Vision ThingThe Sisters of Mercy
Release Date: 11/13/1990
Original Release:
1990
# of Discs:
1
J&R Item # 143877_CD
UPC # 075596101721
Label: Elektra Entertainment
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Disc: 1
To listen to sound clips, you'll need the most current version of the
Performer: The Sisters of Mercy
Engineer: Mark Freegard Producer: Andrew Eldritch; Jim Steinman Distributor: WEA (Distributor) Notes: Sisters Of Mercy: Andrew Eldritch (vocals, guitar, programming); Tim Bricheno, Andreas Bruhn (guitar); Tony James (bass). Recorded at Puk, Denmark. The third Sisters Of Mercy album, VISION THING, makes a dramatic shift from its predecessor, introducing heavy metal riffs to the band's genre-defining goth sound. Far from signifying a fundamental change in Andrew Eldritch's sound (once again, he had a new group of musicians with him, keeping only the drum machine, Doktor Avalanche), this combination is an excellent sonic fit. The swaggering machismo of heavy metal sits nicely next to Eldritch's studiously straight-faced delivery of his colossally egocentric (and intentionally funny) lyrics. Opening with the monster riff of the title track, VISION THING is a note-perfect parody of metal, while also pushing the boundaries of goth, something the Sisters have done consistently with each of their releases. Standouts include "Ribbons," where the guitars alternately call to mind crashing waves and thunderclaps, and the caustic lyrics end in a desperate howl. "Doctor Jeep" is a jittery, caffeinated swipe at American commercialism, and "More," a masterpiece of bombast built on a big, chugging guitar riff, incorporates everything from sawing, synthesized violins and a piano fade out, to gloriously selfish lyrics and swooping backing vocals.
Q - Included in Q's list of the Fifty Best Albums of 1990.
The definitive post-Bauhaus Goth band, the Sisters of Mercy embarked on their dark journey in the mid-1980s, led by cavern-voiced singer Andrew Eldritch. An internecine rift resulted in legal action, with two members of the band breaking off to form the Mission U.K. Eldritch and company subsequently became more popular than ever, breaking through worldwide with 1988's FLOODLAND. Though the '90s found the group largely disappearing from view, their influence on subsequent waves of Goth rock is enormous.
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Similar Genres:
Gothic |