Quick One (Happy Jack) [Bonus Tracks] [Remaster]

Performer: The Who
Distributor: Universal Distribution

Notes: The Who: Pete Townshend (vocals, guitar, cello, penny whistle); John Entwistle (vocals, trumpet, bass); Roger Daltrey (vocals, trombone); Keith Moon (drums). Producer: Kit Lambert. Reissue producer: Jon Astley. Principally recorded at IBC Studios, Pye Studios and Regent Sound, London, England in 1966. Tracks 1-10 originally released in the U.K. in 1966 as A QUICK ONE on Reaction (593002). Tracks 11-14 originally released in the U.K. in 1966 on the EP READY STEADY WHO! on Reaction (592001). Includes liner notes by Chris Stamp, the original release liner notes from READY STEADY WHO! by Francis Hitching and the original release liner notes from the U.S. album HAPPY JACK by Nick Jones. This 1995 reissue of A QUICK ONE includes the original British album along with four songs from the EP READY STEADY WHO!, three B-sides ("Doctor, Doctor," "I've Been Away" and "In The City") and three previously unreleased tracks. A QUICK ONE was first released in the U.S. in 1967 under the title HAPPY JACK, with the single "Happy Jack" replacing the British album track "Heatwave." Personnel: Pete Townshend (vocals, guitar, keyboards); Roger Daltrey (vocals, harmonica); John Entwistle (vocals, keyboards, bass guitar); Keith Moon (vocals, drums). Audio Remasterers: Jon Astley; Andy MacPherson. Audio Remixers: Jon Astley; Andy MacPherson. Liner Note Author: Chris Stamp. A pivotal album in the early career of The Who, A QUICK ONE is the bridge between the band's original incarnation as a hard rockin' mod pop group and its subsequent, more ambitious, experimental phase. The album is also notable because it's centerpiece, "A Quick One, While He's Away," represents Pete Townshend's first attempt at "rock opera," a form which he and The Who would later perfect on TOMMY and QUADROPHENIA. The ten-minute track contains all the elements of the trademark Who style--complex arrangements and vocal harmonies, alternating heavy electric and light acoustic passages and a preoccupation with issues of morality and sexuality. Also interesting is the fact that A QUICK ONE includes, in addition to several Townshend masterpieces, one Roger Daltrey tune and two excellent songs each from both John Entwistle and Keith Moon. The Entwistle-penned tracks ("Whiskey Man" and "Boris the Spider") are among his best and introduced fans for the first time to the virtuoso bassist's dark, twisted sense of humor. Although prior to A QUICK ONE's release The Who had several hit singles, it was this album that put the music world on notice that Townshend and crew were far more than simply a high energy rock & roll band. The Who's second album is a less impressive outing than their debut, primarily because, at the urging of their managers, all four members penned original material (though Pete Townshend wrote more than anyone else). The pure adrenaline of My Generation also subsided somewhat as the band began to grapple with more complex melodic and lyrical themes, especially on the erratic mini-opera "A Quick One While He's Away." Still, there's some great madness on Keith Moon's instrumental "Cobwebs and Strange," and Townshend delivered some solid mod pop with "Run Run Run" and "So Sad About Us." John Entwistle was also revealed to be a writer of considerable talent (and a morbid bent) on "Whiskey Man" and "Boris the Spider." [The CD reissue adds bonus tracks: some 1966-1967 B-sides, their U.K.-only 1966 Ready Steady Who EP, an acoustic version of "Happy Jack," and a previously unreleased cover of the Everly Brothers' "Man with Money."] ~ Richie Unterberger

Q (9/95, p.140) - 4 Stars - Excellent - "Following the good work done with the LIVE AT LEEDS reissue...with an excellent, acoustic 'Happy Jack,' and five others, bringing the whole affair to just under an hour..."

From the youthful arrogance of their early 1960s recordings to their ambitious rock operas and the more introspective FM rock staples of their mid-1970s albums, the Who raged like a rock & roll inferno. Pete Townshend's guitar fireworks and Keith Moon's larger-than-life drumming combined with the busy basslines of John Entwistle and Roger Daltrey's vocal roar to create one of rock's mightiest noises. The band reconvened numerous times following the hard-living Moon's death in 1978, and even continued to play for several years following the death of Entwistle in 2002.

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