Blood Sugar Sex Magik

Performer: Red Hot Chili Peppers
Engineer: Brendan O'Brien
Producer: Rick Rubin
Distributor: WEA (Distributor)

Notes: Red Hot Chili Peppers: Anthony Kiedis (vocals); John Frusciante (guitar); Flea (bass); Chad Smith (drums). Additional personnel includes: Brendan O'Brien (Melltron); Pete Weiss (Jew's harp); Gail Frusciante (background vocals). The Red Hot Chili Peppers' best album, Blood Sugar Sex Magik benefits immensely from Rick Rubin's production -- John Frusciante's guitar is less overpoweringly noisy, leaving room for differing textures and clearer lines, while the band overall is more focused and less indulgent, even if some of the grooves drag on too long. Lyrically, Anthony Kiedis is as preoccupied with sex as ever, whether invoking it as his muse, begging for it, or boasting in great detail about his prowess, best showcased on the infectiously funky singles "Give It Away" and "Suck My Kiss." However, he tempers his testosterone with a more sensitive side, writing about the emotional side of failed relationships ("Breaking the Girl," "I Could Have Lied"), his drug addictions ("Under the Bridge" and an elegy for Hillel Slovak, "My Lovely Man"), and some hippie-ish calls for a peaceful utopia. Three of those last four songs (excluding "My Lovely Man") mark the band's first consistent embrace of lilting acoustic balladry, and while it's not what Kiedis does best as a vocalist, these are some of the album's finest moments, varying and expanding the group's musical and emotional range. Frusciante departed after the supporting tour, leaving Blood Sugar Sex Magik as probably the best album the Chili Peppers will ever make. ~ Steve Huey With BLOODSUGARSEXMAGIK the Chilis produced the defining moment of funk rock and the high point of their career. Raunchy and explicit from the first, the lyrical content was not for the easily offended and frequently strayed into misogyny. Musically, it straddled metal and funk with ease; in addition to the stomping, infectious rockers ("Give It Away," "The Power Of Equality") and the downright funky ("Mellowship Slinky," "Apache Rose Peacock"), all underpinned by Flea's virtuosic but unselfish basslines, the band also showed themselves capable of writing surprisingly melodic ballads ("Breaking The Girl," "Under The Bridge").

Rolling Stone (5/13/99, p.50) - Included in Rolling Stone's "Essential Recordings of the 90's." Spin (9/99, p.150) - Ranked #58 in Spin Magazine's "90 Greatest Albums of the '90s." Spin (10/91) - Highly Recommended Q (12/99, p.70) - Included in Q Magazine's "90 Best Albums Of The 1990s." New York Times (Publisher) (10/16/91, p.16) - "...has a tough sound...with funk, punk and rap all mixed up..."

Inspiring legions of imitators (especially among the rap-metal crowd), the Red Hot Chili Peppers combined biting rock guitar with funk rhythms and rap-influenced vocals for a thunderous, party-hearty sound. While the California band was popular on the alt-rock circuit in the late-'80s, they broke through to the mainstream and became superstars in the early '90s with a more mature sound that incorporated melodic ballads. Nevertheless, the band's stageshow continued to be just as unpredictable and outrageous as their music.

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