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Imperial Blaze

Sean Paul
Release Date: 08/18/2009
Original Release:  2009
# of Discs:   1
J&R Item # 1083974_CD
UPC # 075678959417
Label: Atlantic (USA)
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Track Details Credits Reviews Artist Related Shipping
Disc: 1
1. Intro: Chi Ching Ching sound samples  real  |  windows media
2. Lace It sound samples  real  |  windows media
3. So Fine sound samples  real  |  windows media
4. Now That I've Got Your Love sound samples  real  |  windows media
5. Birthday Suit sound samples  real  |  windows media
6. Press It Up sound samples  real  |  windows media
7. Evening Ride sound samples  real  |  windows media
8. Hold My Hand sound samples  real  |  windows media
9. She Want Me sound samples  real  |  windows media
10. Daddy's Home sound samples  real  |  windows media
11. Bruk Out sound samples  real  |  windows media
12. Pepperpot sound samples  real  |  windows media
13. Wine Baby Wine sound samples  real  |  windows media
14. Running Out Of Time sound samples  real  |  windows media
15. Don't Tease Me sound samples  real  |  windows media
16. Lately sound samples  real  |  windows media
17. She Wanna Be Down sound samples  real  |  windows media
18. Straight From My Heart sound samples  real  |  windows media
19. Private Party sound samples  real  |  windows media
20. I Know U Like It sound samples  real  |  windows media
21. [CD-ROM Track]

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Performer: Sean Paul
Distributor: n/a

Notes: Sean Paul's last album, Trinity, was a letdown for anyone who fell in love with the infectious and bubbly sound of Paul's hugely popular 2002 album, Dutty Rock. He seemed to be distancing himself from the pop fans he had won (and attempting to gain back some hardcore dancehall fans he may have lost) by releasing a cold, hard record built on swagger, boasts, and in-your-face, aggressive beats. Released in 2009, Imperial Blaze is a return to the lightness and fun of Dutty Rock, making for a far more enjoyable listen. There is still plenty of swagger here, but there's less drive to be hard and more focus on having a good time. Cycling through good-natured dancehall-meets-hip-hop jams like "Lace It" and "She Wanna Be Down," lilting and romantic tracks like "Now That I've Got Your Love" and "Daddy's Home," and a batch of songs that sound like perfect floor-fillers at a late-summer dance party ("Press It Up," "Don't Tease Me," "Evening Ride"), there is precious little of the posturing and false bravado that sank Trinity. Paul sounds like he is fully embracing his softer, totally pop side and it works very well for him. Another reason for the album's success has to be Paul relying on one main producer. Stephen "Di Genius" McGregor runs the show on most of the record and he has a light touch, keeping the beats lively and driving, but letting the melodies come through clearly. He adds plenty of modern tricks to the mix but never adds them just for novelty's sake -- every bleep, blip, looped vocal, and synth blast fits within the framework of the song. The people who buy Imperial Blaze will be purchasing a record that is very good, and more importantly, a great deal of fun from beginning to end. ~ Tim Sendra Sean Paul's last album, Trinity, was a letdown for anyone who fell in love with the infectious and bubbly sound of Paul's hugely popular 2002 album, Dutty Rock. He seemed to be distancing himself from the pop fans he had won (and attempting to gain back some hardcore dancehall fans he may have lost) by releasing a cold, hard record built on swagger, boasts, and in-your-face, aggressive beats. Released in 2009, Imperial Blaze is a return to the lightness and fun of Dutty Rock, making for a far more enjoyable listen. There is still plenty of swagger here, but there's less drive to be hard and more focus on having a good time. Cycling through good-natured dancehall-meets-hip-hop jams like "Lace It" and "She Wanna Be Down," lilting and romantic tracks like "Now That I've Got Your Love" and "Daddy's Home," and a batch of songs that sound like perfect floor-fillers at a late-summer dance party ("Press It Up," "Don't Tease Me," "Evening Ride"), there is precious little of the posturing and false bravado that sank Trinity. Paul sounds like he is fully embracing his softer, totally pop side and it works very well for him. Another reason for the album's success has to be Paul relying on one main producer. Stephen "Di Genius" McGregor runs the show on most of the record and he has a light touch, keeping the beats lively and driving, but letting the melodies come through clearly. He adds plenty of modern tricks to the mix but never adds them just for novelty's sake -- every bleep, blip, looped vocal, and synth blast fits within the framework of the song. It's a testament to how well the two work together that the record lacks a breakthrough single like "Get Busy" or "Gimme the Light," that the record is so strong and has so many high-quality, high-impact songs that picking just one seems too difficult a task. It may bode ill for the commercial prospects of the album, but it does mean that the people who do buy Imperial Blaze will be purchasing a record that is very good, and more importantly, a great deal of fun from beginning to end. ~ Tim Sendra
Entertainment Weekly (p.111) - "Sean Paul's limitless energy carries him through these 20 tracks, helping him tapdance over every flashy dancehall riddim that comes his way." -- Grade: B+ Q (Magazine) (p.111) - 3 stars out of 5 -- "His secret is his ability to smooth off dancehall's rough edges for a mainstream audience."
A Jamaican-born rapper of mixed heritage, dancehall singer Sean Paul is part of a proud lineage in Jamaican music that includes, among others, Buju Banton, Super Cat, and Shabba Ranks. Sean Paul began toasting and releasing albums in the late 1990s, and by the early 2000s, thanks to the release of his 2002 album DUTTY ROCK, he had become the most popular dancehall star in the world. He has since collaborated with a diverse host of pop stars such as Rihanna, Jay-Z, and Daddy Yankee, and in 2004 Sean Paul won a Grammy for Best Reggae artist in 2004 and was Billboard's top-selling reggae artist in 2005.
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