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A Fine Romance: Jerome Kern Songbook

Various Artists
Release Date: 11/22/1994
Original Release:  1994
# of Discs:   1
J&R Item # 172880_CD
UPC # 731452382726
Label: Verve (USA)
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Disc: 1
1. Fine Romance, A - Ella Fitzgerald/Louis Armstrong sound samples  real  |  windows media
2. Let's Begin - Margaret Whiting sound samples  real  |  windows media
3. Smoke Gets in Your Eyes - Billy Eckstine sound samples  real  |  windows media
4. Bill - Morgana King sound samples  real  |  windows media
5. I'm Old Fashioned - Cassandra Wilson sound samples  real  |  windows media
6. All the Things You Are - Sarah Vaughan sound samples  real  |  windows media
7. Folks Who Live on the Hill, The - Arthur Prysock (previously unreleased) sound samples  real  |  windows media
8. I Won't Dance - Blossom Dearie sound samples  real  |  windows media
9. They Didn't Believe Me - Ella Fitzgerald sound samples  real  |  windows media
10. I'll Be Hard to Handle - Ella Fitzgerald sound samples  real  |  windows media
11. Way You Look Tonight, The - Fred Astaire sound samples  real  |  windows media
12. Yesterdays - Helen Merrill sound samples  real  |  windows media
13. Pick Yourself Up - Anita O'Day sound samples  real  |  windows media
14. Why Do I Love You? - Margaret Whiting sound samples  real  |  windows media
15. Way You Look Tonight, The - Ella Fitzgerald sound samples  real  |  windows media
16. Fine Romance, A - Billie Holiday sound samples  real  |  windows media

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Performer: Various Artists
Distributor: Universal Distribution

Notes: Producers: Norman Granz (tracks 1, 8, 10-11, 13, 15-16); Bob Shad (tracks 4, 6, 9); Stefan F. Winter (track 5); Kiyoshi Koyama (track 12). Compilation producer: Michael Lang. Includes liner notes by Chris Albertson. All songs co-written by Jerome Kern. Tributee: Jerome Kern. Personnel: Blossom Dearie (vocals, piano); Dinah Washington, Ella Fitzgerald, Fred Astaire, Helen Merrill, Louis Armstrong, Margaret Whiting, Morgana King, Anita O'Day, Arthur Prysock, Billie Holiday, Billy Eckstine, Sarah Vaughan, Cassandra Wilson (vocals); Herb Ellis, Barney Kessel, Barry Galbraith, Bob Bain (guitar); Ann Mason Stockton (harp); Gerald Vinci, Felix Slatkin, Victor Bay, Erno Neufeld, Lou Raderman, Alex Beller, Marshall Sosson, Victor Arno, Israel Baker, Nathan Ross (violin); Barbara Simons, Alex Neimann, Paul Robyn (viola); Armand Karpoff, Edgar Lustgarten, Eleanor Slatkin (cello); Champ Webb, Joe Koch, Harry Klee, Wilbur Schwartz (woodwinds); Hal McKusick, Anthony Ortega (alto saxophone); Lucky Thompson, Plas Johnson (tenor saxophone); Danny Bank, Jerome Richardson (baritone saxophone); Clark Terry, Don Fagerquist, Carroll Lewis, George Seaberg, Shorty Sherock, Bernie Glow, Nick Travis, Charlie Shavers (trumpet); Dick Nash , Jimmy Cleveland, Quentin Jackson, Urbie Green, Tommy Pederson , Tommy Shepard (trombone); George Roberts , Tom Mitchell (bass trombone); Clarence "Sleepy" Anderson, Harvey Leonard, Joachim K�hn, Mulgrew Miller, Oscar Peterson, Paul Smith , Bobby Tucker (piano); Don Elliott (Mellotron, bongos); Larry Bunker (vibraphone); Ralph Pollack, Frank Flynn , Jo Jones , Lee Young, Louie Bellson, Alvin Stoller, Osie Johnson, Terri Lyne Carrington, Daniel Humair (drums). Liner Note Author: Chris Albertson. Recording information: A&R Studios, New York, NY (07/14/1952-02/??/1988); Capitol Studios, H and H Corner (07/14/1952-02/??/1988); Hollywood, CA (07/14/1952-02/??/1988); New York, NY (07/14/1952-02/??/1988); United Recorders, Hollywood, CA (07/14/1952-02/??/1988). Arranger: Nelson Riddle. Dipping into its stable of fine singers and previously issued albums, Verve Records has come up with another composer tribute disc, this time honoring master lyricist, Jerome Kern. The results of collaborations, not only with Oscar Hammerstein, II, but with Dorothy Field, Otto Harbach, Johnny Mercer, Jimmy McHugh, and others are included within the 53 minutes of music here. The performers, from the upper echelons of the purveyors of the vocal art, remind us how many fine singers were with Norman Granz at some stage during their careers. In addition to the big names like Ella Fitzgerald, Louis Armstrong, Anita O'Day, Billy Eckstine, Sarah Vaughan, Dinah Washington, and Billie Holiday, others who are either not as famous or usually associated with this music are represented. Maggie Whiting does "Let's Begin" with Russ Garcia's orchestra and an unidentified tenor sax sounding much like the way Stan Getz was playing during this period. (Getz made an album with Garcia's orchestra backing him the same year that Whiting recorded this tune, 1960.) Getz is also present with Helen Merrill's on her sophisticated, sensuous rendering of "Yesterdays." Illustrating how well the music from a genius like Kern can be readily adapted to about-singing style is Cassandra Wilson's 1988 boppish rendition of "I'm Old Fashioned," with Terri Lyne Carrington's modern drumming sharing the stage with Wilson. Morgana King's light, feathery voice does justice to the classic "Bill," and Blossom Dearie's tasteful, breathy sound fits very nicely with the coy "I Won't Dance." Arguably the finest arrangement of "The Way You Look Tonight" is included with Ella Fitzgerald backed by Nelson Riddle from the Songbook series, which gave Fitzgerald's career a big boost. It's fitting and proper that Fred Astaire is on the album, given that he introduced many of the popular tunes from the era when Kern, Cole Porter, and Irving Berlin were laying the foundation for the Great American Songbook. Astaire reprises "The Way You Look Tonight," which he introduced in the 1936 film Swing Time. All of this good music on one CD makes a fine addition to any collection. ~ Dave Nathan
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PID # 3822696


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