Mud Slide Slim and the Blue Horizon

Performer: James Taylor (Soft Rock)
Artist: Carole King; Joni Mitchell; John Hartford; The Memphis Horns; Peter Asher
Engineer: Richard Orshoff
Producer: Peter Asher
Distributor: WEA (Distributor)

Notes: Personnel: James Taylor (vocals, acoustic guitar, electric guitar, piano); Danny Kortchmar (electric guitar, congas); John Hartford (banjo); Richard Greene (fiddle); Kevin Kelly (accordion); Andrew Love (saxophone); Wayne Jackson (trumpet); Carole King (piano, background vocals); Leland Sklar (bass instrument); Russ Kunkel (drums); Peter Asher (tambourine, background vocals); Joni Mitchell, Kate Taylor, Gale Harness (background vocals). For the follow up to his classic SWEET BABY JAMES, which rivals TAPESTRY's place in the boomer canon, archetypal sensitive singer-songwriter Taylor wisely elected not to stray too far from the approach that had worked so well on his previous album. He covers another Carole King tune ("You've Got A Friend,") perfects the L.A. folk-rock sound he inaugurated on his earlier work, courtesy of studio hotshots like Russ Kunkel, Danny Kootch and Leland Sklar, whose names are virtually synonymous with Taylor's '70s work. One of the most memorable tunes here, "Hey Mister That's Me Up On the Jukebox" is one of the more effective songs to bemoan the plight of the lonely balladeer, evidence that Taylor mined the introspective troubadour style long before it became a mawkish sham. In other words, don't blame the father for the sins of the wayward sons.

Rolling Stone (6/24/71, p.42) - "...MUD SLIDE SLIM broods about James Taylor, songster and runaway phenomenon, and expresses his ambivalence and impotence in the face of it all..." Rolling Stone (9/30/71, p.42) - "...it is a natural progression past SWEET BABY JAMES. James Taylor's emotional power derives precisely from his restraint, the absence of any form of affectation or pretension..." Record Collector (magazine) (p.102) - 4 stars out of 5 -- "Bringing all of his past experiences and failings to bear, the album was almost cathartic but retained the urge to roam and to escape his problems."

James Taylor was the archetype for the gentle, inward-looking singer/songwriter movement of the early '70s. The easy lilt and timbre of Taylor's voice belies the complex emotional content of his songs, which aren't merely carefree folk-based odes, but instead look unflinchingly at a flawed man's journey through life. It's a tribute to his knack for making great pop records that he managed a long, decade-plus string of big hits. Taylor remained relevant long after his impressive run of top 40 hits, recording numerous million-selling records in the '90s & '00s and winning multiple Grammys.

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