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Tulare Dust: Tribute to Merle Haggard

Various Artists
Release Date: 11/08/1994
Original Release:  1994
# of Discs:   1
J&R Item # 176283_CD
UPC # 012928805827
Label: Hightone
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Disc: 1
1. Tulare Dust / They're Tearin' The Labor Camps Down - Tom Russell sound samples  real  |  windows media
2. Big City - Iris DeMent sound samples  real  |  windows media
3. Working Man Can't Get Nowhere Today, A - Peter Case sound samples  real  |  windows media
4. Holding Things Together - Dwight Yoakam sound samples  real  |  windows media
5. Daddy Frank - Robert Earl Keen, Jr./Sunshine Boys sound samples  real  |  windows media
6. White Line Fever - Joe Ely sound samples  real  |  windows media
7. My Own Kind of Hat - Rosie Flores sound samples  real  |  windows media
8. Shopping For Dresses - Steve Young sound samples  real  |  windows media
9. Silver Wings - Marshall Crenshaw sound samples  real  |  windows media
10. Irma Jackson - Barrence Whitfield sound samples  real  |  windows media
11. You Don't Have Very Far to Go - Lucinda Williams sound samples  real  |  windows media
12. Ramblin' Fever - Billy Joe Shaver sound samples  real  |  windows media
13. I Can't Be Myself - Katy Moffatt sound samples  real  |  windows media
14. I Can't Hold Myself in Line - John Doe sound samples  real  |  windows media
15. Kern River - Dave Alvin sound samples  real  |  windows media

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Performer: Various Artists
Distributor: WEA (Distributor)

Notes: Includes liner notes by Tom Russell and Dave Alvin. If you've been paying any attention at all, you know Merle Haggard ranks among the best singers country music has ever produced. What you might not realize is that he's also one of the genre's finest songwriters. For evidence, just listen to this tribute album, which finds a motley crew of roots artists performing 15 of their favorite Haggard tunes. Despite the absence of many of his best-known songs, the package leaves little doubt that, as the liner notes put it, "Haggard may be the last of a breed of great country songwriters that began with Jimmie Rodgers, and continued through Hank Williams and Lefty Frizzell." Every composition radiates with Haggard's honesty, eye for detail, and strong point of view, and every track has the feel of a classic. The vast majority of the performances are as impressive as the songs. Tom Russell, who co-produced with Dave Alvin, delivers the package's most Haggard-like vocal on a beautifully handled medley of dust-bowl stories, "Tulare Dust/They're Tearin' the Labor Camps Down," while Alvin turns in a haunting "Kern River." Among the many other highlights: Iris DeMent's "Big City," which Haggard reportedly loved; Rosie Flores' interpretation of "My Own Kind of Hat," one of Haggard's many declarations of independence; Barrence Whitfield's version of "Irma Jackson," which addresses race relations via the tale of an interracial romance; Steve Young's affecting "Shopping for Dresses"; and the melancholy "I Can't Be Myself," where Katy Moffatt hits thrilling high notes. Nobody sings Haggard quite like Haggard, but these recordings are classics in their own right. ~ Jeff Burger It's a mark of Merle Haggard's wide influence on current popular music that he could be simultaneously feted with tribute albums by the mainstream Nashville community (see MAMA'S HUNGRY EYES: A TRIBUTE TO MERLE HAGGARD), and by the country and rock outsiders who show up here. It's a mark of his wide songwriting net--he's written prison songs, train songs, labor songs, redneck sing-alongs, libertarian anthems, and a million love songs--that in two albums of singers doing their favorite Haggard tunes there would be only one overlap ("Silver Wings," done quietly here by Marshall Crenshaw and belted out there by Pam Tillis). No matter the subject, Haggard has a way with the deceptively simple hooks and lyrics that mark the best folk music of any era. He scatters sophisticated changes through otherwise basic country formulas, and comes up with choruses that pack the punches of entire songs into simple declarations like "I wear my own kind of hat," or "That's why Irma Jackson can't be mine." These versions get right to the heart of that sensibility, with largely acoustic arrangements and--excepting Iris DeMent's marvelously twangy "Big City"--artfully restrained vocals that revel in the songwriting; and they avoid fancy pop arrangements like the plague. These are the kinds of songs that will be passed down from generation to generation, and TULARE DUST is the sound of younger (than Haggard, anyway) pickers and singers accepting the baton.
Rolling Stone (12/29/94-1/12/95, p.178) - "...Featuring a maverick lineup from the California-Texas axis, the populist-spirited collection suggests that the road to Haggard's songwriting runs straight through Woody Guthrie and John Steinbeck..." Spin (1/95, p.76) - Recommended - "...thrives on variation. Roughly divided between worker paens and lovelorn ballads, this `alternative' disc seems smitten with eccentricity..." Q (1/95, p.262) - 4 Stars - Excellent - "...not only proof Merle Haggard writes peerless C&W social commentary but that there is life yet in the tired old tribute album....Arguably the best country album of 1994..." Option (3-4/95, p.143) - "...Although the artists who contribute to this album come from wildly disparate musical backgrounds, there are no weak links. All carry their songs honestly, authentically and with an obvious affection for the words and melodies they sing. Brilliant..." Mojo (Publisher) (1/95, p.102) - "...a joy from stem to stern....TULARE DUST is primarily talented singer-songwriters from the Texas-California axis who have yet to make a huge commercial mark..."
Similar Genres:
Alt Country  
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PID # 3823037


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