Buddha and the Chocolate Box [Remaster]

Performer: Cat Stevens
Engineer: Victor Gamm; John Wood
Distributor: Universal Distribution

Notes: Personnel includes: Cat Stevens (vocals, guitar, keyboards, synthesizer); Alun Davies (acoustic guitar, background vocals); Jim Ryan, Mark Warner (guitar); Roland Harker (banjo); Jean Roussel (keyboards); Bruce Lynch (bass); Gerry Conway (drums, background vocals). Producers: Paul Samwell-Smith, Cat Stevens. Reissue producer: Bill Levenson. Recorded at Sound Techniques Studios, London, England. Originally released on A&M (3623). Digitally remastered by Ted Jensen (December 1999, Sterling Sound, New York, New York). This is a limited edition digipack. Personnel includes: Cat Stevens (vocals, guitar, keyboards, synthesizer); Alun Davies (acoustic guitar, background vocals); Jim Ryan, Mark Warner (guitar); Roland Harker (banjo); Jean Roussel (keyboards); Bruce Lynch (bass); Gerry Conway (drums, background vocals). Producers: Paul Samwell-Smith, Cat Stevens. Reissue producer: Bill Levenson. Recorded at Sound Techniques Studios, London, England. Originally released on A&M (3623). Digitally remastered by Ted Jensen (December 1999, Sterling Sound, New York, New York). While Foreigner was Cat Stevens' fifth consecutive gold album and his fourth straight Top Ten hit, it actually marked a small drop commercially and encountered critical resistance for the lengthy suite that took up all of side one. Eight months later, Buddha and the Chocolate Box found Stevens back in England and back with producer Paul Samwell-Smith and second guitarist Alun Davies. It also marked a return to the simpler style of earlier albums. No song ran much over five minutes, the arrangements were sparer and featured more acoustic guitar, and the lyrics did not take off into discursive ruminations about the state of the universe. It was very much as if Stevens was deliberately trying to make an album like Teaser and the Firecat, his commercial and artistic apex. Having begun the album with an ode to "Music" and its potential for reforming the world, he ended with "Home in the Sky," in which he sang, "Music is a lady that I still love." Such statements of renewed commitment added to the sense that the album was consciously crafted as an attempted second wind for the singer, who had been recording and performing at a torrid pace since returning to the music business full-time four years before. But that was not to say that he had abandoned the spiritual nature of his creative quest, and the songs were, as usual, littered with religious imagery. Stevens' fans responded warmly to Buddha and the Chocolate Box's stylistic return to form. "Oh Very Young" became his first Top Ten hit in two years, and the album was held out of number one only by The Sting. The album's tone, however, suggested that Stevens was once again wearying of being a pop star, even as he delivered a record that maintained that status. ~ William Ruhlmann

Cat Stevens's debut single found its way to the U.K. charts while he was still in his teens. He became an international star with 1970's TEA FOR THE TILLERMAN, which showed an evolution in his style. With his distinctive voice, memorable melodies, and sensitive, socially conscious lyrics, Stevens typified the singer-songwriter aesthetic of the early '70s. His records from that period were incredibly successful, familiar to anyone growing up at the time. Over the years, his music grew a little less accessible, and by the end of the '70s he had converted to Islam, changed his name to Yusuf Islam, and retired from pop music. A 2006 comeback album, recorded under his new name, was a lovely return to form.

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