Mona Bone Jakon [Remaster]

Performer: Cat Stevens
Engineer: Michael Bobak
Producer: Paul Samwell-Smith
Distributor: Universal Distribution

Notes: Personnel: Cat Stevens (vocals, guitar, keyboards); Alun Davies (guitar); Peter Gabriel (flute); John Ryan (bass instrument); Harvey Burns (percussion). Recording information: 1970. 1970's MONA BONE JAKON was Cat Stevens's third album, yet it bore little relation to the pop-oriented sound of his 1967 releases. In the interim Stevens had become disillusioned with the pop scene, then became seriously ill and spent a year convalescing. When he returned with this album his sound had grown folksier and his songs more reflective and emotionally straightforward. Acoustic guitar and spare backing by bass, keys, and drums framed these new compositions that dealt with the trials of fame ("Pop Star"), personal hardship ("Trouble"), and faith ("I Think I See the Light"). Although the quality of the songwriting here does not quite match what Stevens would achieve on his following releases, it is strong nonetheless, and goes a good length toward establishing his trademark sound. Of particular note is Stevens' voice: a rich, variable baritone that he exploits on MONA BONE JAKON to excellent effect. The results--warm, intimate, and immediately appealing--put Stevens in the running with the best singer-songwriters of the early '70s, and paved the way for his next release, the watershed TEA FOR THE TILLERMAN.

CMJ (7/24/00, p.24) - "...Classic folk-pop....gorgeously remastered...breathing new life into tunes...while remaining faithful to the albums' original majesty..."

Cat Stevens's debut single found its way to the U.K. charts while he was still in his teens. He became an international star with 1970's TEA FOR THE TILLERMAN, which showed an evolution in his style. With his distinctive voice, memorable melodies, and sensitive, socially conscious lyrics, Stevens typified the singer-songwriter aesthetic of the early '70s. His records from that period were incredibly successful, familiar to anyone growing up at the time. Over the years, his music grew a little less accessible, and by the end of the '70s he had converted to Islam, changed his name to Yusuf Islam, and retired from pop music. A 2006 comeback album, recorded under his new name, was a lovely return to form.

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