  windows media
8. Naquela Mesa sound samples  real  |  windows media
9. Filha sound samples  real  |  windows media
10. Agora Sim sound samples  real  |  windows media

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Performer: Otto
Artist: Julieta Venegas
Producer: Otto
Distributor: Redeye Music Distribution

Notes: Translator: Philip Barnes. A former percussionist, Otto seems to build the tracks for his album Certa Manha Acordei de Sonhos Intranquilos from the rhythms up, creating an eclectic collection of music that ranges across styles. The opening song, "Crua," and the closing one, "Agora Sim," both boast string charts, but in the service of different purposes. In "Crua," they lend a light accent to the melodic pop tune, while in "Agora Sim" they punctuate the Afro-Cuban percussion track, recalling Isaac Hayes' theme from Shaft. That isn't the only time American pop/rock styles are echoed. "Naquela Mesa" has an early-'60s U.S. pop sound, with a twangy guitar and organ solo that reveal the influences of Duane Eddy and Del Shannon. "6 Minutos" is a hard rock ballad with a screaming electric guitar solo. But Otto also shows his South American roots on "Janaina," which has a syncopated, reggae-like rhythm, and "Saudade," a samba. The beats support his husky, expressive voice, which is at times leavened by duets with C�U and Julieta Venegas. This is appealing and varied pop music from an artist with broad taste. ~ William Ruhlmann
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