The Monkees


The Monkees
Release Date: 02/22/2011
Original Release:  1966
# of Discs:   1
Label: Rhino (Label)

Disc: 1
1. (Theme From) The Monkees sound samples  real  |  windows media
2. This Just Doesn't Seem to Be My Day sound samples  real  |  windows media
3. Sweet Young Thing sound samples  real  |  windows media
4. I'll Be True to You sound samples  real  |  windows media
5. Let's Dance On sound samples  real  |  windows media
6. Take a Giant Step sound samples  real  |  windows media
7. Last Train to Clarksville sound samples  real  |  windows media
8. Saturday's Child sound samples  real  |  windows media
9. Papa Gene's Blues sound samples  real  |  windows media
10. Tomorrow's Gonna Be Another Day sound samples  real  |  windows media
11. I Wanna Be Free sound samples  real  |  windows media
12. Gonna Buy Me a Dog sound samples  real  |  windows media

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Performer: The Monkees
Artist: James Burton; Glen Campbell; Hal Blaine
Engineer: Dave Hassinger; Hank Cicalo...
Distributor: Elektra (Label)

Notes: The Monkees: Micky Dolenz, Davy Jones, Michael Nesmith (vocals); Peter Tork (guitar). Additional personnel includes: Tommy Boyce (vocals, guitar); Bobby Hart (vocals, autoharp, organ, glockenspiel); Wayne Erwin, Gerry McGee, Louie Shelton, Al Casey, James Helms, Don Peake, Michael Deasy (guitar); Jimmy Bryant (fiddle); Bonnie Douglas, Paul Shure (violin); Myra Kestenbaum (viola); Fred Seykora, Joseph Ditullio (cello); Bob Cooper (oboe); Keith Allison (harmonica); Jack Keller (piano); Larry Knechtel (organ); Michael Rubini (harpsichord); Larry Taylor, William Pitman, Bob West (bass); Billy Lewis, Frank DeVito, Jim Gordon (drums). Producers: Tommy Boyce, Bobby Hart, Jack Keller, Michael Nesmith. Reissue producers: Andrew Sandoval, Bill Inglot. Recorded at RCA Victor Studios and Western Recorders, Hollywood, California between June 25 and July 25, 1966. Originally released on Colgems (101). Includes liner notes by Andrew Sandoval. Recording information: RCA Studio, Hollywood (07/05/1966); RCA Victor Studios, Hollywood (07/05/1966); Wester Recorders Studio, Hollywood (07/05/1966); RCA Studio, Hollywood (07/06/1966); RCA Victor Studios, Hollywood (07/06/1966); Wester Recorders Studio, Hollywood (07/06/1966); RCA Studio, Hollywood (07/07/1966); RCA Victor Studios, Hollywood (07/07/1966); Wester Recorders Studio, Hollywood (07/07/1966); RCA Studio, Hollywood (07/09/1966); RCA Victor Studios, Hollywood (07/09/1966); Wester Recorders Studio, Hollywood (07/09/1966); RCA Studio, Hollywood (07/18/1966); RCA Victor Studios, Hollywood (07/18/1966); Wester Recorders Studio, Hollywood (07/18/1966); RCA Studio, Hollywood (07/19/1966); RCA Victor Studios, Hollywood (07/19/1966); Wester Recorders Studio, Hollywood (07/19/1966); RCA Studio, Hollywood (07/23/1966); RCA Victor Studios, Hollywood (07/23/1966); Wester Recorders Studio, Hollywood (07/23/1966); RCA Studio, Hollywood (07/25/1966); RCA Victor Studios, Hollywood (07/25/1966); Wester Recorders Studio, Hollywood (07/25/1966). Created to perform roles in a television series, the Monkees were greeted with scepticism by certain sections of the rock fraternity. The quartet may not have played the instruments on their debut album, but this does not diminish the appeal of its content. Excellent songs by Tommy Boyce and Bobby Hart formed its core, while contributions by Carole King, David Gates and group member Mike Nesmith ensure that the quality remains consistently high. Mickey Dolenz possesses the ideal pop voice and the enthusiasm generated on each performance is completely captivating. The Monkees' grasp of teen angst and melodrama is sure and, now divorced from contemporary travails, this album stands as one of the era's most entertaining debuts.
Mojo (Publisher) (p.130) - 4 stars out of 5 -- "[They were] responsible for some of the most fully-realised, sensationally successful pop rock of the '60s."
One of the most memorable '60s US pop groups, the Monkees were put together by US television producers to play members of a pop band based on the Beatles. They were critcized as a pre-fabricated outfit, but the passage of time has left behind much of the critical drubbing, leaving in its place some great, catchy pop music. By the late '60s HEADQUARTERS, BEES & THE MONKEES, and their musical/cinematic classic HEAD, showed a proper band writing, recording, and producing their own records while garnering commercial and critical success. Michael Nesmith went on to pioneering work in country-rock and music video, while the rest of the band reunited periodically over the years to the delight of an unflagging fanbase.
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