Where We All Belong [Bonus Track] [Remaster]

Performer: The Marshall Tucker Band
Artist: Elvin Bishop; Charlie Daniels; Steve Madaio; Andy Stein
Engineer: O.V. Sparks; Buddy Thronton; Jack Crymes; O. V. Sparks; Ken Caillat; Wally Heider
Producer: Paul Hornsby
Distributor: Sony Music Distribution (

Notes: Marshall Tucker Band: Toy Caldwell (vocals, acoustic, electric & steel guitars); Jerry Eubanks (vocals, saxophone, flute); Tommy Caldwell (vocals, bass); Doug Gray (vocals, percussion); George McCorkle (acoustic & electric guitars); Paul Riddle (drums). Additional personnel includes: Elvin Bishop (guitar); Charlie Daniels (fiddle); Steve Madaio, Andy Stein. Originally released on Capricorn Records (0145). Includes liner notes by Barry Alfonso. Personnel: Toy Caldwell (vocals, guitar, acoustic guitar, electric guitar, steel guitar); Doug Gray (vocals, percussion); George McCorkle (acoustic guitar, electric guitar, banjo); Elvin Bishop, Johnny Vernazza (slide guitar); Sam McPherson (harp); Andy Stein, Charlie Daniels (fiddle); Jerry Eubanks (flute, alto saxophone, tenor saxophone, baritone saxophone, background vocals); Steve Madaio (trumpet); Earl Ford (trombone); Paul Hornsby (piano, Clavinet, organ); Paul Riddle (drums); Jerry Joseph (congas); Tommy Caldwell (background vocals). Audio Remasterer: Mike Thomas. Audio Remixer: O. V. Sparks. Liner Note Author: Barry Alfonso. Recording information: Uhlein Hall, Performing Arts Center, Milwaukee, WI. Illustrator: Jim Campbell . Introduction by: Mark B. Allen. Although it runs a little long, Where We All Belong captures the sound of The Marshall Tucker Band coming into its own. Half the tracks are new studio recordings, which are more focused than their previous releases; the other half is a harder-edged, jam-oriented live set. Taken together, they show that the band was progressing musically. ~ Stephen Thomas Erlewine Although it runs a little long, Where We All Belong captures the sound of the Marshall Tucker Band coming into its own. Half the tracks are new studio recordings, which are more focused than their previous releases; the other half is a harder-edged, jam-oriented live set. Taken together, they show that the band was progressing musically. [The album's 2004 version included the previously unreleased live track "See You Later, I'm Gone."] ~ Stephen Thomas Erlewine

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