In The Wee Small Hours [Remaster]Frank Sinatra
Release Date: 05/26/1998
Original Release:
1955
# of Discs:
1
J&R Item # 143616_CD
UPC # 724349475526
Label: Capitol Records (USA)
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Disc: 1
To listen to sound clips, you'll need the most current version of the
Performer: Frank Sinatra
Producer: Voyle Gilmore Distributor: EMI Music Distribution Notes: Originally issued on CD without the song "Last Night When We Were Young." Personnel includes: Frank Sinatra (vocals); Nelson Riddle (arranger). Includes liner notes by Pete Welding. Digitally remastered by Larry Walsh (Capitol Recording Studios). Personnel: Frank Sinatra (vocals). Audio Remasterers: Larry Walsh; Bob Norberg. Liner Note Author: Pete Welding. Recording information: 03/01/1954-03/04/1955. Photographer: William Claxton. Arranger: Nelson Riddle. Recorded in 1955, this superbly arranged and sung set of slow ballads can lay claim to being the world's first "concept album." Of course, in classical music, song cycles had been around since Schubert, but a whole set of pop tunes arranged around a central theme or mood was something new in popular music. With the advent of the LP in 1953, commercial pop music was beginning to take itself seriously. As to be expected, Frank Sinatra did it first and best. Sinatra is in utter command of this material--vocally relaxed yet focused on conveying what these hand-picked "torch" songs still have to say to the modern listener. Throughout he projects his signature manly vulnerability without seeming maudlin or even sentimental. The singer is helped immeasurably in this task by Nelson Riddle's deftly scored chamber arrangements which include brilliant use of celeste and guitar on several tracks (cf. Alec Wilder's "I'll Be Around", Kay Swift's "Can't We Be Friends".) A must for any listener even remotely interested in the Great American Songbook.
Rolling Stone (12/11/03, p.120) - Ranked #100 in Rolling Stone's "500 Greatest Albums Of All Time" - "[The album] sustains a midnight mood of loneliness and lost love - it's a prototypical concept album."
Mojo (Publisher) (2/01, p.104) - "The most indispensable Sinatra item. A collection of songs about unrequited love, not merely sung but lived out by a performer seemingly intent on sharing his own heartbreak with the world..."
NME (Magazine) (8/12/00, p.28) - Ranked #7 in The NME "Top 30 Heartbreak Albums" - "...Smokey, bleak and at times desolate, it is easy to trace the line back to Billie Holiday....His voice has rarely had such devastating effect."
An icon of American music, Frank Sinatra defined sophisticated pop singing of the post-war era and spent more than 50 years in the limelight. After formative stints with Harry James, Tommy Dorsey, and others, Sinatra shot to worldwide fame through hit records and Hollywood movies. His hip, laid-back delivery defined cool, yet he also had a down-to-earth manner that connected easily with audiences. Ups and downs would follow him throughout his career--the details of his private life were not always fit for public consumption--but right up till the end, every comeback strengthened the intense loyalty of his fans.
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Bennett, Tony Buble, Michael Cole, Nat "King" Connick, Harry, Jr. Cullum, Jamie Damone, Vic Darin, Bobby Davis, Sammy, Jr. Eckstine, Billy Feinstein, Michael Fitzgerald, Ella Gorme, Eydie Groban, Josh Hartman, Johnny Haymes, Dick Howard, Eddy (Vocals) Jones, Jack Lawrence, Steve Lee, Peggy (Vocals) Mahogany, Kevin Martin, Dean Martino, Al Merrill, Helen Mooney, Joe Morrison, James (Brass) Randall, Frankie Rawls, Lou Shore, Dinah Sinatra, Frank, Jr. Sinatra, Nancy Stafford, Jo Streisand, Barbra Torme, Mel Vale, Jerry
Influences:
Armstrong, Louis Boswell Sisters Bowlly, Al Calloway, Cab Carmichael, Hoagy Columbo, Russ Crosby, Bing Dorsey, Tommy Eckstine, Billy Hibbler, Al Holiday, Billie James, Harry Jolson, Al Mercer, Mabel Mills Brothers Vallee, Rudy Waller, Fats
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