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...And Justice for All

Metallica
Release Date: 09/02/1988
Original Release:  1988
# of Discs:   1
J&R Item # 125321_CD
UPC # 075596081221
Label: Elektra Entertainment
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Disc: 1
1. Blackened sound samples  real  |  windows media
2. ...And Justice for All sound samples  real  |  windows media
3. Eye of the Beholder sound samples  real  |  windows media
4. One sound samples  real  |  windows media
5. Shortest Straw, The sound samples  real  |  windows media
6. Harvester of Sorrow sound samples  real  |  windows media
7. Frayed Ends of Sanity, The sound samples  real  |  windows media
8. To Live Is to Die sound samples  real  |  windows media
9. Dyers Eve sound samples  real  |  windows media

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Performer: Metallica
Engineer: Flemming Rasmussen; Mike Hughes; Mike Clink; Toby Wright
Producer: Flemming Rasmussen; Metallica
Distributor: WEA (Distributor)

Notes: Metallica: James Hetfield (vocals, guitar); Kirk Hammett (guitar); Jason Newsted (bass); Lars Ulrich (drums). Recorded at One To One Studio, Los Angeles, California between January & May 1988. Personnel: James Hetfield (vocals, guitar); Kirk Hammett (guitar); Lars Ulrich (drums). Audio Mixers: George Cowan; Michael Barbiero; Steve Thompson . Audio Remasterer: George Marino. Recording information: One On One, Los Angeles, CA (01/1988-05/1988). Illustrator: Pushead. Photographer: Ross Halfin. The most immediately noticeable aspect of ...And Justice for All isn't Metallica's still-growing compositional sophistication or the apocalyptic lyrical portrait of a society in decay. It's the weird, bone-dry production. The guitars buzz thinly, the drums click more than pound, and Jason Newsted's bass is nearly inaudible. It's a shame that the cold, flat sound obscures some of the sonic details, because ...And Justice for All is Metallica's most complex, ambitious work; every song is an expanded suite, with only two of the nine tracks clocking in at under six minutes. It takes a while to sink in, but given time, ...And Justice for All reveals some of Metallica's best material. It also reveals the band's determination to pull out all the compositional stops, throwing in extra sections, odd-numbered time signatures, and dense webs of guitar arpeggios and harmonized leads. At times, it seems like they're doing it simply because they can; parts of the album lack direction and probably should have been trimmed for momentum's sake. Pacing-wise, the album again loosely follows the blueprint of Ride the Lightning, though not as closely as Master of Puppets. This time around, the fourth song -- once again a ballad with a thrashy chorus and outro -- gave the band one of the unlikeliest Top 40 singles in history; "One" was an instant metal classic, based on Dalton Trumbo's antiwar novel Johnny Got His Gun and climaxing with a pulverizing machine-gun imitation. As a whole, opinions on ...And Justice for All remain somewhat divided: some think it's a slightly flawed masterpiece and the pinnacle of Metallica's progressive years; others see it as bloated and overambitious. Either interpretation can be readily supported, but the band had clearly taken this direction as far as it could. The difficulty of reproducing these songs in concert eventually convinced Metallica that it was time for an overhaul. ~ Steve Huey Following the tragic death of bassist Cliff Burton, Metallica regrouped with Flotsam & Jetsam bassist Jason Newsted to record this ambitious double album. Metallica made their reputation playing complex music at superhuman speed, and when James Hetfield's lyrics caught up with his compositional skills, the band became a force to be reckoned with. Everything came together on 1986's MASTER OF PUPPETS, and JUSTICE picks up where PUPPETS left off. Utilizing intricate yet crunching riffs, layered guitar melodies and intelligent lyrics, Metallica forged an identity as the leader of '80s metal. Hetfield's lyrics are often quite dark, touching on injustice (the title song), insanity ("The Frayed Ends Of Sanity") and his own troubled childhood ("Dyers Eve"). They also had a progressive streak a mile wide, as shown in the involved arrangements that often brought the song lengths close to 10 minutes. JUSTICE also marked a turning point for drummer Lars Ulrich, who began replacing his off-kilter playing with a more straightforward groove approach, and for the band, who made their first video (for "One") and thus scored their first hit.
Q (Summer/01, p.127) - 4 stars out of 5 - "...Featured much overblown riffage and the future classic 'One'..."a Kerrang (Magazine) (p.55) - "[O]ne of Metallica's finest moments..."
Metallica deflated the pomposity of 1970s rock, while reinvigorating heavy metal with their fast, fierce, and surprisingly melodic sound. Pioneers of the thrash metal subgenre, vocalist/guitarist James Hetfield and drummer Lars Ulrich set down the foundation for the virtuoso playing of lead guitarist Kirk Hammett and bassist Cliff Burton. When Burton died in a tragic bus accident, the band grudgingly moved on, recruiting Jason Newsted and eventually launching the highly successful ...AND JUSTICE FOR ALL tour. With a common-man image and no-frills approach, the band lent a hand in slaying '80s glam metal. By the '90s, Metallica's non-stop touring and landmark albums made them one of the biggest--and most respected--rock bands on the planet.
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