A Mediterranean Odyssey [Slipcase]

Performer: Loreena McKennitt
Engineer: Jeff Wolpert...
Producer: Loreena McKennitt...
Distributor: Universal Distribution

Notes: Lyricists: Saint John of the Cross; Loreena McKennitt. Adapter: Loreena McKennitt. Personnel: Loreena McKennitt (vocals, harp, accordion, piano, keyboards); Brian L Hughes (electric guitar, nylon-string guitar, bouzouki, oud, guitar synthesizer); Ben Grossman (hurdy-gurdy, triangle, percussion); Panos Dimitrakopoulos (kanun); Stratis Psaradellis (lute); Haig Yazdjian (oud); Hugh Marsh (violin); Caroline LaVelle (cello); Clive Deamer (drums, percussion). Audio Mixer: Jeff Wolpert. Liner Note Author: Loreena McKennitt. Photographers: Giuseppe Leone; Ann Cutting; Kaaryn Gough; Loreena McKennitt; Mark McCauley. Arranger: Loreena McKennitt. Loreena McKennitt's A MEDITERRANEAN ODYSSEY collection includes an 11-track anthology of her more Mediterranean-influenced works entitled OLIVE AND THE CEDAR, as well as a ten-track live performance recorded in 2009 called FROM ISTANBUL TO ATHENS. McKennitt's transition from Celtic balladeer to worldbeat superstar began in the early '90s with the genre-hopping VISIT. Her penchant for Mediterranean/Far East/Middle Eastern instrumentation came to fruition on 1994's MASK AND MIRROR and 1997's BOOK OF SECRETS, the latter of which spawned her biggest commercial hit "The Mummer's Dance." The bulk of OLIVE AND THE CEDARis made up of material from those three albums. FROM ISTANBUL TO ATHENS mines much of the same material, but draws more heavily from 2006's ANCIENT MUSE

Seemingly from another world (but really just from Canada) harpist/songwriter Loreena McKennitt possesses a multi-octave singing voice that lights up her celestial, Celtic-derived compositions. She often matches classic British poetry with original music that mines neoclassical terrain mixed with Elizabethan folk, Middle Eastern styles, and other ethnic influences. She has been releasing albums of her unique music since the mid-1980s to a devoted following, and she'd remained an independent artist until the late '90s, when she signed a distribution deal with Warner Brothers. McKennit continued to record and tour selectively on her own schedule into the 2000s.

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