Signals [Remaster]Rush
Release Date: 06/03/1997
Original Release:
1982
# of Discs:
1
J&R Item # 140374_CD
UPC # 731453463325
Label: Mercury
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Disc: 1
To listen to sound clips, you'll need the most current version of the
Performer: Rush
Engineer: Robbie Whelan; Paul Northfield Producer: Rush Brown; Rush; Terry Brown Distributor: Universal Distribution Notes: Rush: Geddy Lee (vocals, synthesizer, bass); Alex Lifeson (guitar); Neal Peart (drums, percussion). Additional personnel: Ben Mink (violin). Recorded at Le Studio, Quebec, Canada between April & July 1982. Rush: Geddy Lee, Alex Lifeson, Neal Peart. Additional personnel: Ben Mink (violin). Lyricists: Geddy Lee; Alex Lifeson; Neil Peart. Personnel: Geddy Lee (vocals, guitar, keyboards, synthesizer, bass guitar); Alex Lifeson (guitar, acoustic guitar, electric guitar); Ben Mink (violin, electric violin); Neil Peart (drums, percussion). Audio Mixer: Paul Northfield. Recording information: Le Studio (04/1982-07/1982); Studio (04/1982-07/1982). Photographer: Deborah Samuel. Unknown Contributor Roles: Deborah Samuel; Alex Lifeson. Arrangers: Rush Brown; Rush; Terry Brown. Making the transition from the heavy-rocking '70s to the synthesizer-driven '80s, the power trio Rush embraced the new technology with open arms. After the 1981 smash album MOVING PICTURES, Rush decided to lead their cult of loyal fans down a slightly different musical route while continuing to maintain their high level of expertise. The result, SIGNALS, was a very unique album for the group and ushered in an era that focused their sound toward keyboard-centered orchestrations and tight, stylized arrangements. The driving opener "Subdivisions" is a powerful depiction of the sometimes bleak outlook of suburban life. The special effects of "Chemistry" and the shuffling "Digital Man" take on a futuristic slant befitting the group's new synthesizer-based sound. The most creative use of the technology comes with the mysterious "The Weapon," one of the group's darkest compositions. A more typical song is the up-beat "New World Man" which showcases the trio's strengths on top of a sequenced computer track. The grand finally comes with a very realistic description of the launch of NASA's space shuttle on the programmatic "Countdown."
Initially inspired by the heavy rock of Led Zeppelin and Cream, Rush relied on Geddy Lee's high, Robert Plant-like vocals, Neil Peart's Carl Palmer-on-steroids drumming, and Alex Lifeson's guitar heroics for their explosive power-trio sound. As the 1970s wore on, the group approach expanded to include synthesizers and the flash of progressive rock. In the '80s and '90s, Rush managed to keep current, with shorter songs and a more updated sound, without losing its immense fanbase.
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Influences:
Bachman-Turner Overdrive Black Sabbath Cream Deep Purple Emerson, Lake & Palmer Focus Free Genesis Gentle Giant Hendrix, Jimi Holly, Buddy Iron Butterfly Jethro Tull King Crimson Led Zeppelin Mountain Pink Floyd Procol Harum Spooky Tooth Vanilla Fudge Who (The) Yes
Similar Genres:
Hard Rock |