The Best of KC & the Sunshine Band

Performer: KC & the Sunshine Band
Distributor: WEA (Distributor)

Notes: From 1974-1979, KC & the Sunshine Band were one of the most popular R&B/pop acts and writers of the era. The Best of KC & the Sunshine Band covers the high points of the band's production team of keyboardist/vocalist Harry Wayne "K.C." Casey and quirky bassist Richard Finch. The earliest tracks, "Queen of Clubs" and "Sound Your Funky Horn," are good but not great glossy, heavily produced R&B. The list of hits here is impressive whether looking from a straight-up R&B standpoint or early R&B-based disco. "Get Down Tonight" and "That's the Way I Like It," in fact, are the perfect examples of what happened in dance-based music. Tracks from the band's best album, Part 3, rightfully get a lot of slots here. Essential offerings like "I'm Your Boogie Man," "Wrap Your Arms Around Me," "I Like to Do It," and "(Shake, Shake, Shake) Shake Your Booty" display the band as a tireless polyrhythmic machine. The brilliant "Keep It Comin' Love" arguably bests them all. This best-of also includes later tracks, including the raucous and flashy "Do You Wanna Go Party" and the sweeping ballad "Please Don't Go." Although this best-of is more thorough than most, fans might notice a few omissions. "I Get Lifted" and their so-bad-it's-good cover of the Four Tops' classic "It's the Same Old Song" didn't make the cut. The Best of KC & the Sunshine Band is an excellent overview and proves that the band was indeed closer to R&B than they ever were to disco. ~ Jason Elias

The quintessential 1970s disco group, hailing from the funkiest disco town (Miami), KC & the Sunshine Band had three important AM radio hits that practically define the era: "Get Down Tonight," "That's the Way (I Like It)," and "(Shake, Shake, Shake) Shake Your Booty." The band revolved around the songwriting nucleus of Harry Wayne Casey (aka singer "KC") and Richard Finch, who went on to pen four more charting hits for the band. In 1980, KC had a hit with Teri DeSario on a mellow remake of "Yes, I'm Ready," but, as if on cue, the fairy tale was over when the disco decade officially ended. The songwriters parted ways, and although KC would make a few attempts at a chart comeback, the band has been relegated mostly to nostalgia.

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