Love Is For Suckers [Remaster]

Performer: Twisted Sister
Artist: Kip Winger; Reb Beach
Engineer: Stephen Benben; Beau Hill
Producer: Beau Hill
Distributor: E1 Distribution (USA)

Notes: Twisted Sister: Dee Snider (vocals); Eddie Ojeda, Jay Jay French (guitar); Mark "The Animal" Mendoza (bass); Joey Franco (drums). Additional personnel: Reb Beach (guitar, background vocals); The New West Horns (horns); Beau Hill (keyboards, background vocals); Steve Whiteman, Jimmy Chalfant, Kip Winger, Bob Gramm, Gary Kris, B. Smith, Chris Cintron, Joe Gerber, Jodie Segall, Peter Love, Luke Perry (background vocals). Recorded at Atlantic Studios, New York, New York. Although Twisted Sister's final studio album wasn't as commercially successful as its predecessors, it is still Twisted in every way and a great record. Released in 1987, the album took its cue from the cock-rock, pop-metal explosion happening at the time. But despite the obvious influence of this trend, the band retains it's heavy sound. "Wake Up (The Sleeping Giant)" is a fist-pumping, angry tune given an added boost by new drummer Joey Franco, who's heavy pounding is reminiscent of John Bonham's. "Hot Love" has a Madonna-like feel to it, but with heavy guitars instead of the dance beat one might expect from the pop diva. The title track is a humorous, tongue-in-cheek cut, while "Tonight" and "Me and the Boys" are two anthemic singalongs made for cruising to that all important arena show with your buddies. "You Are All That I Need" is an excellent power ballad written by Dee Snider to his wife Suzette. Along with remastered sound, Spitfire has reissued SUCKERS with four bonus tracks. The rockin' double-time "Feel Appeal" possibly refers to a groupie, while "Statutory Date" says jail time is a small price to pay for an occasional act of imprudent indulgence.

Twisted Sister, fronted by charismatic Long Islander Dee Snider, occupied a unique place in rock-&-roll history. A band of populists with a regular-guy attitude toward fun, the band also set out to shock with blatantly sexual lyrics and outrageous gender-bending costumes. They formed in 1976--partly in response to the disco phenomenon--and opted for more straightforward hard-rock riffs rather than the new punk sounds being created by their local peers. After relentless gigging and recording, they finally hit the charts in 1984 with the all-purpose us-against-the-world anthem "We're Not Gonna Take It." After a few more albums with no further hits, the band disassembled and Snider went on to a varied solo career.

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