The Very Best of the Spinners [Rhino]The Spinners (US)
Release Date: 04/20/1993
Original Release:
1993
# of Discs:
1
J&R Item # 146057_CD
UPC # 081227121327
Label: Rhino Records (USA)
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Disc: 1
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Performer: The Spinners (US)
Artist: Dionne Warwick Producer: Gary Stewart (Compilation) Distributor: WEA (Distributor) Notes: The Spinners include: Phillipe Wynne, John Edwards (vocals); Henry Fambrough, Billy Henderson, Pervis Jackson, Bobbie Smith (background vocals). Additional personnel includes: Dionne Warwick (vocals). Includes liner notes by Kevin Phinney. Digitally remastered by Bill Inglot & Dan Hersch (Digiprep). The Spinners were rivaled only by the O'Jays as the greatest Philly soul group, and for that matter the greatest vocal group of the '70s. For listeners who don't want to dig as deeply as the excellent double-CD anthology One of a Kind Love Affair, Rhino's The Very Best of the Spinners is a stellar single-disc career summary that offers a concentrated dose of the group's sweet soul magic. It also serves as a primer on the best work of Thom Bell, Philly soul's "other" great producer besides the legendary Gamble & Huff team. Incredibly, every one of the 16 tracks here -- culled from 1970-1980 -- reached the R&B Top Ten, and half went all the way to number one on either the pop or R&B lists. As this collection demonstrates, the Spinners' massive popularity was well-deserved. Built around the magnetic leads of Philippe Wynne, their records were tastefully, elegantly romantic, full of adult heartache and longings as complex as the group's shifting harmonies. The compilers also license the pre-Wynne Motown hit "It's a Shame," co-written by Stevie Wonder, and include two disco-tinged medleys that returned the Spinners to the Top Ten for the last time at the close of the '70s. But the Wynne material is really the backbone of their output, and Thom Bell's gorgeous production frames his voice with just the right amount of sweetness. There's more to discover on One of a Kind Love Affair, but The Very Best of the Spinners is so solid from top to bottom that it's hard to argue with; one or the other is a necessary purchase for anyone even remotely interested in '70s soul. ~ Steve Huey
The Spinners hailed from Detroit, had roots in 1950s doo wop, and started out in the mid-'60s Motown scene, but they ultimately became known as the ultimate '70s Philly soul vocal group. Famed producer Thom Bell mated their soulful harmony blend with elaborately orchestrated arrangements that were infectious but never overbearing. The result was a long string of huge hits throughout the '70s ("I'll Be Around," "Rubberband Man," "Could it Be I'm Falling in Love," and many more) that were definitive not only of their genre but of their era.
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Bee Gees Blue Magic Bowie, David Boyz II Men Chi-Lites (The) Cornelius Brothers & Sister Ros D'Angelo Delfonics (The) Dells (The) Difford & Tilbrook Doobie Brothers (The) Dramatics (The) Emotions (The) Floaters (The) Green, Al (Vocals) Hall & Oates Hues Corporation Impressions (The) Intruders (The) John, Elton Kravitz, Lenny Lambchop MFSB Manhattans (The) Maxwell (R&B) McFadden & Whitehead Melvin, Harold Moments (The) New York City O'Jays (The) Pendergrass, Teddy People's Choice Persuaders (The) Richie, Lionel Rundgren, Todd Simply Red Sister Sledge Stylistics (The) Temptations (R&B) (The) The 3 Tenors of Soul Three Degrees (The) Warwick, Dionne White, Barry Wonder, Stevie Zager, Michael
Influences:
Brown, James Butler, Jerry Cooke, Sam Dells (The) Flamingos (Doo Wop) (The) Four Tops (The) Impressions (The) Isley Brothers (The) King, Ben E. Moonglows (US) (The) Penguins (The) Platters (The) Robinson, Smokey Warwick, Dionne Wilson, Jackie
Similar Genres:
Philly Soul |